Uma família de Los Angeles com sérios problemas de limites tem seus passado e futuro desvendados quando uma dramática situação faz que os segredos de todos se espalhem.Uma família de Los Angeles com sérios problemas de limites tem seus passado e futuro desvendados quando uma dramática situação faz que os segredos de todos se espalhem.Uma família de Los Angeles com sérios problemas de limites tem seus passado e futuro desvendados quando uma dramática situação faz que os segredos de todos se espalhem.
- Ganhou 8 Primetime Emmys
- 56 vitórias e 121 indicações no total
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Resumo
Reviewers say 'Transparent' delves into gender identity, family dynamics, and transformation, focusing on a transgender parent and their dysfunctional family. Jeffrey Tambor's performance is highly acclaimed, yet the show faces criticism for unlikable supporting characters, inconsistent tone, and underdeveloped dialogue. Some appreciate its mature themes and nudity, while others find it lacking depth and coherence. The series also examines Jewish identity and complex relationships.
Avaliações em destaque
Stories like this only come every so often. Its subject matter is just as strong and as unique as it's cast of characters. I decided to take a chance on watching the pilot after hearing that Jeffrey Tambor plays an interesting role in this story. Beyond original, it is one of his toughest and brilliant performances in his long artistic career. The pace of the show along with it's abundance use of nudity reflects the mundane as well as the rawness Transparent showcases. It's audience is guaranteed to grow as the subject matter starts to become universal to each of the show's characters. Each of them are going through a transformation. This fantastic cast includes Gaby Hoffmann, Judith Light, Jay Duplass, Amy Landecker and Rob Huebel. Each bring a subtle interest to the show's subject matter.
At times there are moments of comedy, sadness and deep thought. Very few shows are able to capture this. Second to only House of Cards, Transparent will and should be the most watched "online" series today.
At times there are moments of comedy, sadness and deep thought. Very few shows are able to capture this. Second to only House of Cards, Transparent will and should be the most watched "online" series today.
Like many ppl already said , the last episode sucks. But hey there were 4 great seasons before that. And those were good so enjoy the show, and than open a bottle of wine for the last episode ...
I began watching this series by accident one night. I am not someone aware of the issues that face trans-gender people but do know a couple of people that have recently began the transition and i thought this series may help the masses to be more accepting of difference. However unfortunately all i have found in both the first and second series are a group of self obsessed selfish individuals and i couldn't dislike the characters more if i tried, there lives are so bizarre, twisted and meaningless and all the seem to do is hurt everyone around them, not one of the characters actually seems to care about any of the others. I am not a prude but I think it is over sexed and untrue to life. Its not funny, its not enlightening, its not even interesting. What it is, is mundane, at times offensive on a number of levels and unbelievable, i do not feel it offers a true insight into any families life but just serves to try and shock, which it also does not achieve.
I will watch to the end of series 2 in the hope that something good will come from this complete waste of my time.
I will watch to the end of series 2 in the hope that something good will come from this complete waste of my time.
I kept watching and watching, hoping that as I got to know them I would begin to care about this extraordinarily shallow, spoiled and obnoxious bunch of people - or even to laugh at them for being so relentlessly revolting - but the opposite happened. By the middle of Episode 7 I loathed every one of them so deeply that I just wished The Big One would finally come along, pull the chain, and flush the entire state of California to the bottom of the Pacific Ocean where it belongs. Then it occurred to me that I didn't HAVE to watch this crap, so I stopped.
I love the idea behind this series, and it might have been really good if only there were at least one character I could stand to watch, or laugh at, or maybe even like. There isn't.
Tambor and Hoffman are excellent in roles that fit their talents so perfectly that it's hard now to imagine either of them ever playing any other characters. I do care about those two actors - especially, now, for the first time, Hoffman. I just don't care at all about either character. I wish I wished Maura well, but I just don't. I can't. She's too dishonest and shallow and selfish.
The other actors - with one notable exception - are all right but don't bring any personal depth to their tiresome, narcissistic characters, as Tambor and Hoffman do. The exception is Judith Light, whose restrained and sensitive performance in Save Me was a revelation. Here she shows no subtlety or intelligence at all, playing a Southern California Jewish matron so shrill and strident that the human being is completely lost in the stereotype.
Most of the writing is clever, the production is excellent, and the series might have been a real treat if I could only have cared about even ONE of the profoundly revolting characters.
I love the idea behind this series, and it might have been really good if only there were at least one character I could stand to watch, or laugh at, or maybe even like. There isn't.
Tambor and Hoffman are excellent in roles that fit their talents so perfectly that it's hard now to imagine either of them ever playing any other characters. I do care about those two actors - especially, now, for the first time, Hoffman. I just don't care at all about either character. I wish I wished Maura well, but I just don't. I can't. She's too dishonest and shallow and selfish.
The other actors - with one notable exception - are all right but don't bring any personal depth to their tiresome, narcissistic characters, as Tambor and Hoffman do. The exception is Judith Light, whose restrained and sensitive performance in Save Me was a revelation. Here she shows no subtlety or intelligence at all, playing a Southern California Jewish matron so shrill and strident that the human being is completely lost in the stereotype.
Most of the writing is clever, the production is excellent, and the series might have been a real treat if I could only have cared about even ONE of the profoundly revolting characters.
What started out as a unique idea and was well written and acted has quickly gone the way of most TV and lost it's way. This last season is simply an annoying repetition of the various characters dysfunctional relationships and in ability to cope. In many ways a lot like my own family which drives me totally nuts. It did better when it was examining the issues and angst of becoming a trans late in life but now has decided to abandon that theme and go on to frustrating portraits of Jewish angst. We cannot follow this show any longer and have abandoned it for more intelligent viewing. This is now nothing more than a copy of all of Woody Allen's earlier movie themes.
Você sabia?
- CuriosidadesInspired by and loosely based on true events, Transparent draws themes from series creator Joey Soloway's own father coming out as a trans parent three years prior to the show's release.
- ConexõesFeatured in Conan: Jeffrey Tambor/Al Madrigal/Ashley Monroe (2015)
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Detalhes
- Tempo de duração30 minutos
- Cor
- Mixagem de som
- Proporção
- 2.00 : 1
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