14 Estações de Maria

I went to movies yesterday at Cinehoyts La Reina and Kreuzweg was being played for SANFIC (Santiago Festival International de Cine) in Chile, so i bought a couple of tickets and watched it with a friend of mine.

I had never read or heard anything about this movie before, so i didn't have any good or bad expectation before getting into the cinema.

The movie shows us religious fanaticism as it's most absurd. It really reminded me part of my childhood, when i went until the age of 10 to a protestant school in Santiago de Chile, where teachers said that Iron Maiden was the most satanic rock band in the world or things like that, i remember they said once that even Elton John was a satanic artist xD. Well this film shows us some very similar situations, and maybe for someone who has never experienced it, might believe that this only happens in movies, but, i lived it and i know it, there is lots of this religious fanatics in many schools and families.

The movie is split in 14 chapters, and they tell us about Maria a teenage girl who is about to get her catholic confirmation. The church she is part of, is a church which refuses to be like modern churches, and it considers a sin everything related to modern music, television, social networks, parties, etc, etc... At the beginning of the movie, the priest advised Maria and other students that if they want to get the goodness from God they have to make some sacrifices. Maria got convinced that she had to make a sacrifice in order to get a miracle from god, but she took the advise a little bit too far.

One of the things that really got my attention from this movie, was that the camera isn't moving at all (it just moves a few times and it's almost not noticeable for the viewers).

I'd suggest you to watch it, but don't expect a very good movie, i rated it with 7 stars out of 10, i mean i liked it, but i'm not sure if i would watch it again soon.

First of all, I'm English and don't speak German. I had to rely on the subtitles. And the film is very dialogue heavy. However, in my opinion this is a very interesting and thought provoking film concerning strong catholic beliefs and the strains of teenage angst. Probably not everyone's cup of tea but I enjoyed it and it kept me thinking afterwards.

Not many films get rated 10 by me, this one did. Because on top of being a perfectly told story: acting, cinematography, plot and anything else I would wish to find in a film. It's also speaking cinema. The film speaks with camera movements - yes there are almost no camera movements and when they do come they're hardly noticeable, but when they do arrive they speak volumes. They tell us the story and how the director feels about it. With finesse and mastery of his media rarely found in modern cinema. I don't want to overlook the superb acting, mainly the two leads - Lea Van Acken with a gut wrenching performance as the innocent and deeply religious Maria. And Franziska Weisz as her horrible fanatic mother who remains nameless. All the others do their share without a single false note. Such masterpieces are the reason I go to cinema festivals, finding two within two days made this year's Jerusalem Film Festival a success as far as I'm concerned. Look this one out and watch it, I couldn't recommend it highly enough.

I saw this film at the Berlinale 2014, as part of the official Competition. When reading the synopsis on the festival website, I was afraid at first that the chosen format of 14 scenes with a still camera, numbered and named as per the 14 Stations of the Cross, would effectively work out as a sort of harness. We've seen that many times before, when the format takes over and the contents suffers. Very soon, however, I was put at ease with the opening scene "1. Jesus condemned to death". I could not do anything further than eagerly await the rest of this wonderful film.

This initial 10-minute scene foreshadows everything that is to follow. I can say that now in hindsight, since the full extent of whereto this drama is heading, will be gradually handed over in bits and pieces in later parts. The central character is 14 years old Maria, but her hard-lined mother is also a key figure in the drama as it enfolds in 14 distinct scenes. The role of the father figure is next to negligible (even the french au-pair had more lines than he had).

Aforementioned first scene shows a priest with a group of 7 boys and girls, sitting around a table, talking about the essentials of what their further life will entail being a true Catholic. They are together in preparation for the sacrament of Confirmation, from which moment on they are expected to stand up for their faith, and to defend it against everything that deviates from the Ten Commandments and the Seven Sacraments, and to further uphold everything else advocated by the Catholic church before Vaticanum II (1962 to 1965). A very clear explanation is given about day-to-day practices, essentially resisting all temptations that are laid on your path by Satan. Another topic is bringing small sacrifices, like not eating a cookie, even when tempted while it seems so harmless. Other forbidden fruits are pop, jazz, soul and other such "modern" (not my words) music styles, allegedly all based on rhythms invented by Satan.

Main character Maria belongs to a Catholic family of hardliners, members of the Congregation of St Pius XII, practicing the very traditionalistic teachings of this congregation. Aforementioned opening scene makes perfectly clear that Maria is very prepared to take her faith seriously, including the small sacrifices that may bring her nearer to a good place in heaven. In the second chapter, where the family is walking through a park, she considers her coat and sweater as a luxury and takes them off in spite of the cold weather. She also refuses to smile when family pictures are taken. More such things happen, but she does not explain herself. She succeeds in annoying their mother, and thus unwillingly destroys the happy family atmosphere. We see this mother later on as having a firm hand in the religious upbringing of the children, while the father lets it all pass without interfering.

Apparently a side role but his importance becomes evident later on, is Maria's little brother who has not spoken a word since his birth. We get some hints that illnesses and handicaps can be "given" to us as a retribution for our sins, or to challenge the strength of our faith. Gradually Maria gets obsessed with the notion that she can trade her life for the benefit of her brother. She ignores everyone saying such a calling lies in the hand of God, and no one can decide that for himself.

Each and every scene that follows further portrays the mutual relations within the family, as well as how Maria interacts with others like school mates. The gym class scene may serve as a perfect example. Maria retracts while there is music played she deems belonging to one of the "Satan invented" categories. That is what she tells to the teacher to explain why she does not participate. One of her class mates makes a joke out of it when he subsequently refuses to run in circles while "forbidden by my religion". Others are more constructive by bringing up the notion of tolerance against other beliefs, indeed a good point to make in such circumstances. Exactly like the opening scene, this gym class scene serves as solid proof that a still camera need not be an obstacle for a vivid scene.

Not all chapters, however, go neatly along with their respective titles as literally derived from the 14 Stations of the Cross. A few times we feel an inherent shortcoming of the chosen format, being a very good find as a basic idea but the concept shows a few spurious cracks. Nevertheless, it did not hinder me too much, not feeling as a harness when considering the final product overall.

Strong performances by Maria as well as her hard-lined mother make this film into an indictment against any too fundamentalistic belief, whether it regards Islam, a protestant denomination, or Catholicism. Tolerance is the key word here, as rightly brought up by one of Maria's class mates. It cannot be that a strict interpretation of religious laws, or the rules imposed by whatever church, are extended to others being no members of that faith. Believers must allow room for other opinions. Strict adherence laid upon outsiders is always a bad thing, regardless of the good intentions of these religious laws. It can lead to extreme actions, demonstrated by Maria in later chapters of this wonderful film. If anything, it offers food for thought (but no solution) how to deal with people who go to any length to impose their beliefs on others. They probably do that with the best of intentions, but the side effects are worrisome. Some people may find that this film has turned religion into a caricature, uncalled for, but I don't think so, especially when reading the newspapers where we read about religious extremism all over the world.

This exceptional movie graphically illustrates what religious indoctrination does to the mind and thinking of a child and is about as far removed from the Biblical manifestation of the LOVE of God as it's possible to get. Based on Catholic theology, the story follows a teenage girl's idealistic pursuit to get to heaven by achieving religious purity through self denial and repression. Her devout mother rules her family with an iron fist never passing up an opportunity to denigrate and poison her daughter with barbs of criticism and verbal flagellation. Her father is depicted as weak and hen-pecked into a state of total submission. Inevitably this results in a predictable breakdown for the vulnerable young girl and is heart-breaking to watch. Yet, this is a compelling, almost necessary, story that is extremely well written and superbly acted by all the players. This is well worth watching whatever faith or background you come from.