Pesquisadores descobrem filmagens da Segunda Guerra Mundial que, na verdade, são de um documentário perdido, rodado por Alfred Hitchcock e Sidney Bernstein em 1945 sobre os campos de concent... Ler tudoPesquisadores descobrem filmagens da Segunda Guerra Mundial que, na verdade, são de um documentário perdido, rodado por Alfred Hitchcock e Sidney Bernstein em 1945 sobre os campos de concentração nazistas.Pesquisadores descobrem filmagens da Segunda Guerra Mundial que, na verdade, são de um documentário perdido, rodado por Alfred Hitchcock e Sidney Bernstein em 1945 sobre os campos de concentração nazistas.
- Prêmios
- 8 vitórias e 14 indicações no total
- Narrator
- (narração)
- Self - Royal Artillery
- (as Maj. Leonard Berney)
- Self - Commandant, Bergen-Belsen Concentration Camp
- (cenas de arquivo)
- Self - Army Cameraman, 1981
- (cenas de arquivo)
- (as Sgt. Mike Lewis)
- Self - British Army Photographer
- (sonoplastia)
- (as William Lawrie)
- Self
- (sonoplastia)
- Self - Imperial War Museums
- (as Dr. Toby Haggith)
- Self - British Army Gunner
- (cenas de arquivo)
- Self - Soviet Cameraman, 1986
- (cenas de arquivo)
- (as Alexander Voronstov)
Avaliações em destaque
The dichotomy of war is depicted here. In Bergen-Belsen we see life struggling to be what life is and just feet away from piles of death as the corps were strewn. How can these two depictions of life occur so physically close? Only in the worst of war can such atrocities be present, if diversely repugnant. See this film and only trust your moral center as everything must be judged by inherent good.
The old adage that we are doomed to repeat history unless we learn from it comes to heart. Right now we have ISIS, a modern day Nazi style faction. Can we sit idly by and let evil fester. This film makes it clear that the cost will only exponentially multiply if good men sit by and do nothing. See this, weep for those lost at the hands of evil in the past, and renew your resolve that we must stand for good at this later day time where evil once more rears a powerful head.
The documentary (originally titled: German Concentration Camps factual Survey) contains recently restored actual footage of Nazi atrocities filmed in 1945 by Army camera crews on instructions by the British Psychological War Division. A plentiful amount of footage was gathered throughout the duration of the liberation of Bergen-Belsen, Buchenwald, Dachau and Auschwitz Concentration Camps. Originally, the footage was intended for a 1945 release to highlight the horrors hidden from public view, ignored by others, advocated by some the shocking truth discovered, which later became termed; The Holocaust.
Likewise the film makers intended not only to reveal the truth; yet, to edit, clarify and comment on what the world can learn from the reality of in-humanity still unimpaired and unforgettable to many. This restored footage is then inter-cut between interviews and melancholy testaments from British, American and Soviet soldiers, or camp survivor who witnessed the act of atrocities or its aftermath. Evoking as these testaments and interviews are, the uneasy commentary by The BBC War Correspondent Richard Dimbley who witnessed the Liberation of Bergen-Belsen is made even-more dismaying by the revelation that British Intelligence, skeptical of his statement, refrained the BBC from transmitting his broadcast to the public for a week after the April 1945 liberation in order to factually confirm the unbelievable horrors uncovered. Dismaying are also the incitable testaments from a Soviet perceptive of what was similarly, yet more eerie witnessed during the Red Armies liberation of the camps in Poland. Decorously, the documentary-makers have rightfully included a few captivating scenes of the Soviet liberation of Auschwitz. Granted, the images captured by Soviet film-crews are truly worthy of admiration. Unfortunately, because these scenes, combined with the commentary of Soviet War Correspondents, are so captivating, more should have been contained. Engaging, is also the explanation of film-makers and Producers Alfred Hitchcock and Sidney Bernstein and their involvement in the documentary.
Night Will Fall is a well presented, somber in commentary, extremely graphic in detail and at times may-be distressing to the viewer. Not only is the visual evidence of The Holocaust painfully revealing; yet, what is also represented is the advanced practices of reporting and commentary of War Correspondences combined with use of newly formed Army Camera Crews. Both methods intended for public exhibition; the original footage captured and the correspondence were innovating in 1945 for allowing the general public, authorised by the Government, with relatively minimal censoring, to bear witness in full overwhelming scenes of war crimes. Therefore, Night Will fall is clear in its focus, effective in its message and one of the best produced documentaries on The Holocaust.
What this film does is set the discovery of the camps and the aftermath into context both large--the governments involved, and small--the military camera crews and even some camp survivors who are seen both now and in the vintage footage. A real feat to find these people so many years later.
Sure you may think you've seen this all before, both in fiction films and in various documentary ones. But this still packs a punch, perhaps even more so since you will think you already know all there is to know. I've spent a lot of my life studying WW2 and I was still blown away by this film. I'm also a Hitchcock fan, and his name is being used to "sell" this film and the restoration and completion of the original documentary.
A point made in this excellent film is that the intention was to make a documentary that was a warning that unless what happened in Germany is seen and understood that 'night will fall' again and these type of large scale inhumanity will re-occur. Of course you can argue that does in fact happen.
This film shows footage not used in the original documentary and is as much about those who made the film as it is about everything else. Interestingly it talks about Hitchcock's input to help make the film convincing. The horrors of reality being so unreal that they might seem created for effect. You can also see in some of the dead faces some dead faces that will appear in Hitchcock's own fiction films after this one.
This film also contrasts the film which was suppressed with the film that did get finished and released--that version being supervised by Billy Wilder. The makers of this film obviously preferring Hitchcock's version.
And fans of both great directors will see their hand in how they shaped material shot by others. The camp footage was shot by army camera men without a director being there.
The graphic concentration camp footage is very graphic but focuses on the horrible expressions on the faces of the dead that is what makes it overwhelming and gripping.
Very little music is used, the voice over work is first rate as is haunting sound effects work. Part of what Night Will Fall does, by being a behind the scenes making of film is help to show just how real and unstaged these horrors of war were. It is hard to watch this film and come away thinking somehow all this was made up just for the sake of the Jews. In fact its impossible to believe that after you see this film.
Once more let me say this is not the so called Hitchcock film, though portions of that are shown within this film. That you have to seek out elsewhere and see for what it is, it has different things to show and say. This is almost an extended preview and background that helps viewing that film.
In high school, I saw a French documentary that showed me, for the first time, images I had never even imagined. Horror I could not believe. I remember my classmates getting up at the end of the film and walking out of the room seemingly unfazed. I couldn't move.
Night Will Fall should be seen in every classroom on earth at least once. You cannot be too young or too old to understand the immense nature of mass insanity and those who stand idly by.
I will never forget and, in fact, am galvanized in my belief that we are too quick to assume evil will not touch us.
An absolute must see film. You will want to discuss this in depth with children before you let them watch and after.
NEVER AGAIN.
Você sabia?
- CuriosidadesOliver Keers' documentary research debut.
- Citações
Narrator for German Concentration Camps Factual Survey: Unless the world learns the lesson these pictures teach, night will fall... but by God's grace, we who live will learn.
- ConexõesFeatures Die Todesmühlen (1945)
Principais escolhas
- How long is Night Will Fall?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Holocaust: Night Will Fall
- Locações de filme
- Berlim, Alemanha(Archive footage)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 15 min(75 min)
- Cor
- Proporção
- 1.78 : 1