A histórica de Barry Seal um piloto americano que se voltou narcotraficante para a CIA em 1980 numa operaçao clandestina conhecida como o Caso Contra Irão.A histórica de Barry Seal um piloto americano que se voltou narcotraficante para a CIA em 1980 numa operaçao clandestina conhecida como o Caso Contra Irão.A histórica de Barry Seal um piloto americano que se voltou narcotraficante para a CIA em 1980 numa operaçao clandestina conhecida como o Caso Contra Irão.
- Prêmios
- 3 indicações no total
Fredy Yate
- Carlos Lehder
- (as Fredy Yate Escobar)
Avaliações em destaque
I do love Tom Cruise movies...he is great... but in this instance....this movie is yet another remake....it should be called American Re maid....the original with the late Dennis Hopper was more believable and funnier.......Tom should keep his flying movies to Top Gun and its sequels.....So watch this movie with a grain of salt and than go watch Double Crossed...and tell me what you think... I believe you will be pleasantly surprised!!1
American Made was a good watch - the story keeps a good steady momentum, the direction and editing are vibrant and dynamic. It has the vibes of something like Wolf of Wall St or a Guy Ritchie film, where despite the nature of the events you find yourself rooting for a criminal and laughing at the black comedy of how things unfold.
But it stays firmly in the mode of fast-paced 'zany' without ever really digging into emotions, desperation, or any human reflection. Barry Seal as a character remains a breezy, zany blur. Its just that kind of film. I think Cruise has a lot to do with that - his vanity as an actor, having to be seen as either confused- smiley or cool-intense in any given moment limits his courage to do anything else (Born on the Fourth of July was a real anomaly for him in terms of range).
Its as entertaining as any two episodes of Narcos - but without Narcos' complexity and variance. Good but not great, definitely worthy of a viewing.
But it stays firmly in the mode of fast-paced 'zany' without ever really digging into emotions, desperation, or any human reflection. Barry Seal as a character remains a breezy, zany blur. Its just that kind of film. I think Cruise has a lot to do with that - his vanity as an actor, having to be seen as either confused- smiley or cool-intense in any given moment limits his courage to do anything else (Born on the Fourth of July was a real anomaly for him in terms of range).
Its as entertaining as any two episodes of Narcos - but without Narcos' complexity and variance. Good but not great, definitely worthy of a viewing.
Tom Cruise is back with a vengeance and after the train wreck that was The Mummy i can safely say that this movie proved that Cruise can act and Liman can direct.
While the narrative structure isn't always the best flowing the movie delivers great performances, an atmosphere that sucks you into the time period, and well made shots.
A highly underrated movie that i would personally recommend and a definite 8/10.
While the narrative structure isn't always the best flowing the movie delivers great performances, an atmosphere that sucks you into the time period, and well made shots.
A highly underrated movie that i would personally recommend and a definite 8/10.
In director Doug Liman who Tom Cruise has worked with a few times, Cruise has found someone who he could loosen up with a little, make a lower budget colourful flashy film where Cruise can be a little chaotic and free wheeling.
American Made is a fast paced film. A wily, naughty mischievous risk taker Barry Seal who goes from being a TWA pilot to a CIA contractor who ends up supplying arms to trafficking drugs for Escobar to training an illegal right wing Nicaraguan army.
Seal makes so much money he does not know what to do with it or even hide it. Of course there is a downside, eventually they are all after him and even his cunning cannot evade them all. Pursued by the FBI, Police, DEA, various cartels, Seal really has nowhere to run or hide.
Cruise seems to be enjoying himself on screen, Liman keeps the film moving but in a sense it is a familiar story. Once Seal makes it big, has a few bumps along the road, you even get that scene when you know the decline in his fortunes will start.
American Made is a fast paced film. A wily, naughty mischievous risk taker Barry Seal who goes from being a TWA pilot to a CIA contractor who ends up supplying arms to trafficking drugs for Escobar to training an illegal right wing Nicaraguan army.
Seal makes so much money he does not know what to do with it or even hide it. Of course there is a downside, eventually they are all after him and even his cunning cannot evade them all. Pursued by the FBI, Police, DEA, various cartels, Seal really has nowhere to run or hide.
Cruise seems to be enjoying himself on screen, Liman keeps the film moving but in a sense it is a familiar story. Once Seal makes it big, has a few bumps along the road, you even get that scene when you know the decline in his fortunes will start.
If you ask anyone to list the top 10 film actors, chance is that "Tom Cruise" would make many people's lists. He's in everything isn't he? Well, actually, no. Looking at his IMDb history, he's only averaged just over a movie per year for several years. I guess he's just traditionally made a big impact with the films he's done. This all rather changed in the last year with his offerings of the rather lacklustre "Jack Reacher: Never Go Back" (FFF) and the pretty dreadful "The Mummy" (Ff) as one of this summer's big blockbuster disappointments. So Thomas Cruise Mapother IV was sorely in need of a upward turn and fortunately "American Made" delivers in spades.
"Based on a True Story" this is a biopic on the life of Barry Seal, a hot shot 'maverick' (pun intended) TWA pilot who gets drawn into a bizarre but highly lucrative spiral of gun- and drug-running to and from Central America at the behest of a CIA operative Monty Schafer (Domhnall Gleeson). All this is completely mystifying to Barry's wife Lucy (Sarah Wright) who is, at least not initially, allowed to be 'in' on the covert activities.
The film is a roller-coaster ride of unbelievable action from beginning to end. In the same manner as you might have thought "that SURELY can't be true" when watching Spielberg's "Catch Me If You Can", this thought constantly flits through your mind. At each turn Seal can't believe his luck, and Cruise brilliantly portrays the wide-eyed astonishment required. This is a role made for him.
Also delivering his best performance in years is Domhnall Gleeson ("Ex Machina", "Star Wars: The Force Awakens") as the CIA man with the (whacky) plan. Large chunks of the film are powered by his manic grin.
As an actress, Sarah Wright is new to me but as well as being just stunningly photogenic she works with Cruise really well (despite being 20 years his junior - not wanting to be ageist, but this is the second Cruise film in a row I've pointed that out!)). Wright also gets my honorary award for the best airplane sex scene this decade!
Written by Gary Spinelli (this being only his second feature) the script is full of wit and panache and - while almost certainly (judging from wiki) stretches the truth as far as Seal's cash-storage facilities - never completely over-eggs the pudding.
Doug Liman ("Jason Bourne", "Edge of Tomorrow") directs brilliantly, giving space among the action for enough character development to make you invest in what happens to the players. The 80's setting is lovingly crafted with a garish colour-palette with well-chosen documentary video inserts of Carter, Reagan, Oliver Stone, George Bush and others. It also takes really chutzpah to direct a film that (unless I missed it) had neither a title nor any credits until the end.
The only vaguely negative view I had about this film is that it quietly glosses over the huge pain, death and suffering that the smuggled drugs will be causing to thousands of Americans under the covers. And this mildly guilty thought lingers with you after the lights come up to slightly - just slightly - take the edge off the fun. Stylish, thrilling, moving and enormously funny in places, this is action cinema at its best. A must see film.
(For the full graphical review of the film please visit http://bob- the- movie-man.com. Thanks.)
"Based on a True Story" this is a biopic on the life of Barry Seal, a hot shot 'maverick' (pun intended) TWA pilot who gets drawn into a bizarre but highly lucrative spiral of gun- and drug-running to and from Central America at the behest of a CIA operative Monty Schafer (Domhnall Gleeson). All this is completely mystifying to Barry's wife Lucy (Sarah Wright) who is, at least not initially, allowed to be 'in' on the covert activities.
The film is a roller-coaster ride of unbelievable action from beginning to end. In the same manner as you might have thought "that SURELY can't be true" when watching Spielberg's "Catch Me If You Can", this thought constantly flits through your mind. At each turn Seal can't believe his luck, and Cruise brilliantly portrays the wide-eyed astonishment required. This is a role made for him.
Also delivering his best performance in years is Domhnall Gleeson ("Ex Machina", "Star Wars: The Force Awakens") as the CIA man with the (whacky) plan. Large chunks of the film are powered by his manic grin.
As an actress, Sarah Wright is new to me but as well as being just stunningly photogenic she works with Cruise really well (despite being 20 years his junior - not wanting to be ageist, but this is the second Cruise film in a row I've pointed that out!)). Wright also gets my honorary award for the best airplane sex scene this decade!
Written by Gary Spinelli (this being only his second feature) the script is full of wit and panache and - while almost certainly (judging from wiki) stretches the truth as far as Seal's cash-storage facilities - never completely over-eggs the pudding.
Doug Liman ("Jason Bourne", "Edge of Tomorrow") directs brilliantly, giving space among the action for enough character development to make you invest in what happens to the players. The 80's setting is lovingly crafted with a garish colour-palette with well-chosen documentary video inserts of Carter, Reagan, Oliver Stone, George Bush and others. It also takes really chutzpah to direct a film that (unless I missed it) had neither a title nor any credits until the end.
The only vaguely negative view I had about this film is that it quietly glosses over the huge pain, death and suffering that the smuggled drugs will be causing to thousands of Americans under the covers. And this mildly guilty thought lingers with you after the lights come up to slightly - just slightly - take the edge off the fun. Stylish, thrilling, moving and enormously funny in places, this is action cinema at its best. A must see film.
(For the full graphical review of the film please visit http://bob- the- movie-man.com. Thanks.)
Você sabia?
- CuriosidadesTom Cruise is a qualified pilot. He did all of his own flying scenes during filming.
- Erros de gravaçãoBarry Seal did not quit his job at TWA. In July of 1972 he was fired for taking fraudulent medical leave in order to participate in an explosives smuggling operation.
- Citações
Barry Seal: I'm the gringo who always delivers.
- Cenas durante ou pós-créditosAt the very end of the credits, tucked among the copyright disclaimers is the sentence, "And yes, we know that's not El Salvador." This is a reference to a joke in the film about mistaking El Salvador for Nicaragua on the map. In fact, the country on the map was neither El Salvador nor Nicaragua, it was Honduras.
- ConexõesFeatured in Half in the Bag: The Mummy (2017)
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Barry Seal, sólo en América
- Locações de filme
- Ball Ground, Geórgia, EUA(Mena, Arkansas)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 51.342.000
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.776.390
- 1 de out. de 2017
- Faturamento bruto mundial
- US$ 134.866.593
- Tempo de duração1 hora 55 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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