Matilda: O Musical

I took my 8 year old girl and she was mesmerised. She loves the Matilda older movie though and I don't so I was a bit sceptical.

It was really enjoyable, the whole cast were fab especially the kids and Emma Thompson.

The girl playing Matilda was really good in the role, super cute. I must admit I had a few tears at the end of it.

The cinema was full of mums and daughters, with the odd boy and dad. But the whole reactions seemed to be good and especially the Emma Thompson parts, she nailed it. Even scared me lol.

If I had to say a negative thing it was a tad on the long side for me almost bang on 2 hours.

It's been 26 years since the premiere of Matilda, the iconic film of the nineties and cleverly directed by the great Danny DeVito. Today it is the turn of Matthew Warchus to take over and deliver us a perfect successor to the 1996 film with a sublime musical of the popular Roald Dahl novel.

It is charming, dark and portentous.

The script that Dennis Kelly writes simply shines with mastery to deliver us a movie that completely fills our emotions and sensations. It is a film that enchants from the beginning, but that does not hesitate to take us into darkness, authentically capturing that purest essence of the novel and for that the visual spectacle is totally marvelous that makes us be glued to the screen and simply enter in the musical and lyrical harmony of Tim Minchin that puts the most recent Netflix premiere at our feet.

The cunning with which the director takes Kelly's splendid script to images, allows us to have a first-cut cinematographic experience when watching it. With perfect musical segments in choreography and dance and the darkness in moments of feeling that you are in a subtle world of Stephen King. That combination elevates to a point of maximum enjoyment of everything we are seeing on the screen and to a large extent hypnotized by the photography provided by Tat Radcliffe that intensifies all that greatness that this new version of Matilda supposes that at no time forgets that theatrical blood of which is fed.

That good performance of all of the above mentioned makes us forget about the weak points that the film may have. The perfect compensation so that we end up more than satisfied with what we are seeing.

From the greatness of Emma Thompson to the promise of Alisha Weir.

Undoubtedly the greatest charm that we find is seeing Alisha Weir be the skin of Matilda; The acting charisma with which the little actress dazzles on the screen makes us excited about a promising one and that is that she comes face to face with all the poise of an Emma Thompson and both only make the screen shine with magic when we have them sharing the scene.

I cannot leave aside the correct work that the rest of the children's cast does and seeing Lashana Lynch sing is priceless, in the same way I cannot leave aside the entertaining step of Andrea Riseborough and Stephen Graham as Matilda's parents.

A cast that further highlights the good work that the film had already had.

Conclution.

It is a pleasant surprise, what it means to be the new version of Matilda for Netflix from Sony.

A film full of emotions that transports you through all those sensitive fibers with which we count as a spectator. Joy, darkness, sorrow and hope cover the 117-minute journey to the pleasure of enjoying a perfect adaptation of a novel and a play, capturing the best of both scenarios to provide an enriching experience on the screen.

A film that is worth watching and enjoyed by both adults and children, it is the journey through what it is to be a child and also what it means to be parents, it is a tale of the purest feeling called love.

Fittingly this is a British cast and filmed in the UK. Roald Dahl would have been proud. The exception to the rule being Tim Minchin. But his music transposes from stage to film excellently, allowing for an even greater visual feast playing with his clever lyrics.

My biggest issue with the 1996 version being Danny DeVito playing Mr Wormwood as well as being the narrator. But this film avoids the obvious pitholes and is a huge step away from the original, music aside.

The casting is well thought. Emma Thompson playing Miss Trunchbull with little effort it seems as she is obviously enjoying every evil second of it. I don't mean to be mean to Ms. Thompson, but it really didn't look like she was wearing much in the way of prosthetics, but I mean this in a good way. Nanny McPhee simply looked like Emma Thompson wearing loads of plastic.

You know Stephen Graham always delivers but my only criticism is that he was on screen too little. Andrea Riseborough was new to me, but again, too little screen time. I guess being a musical, they had to devote more time to the musical numbers. The two main hitters being "When I grow up" and "Revolting Children" These were well presented and brilliantly re-worked for the big screen.

When I first saw Alisha Weir (Matilda) I was a bit worried that she wouldn't deliver, the role of Matilda being a lot more complex than it first appears. But I was very quickly blown away by her ability to bring pathos and the next minute show that she was no pushover no matter the consequences. I was also glad that she was not your typical stage kid. Her performance being understated and effective in the process.

The standout performance was for me Lashana Lynch as Miss Honey. She deserves awards galore for this role. If she doesn't make you cry then you are made of stone.

This will undoubtedly be a classic and there is the appetite for strong female protagonists right now - Wednesday Addams put that meal on the table! A great family favourite made even better than the original.

Having seen the stage show several times I was intrigued to see how this would. What this film will suffer from is being compared to the theater version on which it is based.

It is inevitable that to make the transition things would need to be cut, but sadly a lot of what is missing affects the surroundings of Matilda (e.g. The Wormwood's obsession with TV, how odious they are.) Some of what remains speeds by quickly and so doesn't have the impact it really should (e.g. The 'green hair' setup is blink-and-miss-it.)

Sadly, Emma Thompson as Trunchbull didn't work for me; there is more to this nasty character than just shouting at the children and I didn't feel she was intimidating as it needed to be. During 'The Hammer' this is perhaps most noticeable; she sings well but it is much the same delivery throughout - 'shouty' and lacks the cold-hearted simple delivery you get on stage. The accent changes a few times and I couldn't get away from thinking 'That's Emma in a suit' rather than 'what a sinister and intimidating character.'

Minchin's songs though are at least as bright and bouncy as the stage show counterparts. Alisha Weir is a fantastic Matilda and Lashana Lynch as Miss Honey really gets the backstory of the character.

The screen version allows a lot of playful direction too that cannot be achieved in a theater so there is much visual delight to gain from seeing this. A particular highlight is how the Trunchbull is frightened off at the end, which enabled it to be much more 'frightening' than the stage version.

Overall, an enjoyable viewing but you can't help but go away comparing it to the stage show if you've seen it.

I have mixed emotions about this. Firstly, I am a BIG fan of the west end musical so I was comparing throughout the whole film. There are many good points of the film. The musical numbers have been greatly throughout , and you can tell it's been greatly considered in how to transfer a stage production into a movie and to present the same emotive experience for the audience. I think the choreography was executed perfectly and the casting was phenomenal. HOWEVER (a big however) The film personally didn't grab me in the way the stage production has. It felt rushed in parts (which is understandable as they are trying to fit a 2. 5 hour production in 2) so the intimate moments between the musical numbers were lost, leaving you feeling slightly detached from the characters. I also couldn't help but reminisce about the 1996 adaption and it's authenticity. This movie was clearly a 'Netflix movie'. A bit uneedingly cgi/green screen happy which irritates me and contributes to the detachment I was feeling throughout. Overall, it was a good try, however the wow factor was lost. I want to think that perhaps I am an adult not understanding the current trends and seeking nostalgia rather than a film that is suited to what the kids want these days. After all this is a kids film and perhaps this was perfect for what they needed.