Caos: Os Crimes de Manson

The book by Tom O'Neill was excellent and when I heard about this coming to Netflix, I was excited. But making it into an hour and a half made it very rushed. Pretty disappointed they didn't make it into at least a 4-part series.

A 4-part series would have at least allowed for the time to explore so much more of the backstory and details that were in the book. I guess maybe it's possible that they will make Chaos a series of documentaries about the different parts of the book, but if not, this was a real let down for me.

I highly recommend the book by Tom O'Neill if this documentary at least piqued your interest.

Was it just me? Or did this 90 minute production feel as though it was hacked together and rushed out. I went on and on about Chaos, begging people to read it, it absolutely had me captivated, what a binge read, I don't think it translated well here.

Massively overproduced, it jumps from one theory to the next, not explaining anything in that process, if moves from cutaway to split screen interviews in the most erratic fashion.

Honestly just stick to the book instead, it truly is the most fascinating read, contrast that to this chaotic film, night and day.

Good luck if you can stick with it, I found myself skipping back to try and see what point they were tying to make.

There's clearly some interesting footage, but it's lost in a myriad of cutaways and shots.

Netflix, this sucked.

4/10.

So sloppily done. I couldn't even tell who was speaking most of the time as there were no titles. We were to assume we knew who they were. So the author made the claim that the author of Vincent bugliosi was way off in his theory about why Manson and followers murdered in cold blood. Yet the author of this book did not offer any evidence to the contrary. He uses the term "brainwashing " which can not be used in a court of law because there is no such thing as brainwashing. It's correctly called thought conditioning or thought reform, supported by peer encouragement. The idea that the CIA had anything to do with this event was ludicrous. They were freaking high on drugs and in an isolated cult which removes them from any sort of consciousness or morality other than what they were told. The author Tom O'Neill was simply not credible enough for me to believe.

An enormous disappointment, CHAOS (based on the excellent Tom O'Neill book of the same name) barely scratches the surface of the incredible discoveries O'Neill made and the implications they have for the Manson case. This oddly short, 90-some minute doc, instead plays more like your standard true crime piece, with much time devoted to summarizing the murders themselves for anyone who hadn't yet heard about them. What about the story about how the victims of the Tate murders had the power lines cut when they were watching TV at Jay Sebring's home, the night before the murders - proving that they were not killed as a result of some mixup about Terry Melcher still living at Cielo? What about incredibly suspect names and connections like Reeve Whitson and Charles Tacot, or mobster (and associate of Jay Sebring) Charlie Baron? What about even Bugliosi's astonishing corruption, and incredibly vile acts of evil in his personal life, which hint at him being controlled via blackmail by higher ups? And on and on. This documentary is simply a joke and does not do justice to the true scope and horror of this case. It makes Wormwood look like an absolute masterpiece, and indeed at least that effort from Morris was pretty fair to the subject and didn't seem quite so neutered. This should have been easily a 3-5 ep miniseries; 90 minutes is just far too little for a story like this.

While it is understandable why Charles Manson was regarded back then as having a supernatural charm and ability to influence his followers to commit unspeakable acts, the growth of knowledge into psychology, especially childhood trauma and personality disorders, in the past 50 years will easily dispel any conspiracy theory that arose in the 1970s following the murders. The roll-call of cultish personalities that followed Manson, such as Jim Jones, Marshall Applewhite and David Koresh, is proof that there is nothing magical about their ability to indoctrinate those who are susceptible to their influence; they are all basically following the same set of rules used by the greatest con-artists.

At the start of the documentary, Manson is shown proclaiming that he is not a nice man, but his would-be followers insisted that he is; they needed to view him as "nice" and thereby safe, perhaps helped by his diminutive stature, so he admitted to "reflecting nice back to them". People like Manson wield enormous influence over some simply because their superpower is sniffing out the weaknesses and vulnerabilities of others, and using that to their advantage. This superpower is often the result of severe childhood trauma and/or neglect, where the child does not have any healthy adult role models to learn empathy from, and views other people as merely tools to survive and get their needs met.

A cursory search into Manson's childhood revealed an alcoholic mother who was ill-equipped to raise him, a biological father that he never knew, and a step-father who flagged the mother for "gross neglect of duty". It is therefore no surprise that Manson's life was characterised by anti-social and criminal behaviour. In an ironic twist, the people most susceptible to those like Manson, such as Manson's followers, are usually themselves lost children seeking the guidance and love they never received from their parents. This shared experience of childhood trauma, and subsequent trauma bonding, is why Manson had such a hold over those he sent out to do his bidding. Manson himself was a scared child faking bravado to face the big bad world; that he ran away after injuring Hinman, leaving Beausoleil to deal with it, and how he delegated the killings to his followers proved what a coward he truly was.

As Beausoleil put it, Manson was not a mastermind. Far from it, he was instead a broken child in a man's body, hateful at the world for thwarting his desires, and the murders were his misguided way of taking revenge and exerting his will. That the documentary failed to explore any of his psychology and childhood, as well as that of his followers, makes it incomplete because the conspiracy theories are ultimately not as compelling as the truth behind Manson's deranged machinations. The only thing I got out of it was that Manson was a competent musician and songwriter. Perhaps in a parallel universe, where he had better parents and childhood, he might have become a successful musician, adored by many, instead of this infamous trainwreck of a human being.