AVALIAÇÃO DA IMDb
4,9/10
4,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA young family moves to an isolated house which the wife has been hired to restore, only to discover that the previous owner is reputed to have murdered his wife.A young family moves to an isolated house which the wife has been hired to restore, only to discover that the previous owner is reputed to have murdered his wife.A young family moves to an isolated house which the wife has been hired to restore, only to discover that the previous owner is reputed to have murdered his wife.
David J. Peel
- Telephone Engineer
- (as David Peel)
Avaliações em destaque
No, this is not great filmmaking.
(Must be a lot of cast and crew having rated this on here.)
Just going to ramble about this in no special order.
Some places it seems like they have used, I don't know, Adobe Premiere effects, or worse yet, effects that are in the camera itself.. Thats a little wtf, right?
As far as I can remember, one or two short scenes are almost creepy, actually. But they are way outweighed by what is wrong, and bad, and not creepy.
Olivia Williams is annoying as crap! She has the worst looking hair, and it is even a point in the movie! I got mad just looking at her stupid hair. That's not good.
There is nothing new here, which is not necessarily a bad thing, but what is here, is not done very good, and that's a bad thing.
The plot with the wife and the husband and the story of the house and the this and the that, could have been cool, but it is just not good enough.
One scene with a sculpture and some smashing is kind of cool. Best part of the movie.
(Must be a lot of cast and crew having rated this on here.)
Just going to ramble about this in no special order.
Some places it seems like they have used, I don't know, Adobe Premiere effects, or worse yet, effects that are in the camera itself.. Thats a little wtf, right?
As far as I can remember, one or two short scenes are almost creepy, actually. But they are way outweighed by what is wrong, and bad, and not creepy.
Olivia Williams is annoying as crap! She has the worst looking hair, and it is even a point in the movie! I got mad just looking at her stupid hair. That's not good.
There is nothing new here, which is not necessarily a bad thing, but what is here, is not done very good, and that's a bad thing.
The plot with the wife and the husband and the story of the house and the this and the that, could have been cool, but it is just not good enough.
One scene with a sculpture and some smashing is kind of cool. Best part of the movie.
If you've seen a fair share of horror films, you can tick off not only the mash up of plot points but the composition of shots, camera tricks, and the musical flourishes.
The Legend of Hell House, The Amityville Horror, The Shining, The Haunting, Rose Red, Dead Again, Darkness, Burnt Offerings, Poltergeist, The Ninth Gate, etc. It's strange and weird enough, but the plot doesn't cohere and devolves into the straight to video mess it is.
By the time things turn a corner and the elder daughter starts to get rolled into the mix, it's like you're watching a new movie, as if they're trying to restart in the third reel. But that's the film in a nutshell, constantly restarting with a new conflict that sort of connects but not really.
The Legend of Hell House, The Amityville Horror, The Shining, The Haunting, Rose Red, Dead Again, Darkness, Burnt Offerings, Poltergeist, The Ninth Gate, etc. It's strange and weird enough, but the plot doesn't cohere and devolves into the straight to video mess it is.
By the time things turn a corner and the elder daughter starts to get rolled into the mix, it's like you're watching a new movie, as if they're trying to restart in the third reel. But that's the film in a nutshell, constantly restarting with a new conflict that sort of connects but not really.
The Altar is a ghost story in the classic tradition. Meg (Olivia Williams), Alec (Matthew Modine) and their children move in to a decrepit Yorkshire mansion whilst Meg restores it for the owner. Over the next couple of months the haunted nature of the house becomes apparent, with the usual banging sounds, slamming doors and ethereal appearances. Most of the film relies heavily on Olivia Williams and she does an OK job, with Matthew Modine limping in towards the end.
Undoubtedly, the film borrows heavily from other ghost and spirit films, most notably The Shining, but it was almost like playing bingo, identifying tropes from other films as it progressed, such as The Exorcist, Don't Look Now, etc. The TV movie feel and austere feel of the grand old house give a 1970s drama feel to the film. Some may associated this with quality drama, some with cheap production values.
There are some plus points: the old Yorkshire mansion and it's windswept grounds give a good background feeling, and the explicit pictures of the ghosts is usual and scarier than most in the genre - more like The Grudge than Turn of the Screw.
Overall, I was left with the question, why? Did this movie really need to be made?
Undoubtedly, the film borrows heavily from other ghost and spirit films, most notably The Shining, but it was almost like playing bingo, identifying tropes from other films as it progressed, such as The Exorcist, Don't Look Now, etc. The TV movie feel and austere feel of the grand old house give a 1970s drama feel to the film. Some may associated this with quality drama, some with cheap production values.
There are some plus points: the old Yorkshire mansion and it's windswept grounds give a good background feeling, and the explicit pictures of the ghosts is usual and scarier than most in the genre - more like The Grudge than Turn of the Screw.
Overall, I was left with the question, why? Did this movie really need to be made?
I love a good ghost story. I practically worship a great ghost story. Sadly, Altar is neither. It has its moments, and it's not a complete waste of time to watch, but in my opinion it started with all the makings of a truly interesting story and mixed it all up into a batch of...mixed up.
The true star of the film is its Yorkshire manor location. Now, if I'd been handed this set to work with (and if I, you know, actually made movies), Altar is NOT the story I'd have come up with. I actually felt a bit annoyed at the movie for not living up to such a classic haunted house setting! The premise was simple enough, and it started out in fairly contemporary spooky fashion, but there was just not the right kind of follow through. Rather than spine tingles and after-view thoughts about mortality, the climax delivered only a mash-up of effects and incoherent, half-explored themes.
I will say this: the actors who played the children did great. Williams did fine in her role, and even Modine did the best he could with what he was given (his character was the biggest mess in the mix, with some truly uncomfortable scenes - and not in a horror/mystery sort of way).
Generally, you could do a lot worse for your hour and a half, but if you want a great haunted house / ghost story, look elsewhere. It's been done a thousand times better at least hundreds of times already.
The true star of the film is its Yorkshire manor location. Now, if I'd been handed this set to work with (and if I, you know, actually made movies), Altar is NOT the story I'd have come up with. I actually felt a bit annoyed at the movie for not living up to such a classic haunted house setting! The premise was simple enough, and it started out in fairly contemporary spooky fashion, but there was just not the right kind of follow through. Rather than spine tingles and after-view thoughts about mortality, the climax delivered only a mash-up of effects and incoherent, half-explored themes.
I will say this: the actors who played the children did great. Williams did fine in her role, and even Modine did the best he could with what he was given (his character was the biggest mess in the mix, with some truly uncomfortable scenes - and not in a horror/mystery sort of way).
Generally, you could do a lot worse for your hour and a half, but if you want a great haunted house / ghost story, look elsewhere. It's been done a thousand times better at least hundreds of times already.
I sat down to watch the 2014 movie here in 2019 solely because it was a horror movie and because I hadn't seen it before. I can't claim to have ever heard about the movie, nor did I know who starred in it prior to finding it by sheer random chance.
The storyline in "Altar" was fairly adequately. It was, however, suffering from being sort of generic and also from having way too little happening throughout the course of the entire movie. This made the movie feel rather prolonged and tedious, to be honest. And I must admit that my interest in the movie dwindled as the story trotted on and on with director and writer Nick Willing at the helm.
For a horror mystery "Altar" was lacking horror elements, so the mystery labeling of the genre would be more accurate. There simply was nothing scary anywhere in the movie, despite the fact that director Nick Willing was eagerly trying with some jump scares and stereotypical scenes to spook the audience. The only problem with this was, that it simply didn't work.
The atmosphere in the movie was adequate, and definitely had potential to add a lot of flavor to the movie. But this wasn't really properly utilized, and it just sort of fizzled without any greater effect.
As for the acting in the movie, well Olivia Williams and Matthew Modine definitely carried the movie quite well.
All in all, then "Altar" was a less than mediocre movie in terms of entertainment value and enjoyment. It was watchable, for sure. But it was hardly a particularly memorable or outstanding movie. For me, this 2014 movie will fade into oblivion without leaving a lasting impression on me. There are far better horror movies readily available if you enjoy a proper horror movie.
The storyline in "Altar" was fairly adequately. It was, however, suffering from being sort of generic and also from having way too little happening throughout the course of the entire movie. This made the movie feel rather prolonged and tedious, to be honest. And I must admit that my interest in the movie dwindled as the story trotted on and on with director and writer Nick Willing at the helm.
For a horror mystery "Altar" was lacking horror elements, so the mystery labeling of the genre would be more accurate. There simply was nothing scary anywhere in the movie, despite the fact that director Nick Willing was eagerly trying with some jump scares and stereotypical scenes to spook the audience. The only problem with this was, that it simply didn't work.
The atmosphere in the movie was adequate, and definitely had potential to add a lot of flavor to the movie. But this wasn't really properly utilized, and it just sort of fizzled without any greater effect.
As for the acting in the movie, well Olivia Williams and Matthew Modine definitely carried the movie quite well.
All in all, then "Altar" was a less than mediocre movie in terms of entertainment value and enjoyment. It was watchable, for sure. But it was hardly a particularly memorable or outstanding movie. For me, this 2014 movie will fade into oblivion without leaving a lasting impression on me. There are far better horror movies readily available if you enjoy a proper horror movie.
Você sabia?
- CuriosidadesThe film was funded via Kickstarter.
- Erros de gravaçãoAt one point a telephone bell is heard ringing somewhere in the house but, when the woman finds the source, it's a Trimphone. Trimphones do not ring with a conventional bell sound but have a distinctive chirping tone.
- ConexõesReferences A Profecia (1976)
- Trilhas sonorasWestminster Quarters
(uncredited)
Traditional
Principais escolhas
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- How long is Altar?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Haunting of Radcliffe House
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Proporção
- 1.78 : 1
- 1.85 : 1
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