Capitão Fantástico

Aesthetically on high-level, questioning the most important points of human life and importance of verbal, mental, physical, social, emotional development and the inability of developing them all on the same level. There are so many factors that influence one's development. And there is space for many mistakes.

High quality acting. Viggo Mortensen gives one of his best performances, a devoted father that wants only the best for his kids, an authority, a leader, a teacher, loving, loyal husband, a grieving human with tough, determined, honest attitude he transmits to his children. Kids, from the youngest to the oldest, act with such naturalness that you simply dive in this masterfully-made journey.

Film doesn't show how one should live and not live because both sides are flawed. Internal and external conflicts make you question the reality of the present, giving you space to find your own balance of how one should live.

I personally started thinking of how there is a massive space for improvement in every field of our lives. An example is school. And how devastating it is that one could neglect the knowledge at that extant. Kids need to be inspired and motivated to learn. And more important is that they have to build inner-motivation that will make them interested and ambitious as they improve the world around them. And of course kids can't be accused for not wanting to learn if the teachers don't show them how and why to love their subject. And of course parents to support them.

This (above) is just one point of where this movie has taken my entranced mind.

This is a movie for every generation. It needs to be noticed, it deserves to be talked about, and discussed. Because that is the point of Captain Fantastic.

I'm a resident and lover of the Pacific Northwest and pretty far left on the political spectrum, so this should have been a film for me. The cinematography is gorgeous. It's well acted and nicely directed. But I had problems with its heavy handedness and Utopian pretentiousness.

Perhaps if I were younger, with a more absolutist worldview, I'd have been able to suspend disbelief enough to enjoy this film without reservation. But it fell flat for me in a number of ways.

First, there are too many things that don't add up, from having a magically fueled bus available at all times despite a lack of that terrible capitalist green stuff to a balanced and varied diet supportive of an extreme training regimen even though living as hunters and gatherers without taking the time or energy to cultivate crops. Everyone manages to stay clean and well dressed despite a lack of electricity or running water. The children are educated to be philosopher-scholars, musicians, theoretical physicists, linguists, endurance athletes and survivalists (all at the same time, as if any one of these challenges would not be a full time endeavor reserved for ones of special gifts and talents) while handling every aspect of their fully self-sufficient lives in their idyllic nature preserve. It's never explained how the family manages to purchase a huge tract of old growth forest or manages to squat without consequence on public land.

Setting aside all of that, I found the political/philosophical point of view of the film heavy handed to say the least. The father inculcates the children with his westernized quasi-Buddhist spiritual philosophy and Marxist ideals; fine. But the film seems intent on antagonizing everyone who doesn't share such views -- though the themes are softened here and there, I guess in an effort to make it seem more open-minded and, thus, palatable to a broader audience.

Personally, though not a Christian, I see no need to belittle and offend those who are. While projecting a supposedly tolerant and nuanced worldview, with some tips of the cap to broad-mindedness as the father realizes he's been perhaps a tad extreme, the film is actually quite intolerant and demeaning of conventional values. Why, for example, is it a good thing to educate the children on how to steal? I've no issue with a nudist lifestyle and have in fact spent time on nude beaches, so I have an understanding of the ways in which removing clothing can strip away pretensions and leave people open and vulnerable in good ways. At the same time, is inflicting one's nudist philosophy on others a good thing? It's also worth pointing out that among the most extreme of contemporary fundamentalists, Wahabi Muslims have this habit of bulldozing the shrines of Sufi Muslims and erecting public toilets in their place as a means to belittle and humiliate. This film, which tries to embody themes that are open and tolerant, in a very real way commits the same offense as the Muslim extremists of Saudi Arabia with a gratuitous scene set in a public toilet.

At the end of the day, for all the messages the film seems to want to carry, it's really a rather thin and hypocritical gruel, blind to the irony of its own intolerance, offering little of lasting value (except a nicely nuanced nutshell review of the Nabikov novel "Lolita").

I've still given the film six stars because it's well crafted and for its efforts to be thought provoking. Those are laudable goals even if the effort ultimately falls far short.

Very well crafted and acted film. And it's just short of a masterpiece. But most reviewers here missed the obvious: Ben is a totalitarian monster.

Kielyr explains the movie to us when forced by her dad to explicate Lolita. And Ben finally sees it himself in the end: "It was a beautiful mistake."

"I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived." Henry David Thoreau

I just happen to be reading Henry David Thoreau's book Walden for a philosophy club. When I saw this trailer I told myself I had to see this before it left my city. The similarity between the book Walden and this film are pretty high. With similar topics of arguments against commercialism and full industrialism. Then throw on top a yearning for spiritual truth and self-reliance. Still, this isn't just a stick your middle finger at the system film. It's way more than that.

Matt Ross has an interesting meditation on what it means to live outside society in America. He shows a couple reasons why someone would do this and show the pros and cons in a very interesting way. The views evolve as the story moves on. Such is life eh?

Viggo Mortensen acting is amazing in this role. With that said, don't overlook Jack (Frank Langella) acting in the film. For a good portion of the film, we only see the point of view from the family and mostly Ben (Viggo Mortensen) at that. But later in the film, you see Jack's motives too. I can see why he acted the way he did and I may have done this same if I was in his spot too.

Bo (George MacKay) gets a couple good scenes too. It's great to see him fumble through interactions throughout the film and to discover what he wants out of adult life. This may or may not conflict with what his dad wants.

I highly recommend this film and can't wait to see what Matt Ross does in the future. If this film comes to your town do yourself a favour and see it. Clever films are rare and need to be supported.

Set against the beautiful Pacific Northwest backdrop, Captain Fantastic is easily one of the most nuanced films to come to mainstream cinema in the last few years. It's main plot addresses the struggle when everyone has the best intentions but not the same values. Additionally, the film makes honest and straightforward comments on controversial issues in today's society that are often taboo in the media such as mental illness, the hypocrisy of children's exposure to violence and sex, religion, and the flaws in the American education system. This sounds heavy and uncomfortable but these issues are paralleled in such a way that parts of the film had us in tears; from laughing so hard. Director Matt Ross says the project started as an exaggerated exploration of the difficult choices that must be made in regards to raising children in today's society. I think the film goes a step further and awakens an internal dialogue in each of it's viewers about the way that we live our own lives based on societal influences. Furthermore, the performances given by the perfectly arranged cast enhance your investment in the story in a way that will cause you to question what right and wrong really are when you're only trying to do your best and do what you think is best for those that you love.