Containment

Containment: Would Southampton be improved by a Viral Outbreak? Well thats what happens in this film which was made and set in Southampton. Residents on a tower block estate wake up to find themselves sealed in their apartment. Breaking through (shoddy) walls, six people link up. Outside they can see figures in hazmat suits setting up large tents. Soon residents from the ground floors are being escorted towards the tents. One makes a break for it and is shot dead.

A survival thriller where the State is withholding the full facts and treating ordinary people as expendable. 6/10.

It's low budget but does rather well with what it has. I've seen Hollywood blockbusters costing 100 times this movie that were 100 times worse.

There are plot holes and the characters are somewhat stereotypical, but on the whole I found it gripping enough to keep watching.

Worth a watch and gets a solid six.

Reviewed by: Dare Devil Kid

Rating: 3.5/5 stars

"Containment" gets by purely on resourcefulness and sincerity. It's a niftily executed viral-outbreak thriller that, true to its title, makes good use of a confined space to ratchet up the drama of the situation, while working hard to bypass the more obvious narrative traps it creates for itself. Strong attention to detail and a disquieting score set this directorial debut feature apart, but some of the characters' motivations aren't entirely convincing.

There's nothing groundbreaking in this low-budget British thriller, but newbie director Neil Mcenery-West makes excellent use of his claustrophobic setting. Eventually, "Containment" succeeds in proving that you don't need a whopping great budget, nor an A-list cast to produce an accomplished piece of work.

"Containment" (2015) is the film that sounds cliché but isn't. It's a surprisingly fresh take on an old standby -- diverse people isolated by an outside threat are forced to cope and survive with each other, along with the threat. In this case, an entire apartment block in Britain is forcibly and mysteriously quarantined overnight; residents awake to sealed doors and hazardous materials units being deployed along the grounds.

But this is a smartly written independent sci-fi thriller that avoids a lot of common tropes. Then it introduces plot developments that are unexpected, yet make perfect sense. It's more original than you'd guess at first.

There's a lot of nice acting, including work by Lee Ross, and by Louise Brealey of "Sherlock" (2010) fame.

My only complaint was a thematically ambiguous ending that seemed lost on me. But I'd still give this an 8 out of 10.

"Are you an artist? No.Yes. It's debatable."

In "Tower Block" a group of residents were gradually slaughtered by a sniper and although they didn't really knew each other, they started relying on each other to save themselves from that situation. In "The Divide" it was about survivors of a nuclear attack locked in a cellar ending up in a chaotic struggle for survival. In the low-budget film "Containment", residents of several apartment buildings suddenly realize that their apartment is sealed off, there's no electricity or water and phones are dead. Meanwhile, a sort of field hospital is being set up between the buildings and several figures in orange safety suits escort people to it. Initially, there's the notification that a gas leak is the cause of all this trouble. But as a group of residents witness plain executions of fleeing victims, they realize that there's something more going on.

A group consisting of Mark (Lee Ross), a not so successful artist with a failed marriage, the young couple Sally (Louise Brealey) and Aiden (William Postlethwaite), the aggressive Sergei (Andrew Leung) and his younger brother Nicu (Gabriel Senior) and a somewhat senile older woman called Enid (Sheila Reid), attempt to find a way out. After some thin cardboard-like walls were being demolished (especially by the energetic Sergei), these colorful individuals were able to form a group. A group of individuals who have no idea what's actually going on and who are also total strangers to one another. Soon they start to panic, despite there are messages broad-casted on the intercom that they all should remain calm. The images of hysterical neighbors who try to bash in their window and the aggressive removal of an entire family, clearly don't help with that. As a viewer you start asking yourself what the hell is going on. Is it something military? Or just another epidemic with a deadly virus in the leading role?

And to be honest, this was the most successful part of this indie film. The way the viewer is kept in the dark and information about the entire situation is offered in dribs and drabs. Granted, the whole thing isn't very original and sometimes really looks cheap. No breathtaking action scenes or hallucinatory special effects. The acting wasn't very impressive either. Only Leung was able to convince me, and acted at times really grandiose. And especially Sheila Reid stood out with her demure and brilliant acting. And occasionally the humor was rather enjoyable.

Despite the simple storyline and the typical features that come with this kind of film, Lemon succeeded to distance himself from the most obvious outcome. It's not just another film about a virus outbreak that turns innocent people into bloodthirsty zombies. The oppressive atmosphere maintained in this short film (also a plus). However, again those typical characters appeared as usual. The most positive side about this movie was the bigger picture behind this seemingly simplistic story. A story without a clear answer and open to conjecture. Not exactly a feature I'm a fan of, but here it didn't bother me that much. What did bother me were some practical issues. First of all, I admire the team that managed to seal all those windows and doors in the buildings in such a short time. That must have been a hell of a job. And furthermore I was dumbfounded that no one came up with the idea to throw something heavy through the windows. It don't think this organization succeeded in replacing all that glass by shock resistant material.

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