Flesh and Bone

People writing bad reviews based on their dance past may have a point, but might be viewing this from the wrong perspective. Yes the show is about a ballet company, but it tells a story, more than one actually and even if there are clichés in it, that's called dramatizing the story.

What is being told here could have used any background. Look at 'Mozard in the Jungle', that setting could have fit too. Yet, finally someone takes courage in making a beautiful show with ballet as background. Shouldn't you people be proud of that instead of pissing on it?

For me, I love ballet, but that's not only the reason why I'm watching and I never really leave reviews here, but reading from 'ex-dancers' I thought it felt unfair how the show was being reviewed. The acting is very good, esp. from the lead, the dancing imo is good enough to fool the audience and it's the whole vibe of the show (the way it's shot, the music) that sets a really pleasant tone to watch it. I am kinda sad there aren't more episodes, yet.

So, watch it, don't judge too soon and enjoy it. It's like reading a good book!

This is so bad that it's literally laugh out loud funny. The dialogue of the Ballet director queen is predictably ridiculous and unreal. Every aspect of this show is predictable because all you have to do is just picture the dumbest direction the scene could possibly take and there it goes.

The year was 1995 and Joe Eszterhas, the top of writer of the day for mainstream exploitation films, released (unleashed) his most exploitative script of all time -- Showgirls.

At the time, it seemed like a slam dunk. It had something to push everyone's buttons. It was about strippers. It had dancing and sex. It had backstory. And just as additional insurance to guarantee greatness, the casting director deliberately picked the female star of a popular teen sitcom for the leading role -- guaranteeing a "shock" factor as the world watched a sweet teen icon go down the darkside.

It should have worked but it didn't. The mass audience, the gestalt, seemed to belatedly develop a conscience and punished the film, presumably, as payback for all the earlier works of of Eszterhas' they enjoyed but probably shouldn't have.

A major TV comic talking about the film (which was a flop within weeks of release) said "I haven't seen so many poles abused since WW2."

Ironically 20 years later, with TV in full-on stratification and everyone with a video camera offering a new series, the writers of Flesh and Bone have taken the ideas comprising Showgirls and fixed them and repaired them.

It is exploitative but does not make you feel guilty.

Pretty good TV.

The series deserves a standing ovation, it's a masterpiece.

Each episode got better and better, the final episode was breathtaking. It's a dark, disturbing story on all fronts, but so compelling. The acting is very good, the characters are fully developed - faults and all. The score is amazing, the sets are beautiful and it's filmed in such a way that you feel you are there watching. I didn't expect the show to be so captivating, and it actually took a couple of episodes before I felt invested in the series, but each episode built upon the prior, and the series will drawn you in. While watching the final episode, I began to understand the story itself was like a ballet performance - beautifully executed in a tragic sort of way. The final ballet is amazing, and worth watching the entire series just for that.

It seemed some critics panned the series - but in my opinion, it's a masterpiece - the best of the best. If you liked Black Swan, Fame, Flashdance or other similar themed movies, I think you'll find Flesh & Bone as amazing and enjoyable as I did.

Ballet is like an obsession. If Black Swan did teach us one thing then it clearly was that. And the show that ran for a season on Starz is clear in its intentions to be a somewhat spiritual successor or at least in the same ballpark. Having one of the dancers from that movie playing the main role here is a start. And Sarah Hay learned Ballet as a young girl, something you can tell by watching her move (though I'm not sure if you can tell more as the teacher/director and some others seem to be able to).

So with a limited knowledge of the art itself, I can say that it is riveting and it looks phenomenal. But the show also dares to explore darker themes and backstories of the characters. You may be able to guess the connections between them (or rather their relationship), but there will be surprises along the way.

If you don't mind complex characters, blood (sweat) and nudity (including lewd acts as some might proclaim), this is really interesting. The character journey is really something and while you can guess to a certain extend where this is heading, the performances make it more than worthwhile