Assassinato

"Assassination" or "Amsal" is an engaging and epic mixture of an espionage action film and a historically inspired drama. Both genre parts are equally balanced and the modern special effects aren't so overloaded that they feel out of context in a movie set more than eighty years ago. The film convinces with an intellectually appealing script, diversified and great characters and acting performances and a solid mixture of historically inspired storytelling, personal drama parts and tense action scenes. There is no doubt that this is one of the best movies of the year.

Over the course of almost two and a half hours, the film tells the story of an assassination attempt on a Japanese governor and a pro-Japanese Korean business tycoon by Korean resistance activists during Japan's colonial rule of Korea. The movie is set at different times and even the perspectives slightly change which makes the movie a little bit hard to follow in the beginning. The film takes all the time it needs to introduce the different characters and the historical settings which adds a lot of depth to the characters, details to the historic elements and emotions to the story. These are the reasons why the slightly long introduction that might be hard to sit through for wider audiences is absolutely essential to the rest of the movie.

The first slow-paced hour builds up to the furious last ninety minutes of the film. The final two thirds of the film feature a stellar acting performance, a smart use of camera angles, costumes, locations, soundtrack and special effects by the director and a clever story with many predictable but also unpredictable twists and turns in form of different conspiracies.

Especially the fate of female sniper Ahn OK-yun who is portrayed by an absolutely stunning Jun Ji-hyun in the best performance of her career is a key element of the movie. Most viewers will probably care a lot about the twisted ups and downs of this engaging character.

The showdown of the movie is one of the best directed action scenes in world cinema this year and in the history of Korean cinema in general. It's not as memorable as the fighting scenes in "Oldboy", "The Man from Nowhere" or "The Admiral: Roaring Currents" but it gets quite close and has a breathtaking choreography. The coda of the movie which takes place almost two decades after the actions of the main plot is an excellent way to end a great movie on a high note.

Due to it's complex story and high number of directional ideas, I would recommend watching this movie several times. This emotional action-drama is definitely worth your attention and one of the cinematic highlights of the year. I can't wait to revisit this great film and buy this movie on DVD or Blu-ray next year.

If you like to watch movie in 1900s, this is one of the movies you should watch. The movie set brings you back to Japanese colonialism era in Korea. The characters also spark their own personality throughout the movie. I love this movie because of the cinematography as well. This movie has a good plot. However, you might need to focus to watch this as it can be quite confusing in the beginning.

The always entertaining Gianna Jun headlines Assassination, a thrilling historic drama set during the 1930s in Japanese Occupied Korea. An OK-Yoon (Jun) is an expert marksman released from prison to execute a daring plot. Hired by Yeom Suk-Jin (Lee Jung-Jae), she is to take Soksapo (Cho Jin-Woong) and Hwang Deok-Sam (Choi Duk-Moon) to Seoul, where they will terminate Kang In-Gook (Lee Kyoung-Young), a vile Japanese sympathizer.

At the same time, Hawaii Pistol (Ha Jung-Woo) and his accomplice Younggam (Oh Dal-Su), two expert assassins who care only for profit, are hired to eliminate the assassination team, though problems arise when Hawaii Pistol confronts OK-Yoon, and finds himself torn between his mission, and a possible future with his beautiful target.

Unlike Choi-Dong Hoon's The Thieves, where audiences were left guessing which characters had nefarious agendas, the director in this instance reveals the identity of the traitor almost immediately. This however, does not come at the expense of the plot, as we watch how the villain manipulates other characters, and eventually begins to psychologically suffer from living a treacherous existence. Often during the film, audiences are privy to information that characters are denied, and though we acknowledge interconnections between characters that even they know nothing of, further details could have been provided to flesh out the heroes and antagonists alike. As an example, though clues are provided as to why OK-Yoon was given a prison-sentence, a definitive answer is never provided.

Again, unlike The Thieves, the use of humorous dialogue is kept to a minimum, accentuating the morbid tone the film primarily exhibits. The action scenes moreover are very entertaining, heightened by the settings, that are occasionally rarely seen in such a genre, the explosions and gun battles that take place dazzling the screen. At the same time though, these scenes predominately transpire later, the film being more of a war drama, than an action film.

Assassination is set over several decades, the way the multiple narratives intersect to reveal how moments shape the plot, alongside character's lives, accentuating the story. At the same time however, the stereotypical Korean melodrama does render the film predictable, poignant moments in the narrative being capitalized to gather emotive reactions from viewers, the resulting consequences being very foreseeable, which diminishes some of the film's more powerful moments.

The feature is a very typical war film, in that it represents only one side of the confrontation, in this case, the Koreans, who are portrayed as sympathetic victims. This is heightened by the villainous qualities of the antagonists, Japanese soldiers like Kawaguchi (Park Byung-Eun) being visualized as deranged murderers, whose loathsome deeds render them inhuman.

There are occasional moments of beauty to be had over the film, however, much of Assassination demonstrates the horrific violence that transpires, condemning such actions, while embracing the belief, those who can do good, should vehemently do so. Despite The Thieves being a more enjoyable film, Assassination will certainly stay with you, long after it has finished.

It's another amazing film from Korea.

There was a lot of stuff to take in, that could be overwhelming for someone like me who has to use subtitles to keep up.

A lot of sub stories were going on around the main story of Japanese occupation of Korea.

Lucky for me the film making was very visual, the best way to weave a movie so it was not hard to understand everything that was going on and there was a lot, but it all fit together beautifully.

The cinematography was well done as well as the costumes designs and I loved the action sequences. There was scenes that used CGI, but they did not over use it which is done too much in pictures.

Very impressive.

Based on real events, this may seem a bit convoluted at times, but still very engaging to watch. You can feel the desperation and the pressing times this is portraying. The introduction of the characters takes its time and still sometimes you wonder what the real motives are behind some of the actions being done here.

Still the action is well shot and choreographed, which is crucial, but the drama bits work too. The pace is nicely done and you almost don't feel this is a long movie at all. The ending might be a bit over dramatized, but it should work with most viewers, especially after the journey we just went through.