Lendas do Crime

The second of the big screen retellings of the Kray storyline, following on from 1990's THE KRAYS which starred real-life brothers Martin and Gary Kemp as the terrible twosome. While I enjoyed LEGEND on a superficial level, I found it an oddly hollow viewing experience and not as good as the previous version. The problem lies with the direction, which is oddly inexperienced for a long-time director like Brian Helgeland.

The issues with LEGEND are entirely down to tone, and the tone just isn't right. The setting-up scenes are fine, the transition scenes are fine, and the film is well-shot throughout with an excellent eye for realism and a decent budget. What a shame, then, that all of the pivotal scenes are so oddly staged in a semi-humorous tone. It feels like Helgeland wanted to make the story a comedy, which is the last thing it could be.

This jokey approach to the material manifests itself in the violent moments, which are rather incredibly played for laughs whereas really the raw power of the incidents should have come out. It's present in Tom Hardy's dual role; the special effects are excellent (and have come a long way since Van Damme played twins in DOUBLE IMPACT) but Ronnie Kray is nothing more than a caricature here, a weirdo played for maximum relish by the off-beat actor.

LEGEND also messes up some of the source material, which is a little odd. I've read Reggie's autobiography so have some experience with the facts. For some reason this film plays down the pivotal relationship between the Krays and their mother; the latter only appears in a couple of scenes. In contrast, it bigs up the role Frances Shea played in the story, giving her way too much screen time at the expense of others. Thus at times LEGEND feels like a romance rather than the gangster epic it should be. It's certainly not a bad film, but is it something I'd watch again? Not really - I'd prefer going back to THE KRAYS.

Tom Hardy gives an all time great performance, double acting as both the notorious Kray twins. The story is also quite comedic, clever and full of some great thrilling scenes. One of the great things about this film is you know what you're going to get, and it delivers, then some. It's bloody on top of witty, charming and fun. Legend serves up one of the great films of the year, whilst also being quite modest in its approach.

With Tom Hardy's already established terrific acting skills, Legend becomes something more then a typical gangster crime film. It feels invested into making the viewer content with its two hour runtime, whilst always respecting. The award for best actor goes to… Tom Hardy, for sure.

Tom Hardy is a strange fish as an actor. Famous for being almost incomprehensible in "The Dark Night Rises" and almost equally incomprehensible in his co-starring role in "The Revenant", it's sometimes really difficult to get a sense of his true abilities. Here in "Legend" he gets to show what he's made of…. Twice! Hardy plays both roles in the story of Reggie and Ronnie Kray, the infamous gangsters who ruled across large parts of London in the 1960's.

The film tells the story of the rise of the duo, focusing in particular on the wooing by Reggie of Frances (Emily Browning), the local girl who fell in love with and then married the hoodlum. Reggie and Ronnie – whilst both undisputed 'bad uns' – were as different as chalk and cheese. Reggie was all for semi-legitimizing the business, running deals through his socialite-heavy clubs, and gaining higher-level cover by inveigling his way into control of political contacts such as Lord Boothby (a delightfully oily John Sessions).

In contrast, Ronnie was an out-and-out psychopath with a malfunctioning 'off' button and no button at all marked 'self-control'. An open homosexual – something far more shocking in the '60s than it is today – Ronnie was a medicated loose cannon that even Reggie had trouble controlling. Gathering a posse of 'boys' around him (including Kingsman's Taron Egerton) Ronnie blazes a trail of bloody violence against rival gangs with little regard to the consequences.

On the side of the law was Nipper Read ("Dr Who" re-booter Christopher Ecclestone) as the dogged detective trying to find something – anything – to pin on the brothers.

Hardy manages to convey each brothers' idiosyncrasies so well that you quickly forget that this is the same actor playing both roles. It is only in some of the more interactive scenes (such as a fight between the two of them) that the illusion fails apart somewhat and where acting twins would have made for more convincing footage (unfortunately Jedward were unavailable!).

What makes Hardy's performance as Reggie particularly memorable is that for much of the film - and against your better judgment - you end up rooting for Reggie and wishing him to 'succeed'. (This is more by way of comparison against Ronnie's truly abhorrent behavior than against any absolute measure of 'good').

Browning is also compelling as the love-lost Frances, getting deeper and deeper into a world she has no control over and having to act to extremes of both love and fear. Also worthy of mention is the portrayal by David Thewlis (Lupin from the Potter films) of the Kray's financial adviser Leslie Payne: a man who knows he has the financial respect of the twins (at least Reggie) but is always sailing a dangerous course between kowtowing to them and criticizing their actions.

Written and directed by Brian Helgeland ("Payback"), this is an intelligent British thriller, reflecting a visceral view of the criminal underworld of London in the '60's. Overall, its an enjoyable watch that perhaps - Hardy aside - doesn't quite live up to its potential. A note however for the sensitive viewer: this is a very (very) violent film in places, and a couple of the scenes in particular are hard to watch.

(Please visit bob-the-movie-man.com for the graphical version of this review. Thanks.)

This film tells the story of the rise and fall of the Kray brothers, who ruled the criminal underworld of East London.

I have to say I'm blown away by "Legend". It's not a gangster film where there is senseless violence everywhere. Though there is some violence, it does not take over as the main theme. The story fact concentrates on the interpersonal relationships of the brothers. It tells how Reggie falls in love with Frances, how she feels after the marriage and the path to its destruction. It tells how Ron can be eccentric sometimes, and yet the strong bond of brothers keep them unless. I find the plot engrossing and engaging. It feels as if the film gives an intimate glimpse of their lives, not just their achievements but their emotional connections well. I really feel for the Kray brothers, and evoking such emotions is something unusual for a gangster film!

The actors playing the brothers look quite alike, but not identical because they still have different mannerisms. Imagine the shock I have when the credits reveal that the two brothers are both played by Tom Hardy!

I was really looking forward to this one; the trailers were great and, whilst I'm not one of those who glamourise the Krays (they loved their mums, would do anything for you blah blah blah), I do find it bizarrely fascinating how the Krays/Richardsons have passed into London folklore. Alas, it's a bit of a let down. Hardy throws himself into both roles, by turns amusing and scary as Ronnie and compelling as a Reggie trying to build an empire while struggling to keep his brother in check. But he is let down by a clunky structure, it takes a while to get going and subplots and characters are introduced and then discarded on a whim, an awful Frances Kray voice-over, and an uneven script which can't quite decide if it wants to be an American style gangster flick or tread the same path as The Long Good Friday, Get Carter et al. And who let Duffy and her nails down a blackboard voice back in? I really hoped we'd seen the last of her after that crap Diet Coke ad. The club scenes aren't quite working guys. I know, let's get Duffy, stuck a wig on her and she can caterwaul her way through some 60s classics. High five!!!