Flesh and Bone

The series deserves a standing ovation, it's a masterpiece.

Each episode got better and better, the final episode was breathtaking. It's a dark, disturbing story on all fronts, but so compelling. The acting is very good, the characters are fully developed - faults and all. The score is amazing, the sets are beautiful and it's filmed in such a way that you feel you are there watching. I didn't expect the show to be so captivating, and it actually took a couple of episodes before I felt invested in the series, but each episode built upon the prior, and the series will drawn you in. While watching the final episode, I began to understand the story itself was like a ballet performance - beautifully executed in a tragic sort of way. The final ballet is amazing, and worth watching the entire series just for that.

It seemed some critics panned the series - but in my opinion, it's a masterpiece - the best of the best. If you liked Black Swan, Fame, Flashdance or other similar themed movies, I think you'll find Flesh & Bone as amazing and enjoyable as I did.

What a beautiful and breathtaking series ! Enjoyed every minute of it. The acting is superb. The story is so sad, yet so beautiful. The dancing is amazing. The story goes deep and I think one has to know a little bit of life to appreciate it. Sometimes life is not like Modern family, but about disrupted families. What I especially love about the story is that no one is really good or really bad. That 's why I like the role of Romeo so much, half an idiot, half a philosopher. He seems to be speaking nonsense but in fact he's great. Hope there will be a second season; there is a lot more to say about Claire and ABC. I feel this was just the beginning. Compliments, bravo!

Ballet is like an obsession. If Black Swan did teach us one thing then it clearly was that. And the show that ran for a season on Starz is clear in its intentions to be a somewhat spiritual successor or at least in the same ballpark. Having one of the dancers from that movie playing the main role here is a start. And Sarah Hay learned Ballet as a young girl, something you can tell by watching her move (though I'm not sure if you can tell more as the teacher/director and some others seem to be able to).

So with a limited knowledge of the art itself, I can say that it is riveting and it looks phenomenal. But the show also dares to explore darker themes and backstories of the characters. You may be able to guess the connections between them (or rather their relationship), but there will be surprises along the way.

If you don't mind complex characters, blood (sweat) and nudity (including lewd acts as some might proclaim), this is really interesting. The character journey is really something and while you can guess to a certain extend where this is heading, the performances make it more than worthwhile

The year was 1995 and Joe Eszterhas, the top of writer of the day for mainstream exploitation films, released (unleashed) his most exploitative script of all time -- Showgirls.

At the time, it seemed like a slam dunk. It had something to push everyone's buttons. It was about strippers. It had dancing and sex. It had backstory. And just as additional insurance to guarantee greatness, the casting director deliberately picked the female star of a popular teen sitcom for the leading role -- guaranteeing a "shock" factor as the world watched a sweet teen icon go down the darkside.

It should have worked but it didn't. The mass audience, the gestalt, seemed to belatedly develop a conscience and punished the film, presumably, as payback for all the earlier works of of Eszterhas' they enjoyed but probably shouldn't have.

A major TV comic talking about the film (which was a flop within weeks of release) said "I haven't seen so many poles abused since WW2."

Ironically 20 years later, with TV in full-on stratification and everyone with a video camera offering a new series, the writers of Flesh and Bone have taken the ideas comprising Showgirls and fixed them and repaired them.

It is exploitative but does not make you feel guilty.

Pretty good TV.

I rated this show based on how the first season of it made me feel.

There are people complaining that the show about ballet doesn't have enough ballet in it. How short-sighted of them.

This show is not about ballet. It is about its protagonist - Claire. Or Clementine, as she's passionately nicknamed by an eccentric supporting character.

This is a show about inner darkness, and Claire striving to find a way out of hers.

With its spectacular cinematography with a carefully muted color palette, with the rich, dramatic, beautiful soundtrack, the whole thing has this surreal, almost David Lynch-like feel to it, it is filled with pathos, emotion, drama.

We are shown scenery and people, but we are made to see feelings.

There's nudity in the show, but it is not just thrown in "because they could". It is clearly part of the vision. People's emotions get stripped raw, and sometimes, so do their bodies.

I don't like pretense. I snub my nose at "Sundance Festival winner" type films. I don't like long pointless stares, long shots of swaying grass, camera angles that linger too long for no discernible reason - that sort of thing.

This show can be on the surface mistaken for a pretentious one. It could've gone that way very easily. For example, a long ramble of aforementioned supporting character could've been seen as a pretentious scene-filler - but, the actor is exceptional, and, like in David Lynch's surrealism, it all makes a certain kind of emotional sense.

The soundtrack doesn't just clank in background to match the tone of a scene. Like the camera, the music here is an actor with a voice of its own.

It feels like a part of a deliberately painted picture. It's not what the characters say or do, but why they're driven to it.

All of the cast are picked perfectly, and they feel real. Claire does not seem like an actress playing a role. She's simply Claire. It's hard to believe that the actress wasn't already Claire before the filming even started.

This show transports you into another world. It is an emotional journey, a rich atmospheric drama. It makes you feel what the protagonist feels, if you let yourself open to it.

Compared to this work, "Black Swan" is a pretentious flash in the pan. There's something grand here at play.

Let it play.