O Lagosta

Seriously, the Lobster is the weirdest movie I have every seen. I love Colin Farrell and Rachel Weisz and after seeing such amazing reviews I thought I was going to really be on a winner with this movie. OMG No!! Firstly I didn't laugh once. I felt uneasy and bored. Quite honestly this movie is the biggest waste of time. I'd rather watch the sexual habits of seaweed than this tripe again.

The Lobster is a surreal deadpan comedy about the strangeness of social pressures and modern relationships.

The setting is a bleak, tightly controlled hotel on the coast of Ireland. David (Colin Farrell), a recently divorced Architect, is given 40 days to find a partner or else be transformed into an animal of his choosing; in this case, a lobster. Sound strange? That's just the first 10 minutes. Guests of the hotel are subjected to routine trips to shoot 'loners' with tranquillisers, and awkward high-school dances to entice singles to mingle. As David's days start running out, he decides to feign common interest with a heartless woman in order to escape his fate. But can he pull it off?

Farrell really hits the mark with this role, displaying awkward machismo and fragile humility in equal measure. His comedic timing is matched only by his supporting cast that includes John C. Reilly, Ashley Jensen, and Olivia Coleman. Rachel Weisz is also spot-on as the short-sighted woman.

The Lobster has just about everything you'd want from a film. It's unpredictable, it's offbeat, and it's laugh-out-loud funny. But it's most impressive feature is the subtext - it manages to reflect how odd our own modern-day social pressures are. How loneliness is feared, how individuality loses out to the mainstream system, and how relationships have to be deemed 'legitimate' by some higher order. There's plenty to talk about with this film, and I'll definitely be seeing it again to delve a little deeper....

There are rules that you must follow every day, quite contradictory, depending where you stay, some encourage you to mingle, others like you to stay single, contravention has a hefty price to pay. No evidence exists for these directions, though they're pursued by folk with little hesitation, but occasionally you'll see, someone escape and run and flee, as they wish to play, by other regulations.

A wonderful piece of filmmaking, that perfectly captures the often ridiculous actions, activities and exertions we all undertake, to a certain degree, in order to comply with the beliefs that are indoctrinated into us from a very early age and, if you're lucky, able to wash away, as the pretence is discovered and replaced by those carefully recrafted by yourself.

The film's concept: all adults who have recently lost a partner through death or divorce are sent to a hotel, where if they do not fall in love within 45 days, they are surgically transformed into an animal of their choosing. ''A lobster's a great choice''.

I try not to explain the film's plot when somebody asks, so as not to completely dissuade them from viewing. Maybe this ridiculous concept is in reference to how ridiculous forcing someone to fall in love due to common interests is, or even just forcing someone to eventually get married, a practice common in the modern world. A comment on the societal pressures put on single adults. There are constant references and reminders to how even numbers are perfect, a couple. There is a further commentary on applying limiting labels and boxes to people, bisexual not being an option on the sexuality question, no half-sized shoes.

Collin Farrell and Rachel Weisz, along with the many minor characters, all add to the film greatly. There are no weak actors which I could point out. The screen writing can be fast and witty at times, but I felt the ''quirkiness'' was definitely overdone. The robotic and monotonous speech pattern was generally funny but also overdone.

I have spoken to many people who do not enjoy this film, and I can definitely respect and understand their opinion. The Lobster is not for everyone, with it's strange plot, writing and imagery. It's script is similar to that of a Wes Anderson film, but still remains very dark, and at times, disturbing. It is without a doubt, a slow film, heavily reliant on dialogue (which many people won't even find funny).

I would recommend the film to people who enjoy quirky films such as Frank, Juno or The Grand Budapest Hotel, although The Lobster is definitely darker than those examples.

Probably one of the strangest film I've ever watched.

I had heard reviews of The Lobster and, while sounding interesting, it also sounded odd enough to delay me in getting round to seeing it. Like many have said, the plot is weird; single people are sent to a hotel and given a period of time to find a match or else they will be turned into the creature of their choosing and released to the wild. Those struggling can add days to their stay by being successful on hunts for those singles who have broken free and live as collective individuals in the woods.

The concept is cleverly constructed so that it is weirdly convincing despite its utter absurdity. Within this the film satirizes relationships, singles – in particular the extremes of those two situations. The push for companionship, with its common ground, and its rituals, and the digs at elements of life such as children distracting from conflict. Perhaps it hit a bit too close to home with its regimented rituals, and awkward neediness. On the other side the extreme version of singlehood is also dug at once we are in the woods. It is not as clever as some would tell you, nor as smart, but it is certainly interesting, darkly funny, and pretty engaging throughout. It doesn't pull it off totally, but I enjoyed it from start to finish – its oddity runs through from the ideas, the performances, down into the specific dialogue. Having such a great cast helps, but the tightness of creative vision throughout is what holds it all together. As odd and slightly unsuccessful as it is, it is still well worth watching.