Sing Street: Música e Sonho

A beautifully balanced, sensibly narrated & splendidly performed indie covering the highs & lows of teenage life while demonstrating the magic of creating music with all the romance of the art in tact Sing Street is a heartfelt ode to the carefree, joyous days of growing up and with its subtle touch of melancholy & hummable soundtrack, delivers an experience that's delightfully captivating.

Set in Dublin, Ireland during the 1980s, Sing Street tells the story of a young kid who is looking for an escape from all his troubles at home where his family is on the verge of falling apart, and at his new school where students & teachers are quite rough. His window of opportunity arrives when, in an attempt to impress a girl, he invites her to star in his band's music videos despite not being a part of one.

Written & directed by John Carney, the movie packs just the right amount of heart, fun, nostalgia, heartaches & optimism and also benefits from the interesting set of characters the writer-director brings to life. The events progress in smooth, effective manner from start to finish while the songs are expertly placed at just the right moments to exquisitely capture the underlying context of the emotions on surface.

Production design team does well to nicely capture the period details of the timeline its plot is set in. Cinematography encapsulates the entire feature with an overcast ambiance with warm & cold colours utilised as per the scene requirements. Editing provides a steady pace to its 105 minutes narrative with each scene only taking the story forward while songs are composed from scratch and have an infectious quality to them.

Coming to the performances, Sing Street features a relatively unknown but incredibly committed cast in Ferdia Walsh-Peelo, Lucy Boynton, Mark McKenna, Jack Raynor, Aidan Gillen & Maria Doyle Kennedy and everyone does an excellent job with what they are given. Walsh-Peelo in particular is a standout and shares brilliant chemistry with both Boynton & McKenna while Raynor pretty much steals the show in every scene he appears in.

On an overall scale, Sing Street is the feel-good movie of the year that's euphonic in both happy & sad moments and manages to incorporate a mix of both with amazing comfort. A healthy dose of entertainment that treads the fine line between wishful fantasy & cold reality that promises plenty of laughs & hints of tears, this bittersweet coming-of-age musical comedy hits the right chords at the right time throughout its runtime and is one of the best films of 2016. Definitely recommended.

I didn't expect such a good movie to be honest. The plot sounded interesting but when you watch the movie you get hooked in about 10 minutes. The characters are incredible with their own personality ( i really liked main characters brother , his story was great). The soundtrack was...oh man...it was incredible and a great addition to the movie.

I believe that this is in my top 3 movies of the year so far and that's why everyone should give it a watch. Trust me you will not be disappointed at all. Its an amazing movie for all ages.

Also the acting is great and the 80s of course give the movie a nostalgic and beautiful tone

I'm a sucker for movies about musicians, and John Carney has already given us Once (2007) and Begin Again (2013). Now he delights once more with Sing Street, a tale told with humor, drama, and some pretty catchy songs, all set in the backdrop of 1980's Dublin.

Yes, Sing Street is set in the 80's so it undeniably lends itself to comic relief as these schoolboys are forced to navigate through hair, makeup, clothing and music video choices along their artistic journey. We get plenty of laughs as we watch them try to forge an identity and look like bona-fide rock stars in this crazy MTV generation. And for good measure, they insert the obligatory Phil Collins joke in the mix.

There is quite a deal of drama as well. We see bullying in an all-boys school, dysfunctional families, the economic hardships of Ireland in the 80's and young people's wish to break out of societal malaise and seek their fortunes elsewhere. I haven't lived in Ireland but the desire to pack your bags and start over in another place is a universal one. Audiences in every continent can relate to that.

The cast is solid and I was very impressed with the leads, especially Ferdia Walsh-Peelo who plays Connor. He can be charming, kind, insecure but out-of-nowhere gutsy which is an accurate depiction of a blossoming musician. After the first hour I began to be doubtful of the character of Connor's brother Brendan for seeming to be too wise for his age, but by the end of the film it all made sense, and Jack Reynor was a fine choice for that role. Lucy Boynton (Raphine) is great as the love interest and mysterious but troubled muse; she packs an emotional performance and probably looks the most natural in 80's fashion, although she didn't quite convince me as a 16 year-old and it wasn't because of all the excess hair and makeup. On the other hand Mr. Walsh-Peelo (Connor) was only 15 when the movie was shot and he's got that boyish appearance. Finally Mark McKenna (Eamon) has such an uncanny resemblance to Julian Lennon it's scary! But a good actor too.

As far as concerns I had only a few major ones but they didn't detract from the enjoyment of the film. First is that the story moves very quickly in the first 30 minutes or so, then takes the foot off the pedal for the remainder. And second, it's a little unrealistic that these kids can write quality songs right out of the blocks. It would have been fun to hear a real stinker when they're starting out. I'm a musician and believe me, our first attempts are pretty bad. That's true even for the all-time best.

There were a few other minor things but they're not worth mentioning. This is a great story, it got all the laughs, cheers and tears in the right places and I would recommend it to everyone, especially those who want to express themselves through art and aspire to greatness. Dream big, all you adolescents. A big thanks to John Carney et al for reminding us of that and making a quality film.

There's nothing quite like the creative process. We've all had that feeling; unfolding with all its frenzied excitement, malleable thoughts and brainstorms and inventive problem-solving. Yet creativity isn't just limited to what music you make, what stories you write, what paintings you paint. Flexing the limits of your creativity is almost like a window into your identity. Do you look for the easy fix, do you power through despite mental blocks, do you try the unexpected or bend towards an originality or an universality. So it goes with Sing Street, a movie that expands the notion of creativity itself, making an unabashedly and irresistibly charming film.

Conor Lalor (Walsh-Peelo) and his family live in a charmed dwelling overlooking the urban sprawl of South side Dublin. Due to financial strain, Conor is informed that he's being taken out of his private Jesuit high school and being transferred to a public school nearby. At first, things go miserably. He's hassled by bullies, called names openly in class and harangued by the school's principal Father Baxter (Wycherley). His only solace is watching new wave music videos with his older brother Brendan (Reynor). Things change however with the appearance of the mysterious and strikingly beautiful Raphina (Boynton) who stands on the stoop outside the school. He approaches her and asks her to be in a music video; she agrees. Next step: start a band.

Conor quickly makes friends with a gaggle of outcasts from the school in order to haphazardly start, build and maintain a fledgling little group. Among them is the multi-talented Eamon (McKenna) who can not only play multiple instruments but can put Conor's lyrics to song. It is the moments between these two young artists that best exemplifies the movie's central theme. We share with them the 4am feeling of unbounded imaginative bliss as they riff off each other, clean up their chords and rhythms and ask each other the meaning behind the songs they write. Because of Eamon's father's vocation as a covers band leader, the band not only has a place to practice but instruments to play which benefits the rest of the players as they develop their sound.

Conor uses his band not only for the purpose of wooing the girl but also as a means to escape his increasingly turbulent home life. The marriage between his mother (Doyle Kennedy) and father (Gillen) circles the drain as his dropout brother smokes hash and oozes cynicism and unrealized potential. In one moment of investigation, Brendan points to the mother who sits on the stoop, smoking a cigarette, hoping to catch the last rays of sunshine of the day. With big talk of some day going to Paris, the mother settles on these moments to sulk in bitter reflection. "I cleared a path for you." Brendan says in a moment of defeat. Seems his carefully curated collection of vinyl and his grimacing observations serve as a counterpoint to encourage Conor's brazen dreams.

Yet it's the girl who pushes Conor to the point of unique creative verisimilitude. And as the would-be model that captures the heart of our young hero, Lucy Boynton is an absolute vision. She coyly hints at gigs and glamour in London yet she lives at an all girls boarding house and dates a guy who listens to Genesis. Yet despite outward moments of confident sashaying, behind the makeup and denim there beats the heart of a true romantic and a true creative conduit. "When it comes to art, you never go halfway." she says just after she throws herself into the Irish Sea for the sake of a good video. This moment is immediately followed by Conor responding in kind.

And yes this movie is about a new wave band in the 1980's, so yes there is a lot of hair, makeup, posh scarf wearing and mod style bravado. While today we like to take potshots at the synth-pop aesthetic, there's still something utterly charming about the way it is presented here. Is it nostalgia; probably. Yet there's an unawareness to it, allowing the audience to discover (or re-discover) the trappings of 80's popular music in real time. The excitement Brendan and Conor feel in watching Duran Duran's Rio music video is infectious, and the original songs by the band are easily the best thing about Sing Street.

Conor eventually finds a since of identity within the catchy rhythms of his songs, the jejune charms of Raphina and the kindliness of Brendan's brotherly love. The moments of kitchen sink realism serves not only as a cautionary tale to Conor but to us as well. When we refuse ourselves the rewards of creativity we risk becoming embittered, angry and resentful. In the words of Kurt Vonnegut, "Go into the arts. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow." To put it another way, go create something.

Few (if any) of us were who we wanted to be when we were in high school. While high school girls often think they're not pretty enough or popular enough, boys fear they're not cool enough or tough enough. Of course, these are only a few of the characteristics that teens in high school – both boys and girls believe they lack. The point is, during adolescence, all kids think that they're not "enough"… of something. Well, I say "enough already" – and so does Irish writer-director John Carney, through his music-oriented comedy-drama "Sing Street" (PG-13, 1:46). This is a film that shows us it's okay to be insecure and sad sometimes, but you can also learn to be happy during those times and even to rise above them. "Happy-Sad" the film calls it. I call the film insightful, encouraging and entertaining.

Conor Lalor (Ferdia Walsh Peelo) is, in many ways, a typical 15-year-old. He goes to school, where he has both friends and enemies. He has family members who love him, but also add challenges to his life. And, of course, he wants to earn the affections of someone special who has caught his eye. The details of the framework of Conor's life may differ from yours (as well as his gender, interests, location and even time period), but he should be easy to relate to – for anyone who attended (or is now attending) high school.

As for Conor, he lives in Dublin, Ireland in 1985. He has a brother (six years older) named Brendan (Jack Raynor), who is out of school but still lives at home, and a younger sister named Ann (Kelly Thornton). Their parents (Aidan Gillen and Maria Doyle Kennedy) argue – loudly – about money, their kids, their marriage, etc. Conor has the experience of changing schools, starting at Synge Street Christian Brothers School, where, as the new kid, he quickly runs afoul of the principal (Don Wycherly) and the school bully (Ian Kelly). However, Conor soon makes a friend named Darren (Ben Carolan) and is quite taken by a mysterious girl named Raphina (Lucy Boynton) who lives across the street from the school.

As a way of getting to know Raphina, Conor asks her to be in a music video for his band. She agrees, so now all Conor has to do is… start a band! He gets Darren to be the band's manager – slash – music video producer. Darren introduces Conor to Eamon (Mark McKenna), who is skilled at a variety of instruments. After the guys recruit from among their school mates, adding friends Larry (Conor Hamilton) and Gary (Karl Rice), along with Ngig (Percy Chamburuka), the only black kid at Synge Street CBS, they choose "Sing Street" as the name of their band, and start working on their band's musical and visual identity.

Heavily influenced by early-mid 1980s acts like The Cure, Joe Jackson and Hall & Oates (whose songs appear in the soundtrack), Sing Street works up a cover of Duran Duran's "Rio" and then Conor and Eamon start writing original songs together. Brendan makes use of his misspent youth to school his younger brother in the finer points of modern music and encourages Conor to stretch musically. Soon, Raphina becomes Conor's muse and a regular in Sing Street's videos. Raphina and Conor also grow closer, in spite of her "it's complicated" relationship status and her plan to move to London to model.

"Sing Street" features a whole lot of talent – on both sides of the camera – and the microphone. Carney's direction and his script are sensitive, engaging and fun. The story has a lot going on, but still keeps things simple, and derives its entertainment value from a variety of sources. The drama comes from following the development of the band, the relationship between Conor and Raphina, the relationships within Conor's house and Conor's problems at school. The comedy comes from the behavior of the film's colorful characters and the natural awkwardness of teenagers discovering life.

Carney says the film is "wish fulfillment of all of the things I wanted when I was the age of the character and didn't do." To portray a fictionalized version of his own adolescence, he cast unknown, but talented actors – with terrific results. Raynor creates an interesting and passionate character, who is dealing with the fear that life is passing him by. For their part, Walsh-Peelo and McKenna, besides being fine young actors, are talented musicians in real life – all the better to perform the film's excellent original songs.

As the main character, Conor's struggles are relatable, his dreams are understandable and his story is enjoyable. The film isn't completely original or realistic, but it's very effective as a representation of the trials, tribulations and potential triumphs of the teenage years, and offers hope as to what could lie ahead – for those who make the most of those years – and the lessons they produce. "You can never do anything by half," is one character's heart-felt proclamation. "Sing Street" continually speaks to the heart – through its comedy, its drama and its wonderful music – and doesn't do it by half. "A-"