AVALIAÇÃO DA IMDb
7,2/10
8,8 mil
SUA AVALIAÇÃO
Em 1941, em uma Paris radicalmente diferente daquele descrita e conhecida pela História, a corajosa menina Abril terá que descobrir o que aconteceu com seus pais e todos os demais cientistas... Ler tudoEm 1941, em uma Paris radicalmente diferente daquele descrita e conhecida pela História, a corajosa menina Abril terá que descobrir o que aconteceu com seus pais e todos os demais cientistas que sumiram misteriosamente.Em 1941, em uma Paris radicalmente diferente daquele descrita e conhecida pela História, a corajosa menina Abril terá que descobrir o que aconteceu com seus pais e todos os demais cientistas que sumiram misteriosamente.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 7 indicações no total
Marion Cotillard
- Avril
- (narração)
Marc-André Grondin
- Julius
- (narração)
Philippe Katerine
- Darwin
- (narração)
Jean Rochefort
- Pops
- (narração)
Bouli Lanners
- Pizoni
- (narração)
Olivier Gourmet
- Paul
- (narração)
Macha Grenon
- Annette
- (narração)
Benoît Brière
- Rodrigue
- (narração)
- (as Benoit Brière)
Anne Coesens
- Chimène
- (narração)
Carlos Alazraqui
- Additional Voices
- (English version)
- (narração)
Victor Brandt
- Additional Voices
- (English version)
- (narração)
Mark Camacho
- Paul
- (English version)
- (narração)
Tod Fennell
- Julius
- (English version)
- (narração)
Angela Galuppo
- April
- (English version)
- (narração)
Paul Giamatti
- Pizoni
- (English version)
- (narração)
Tony Robinow
- Pops
- (English version)
- (narração)
Susan Sarandon
- Chimène
- (English version)
- (narração)
Avaliações em destaque
"Steampunk is ... a joyous fantasy of the past, allowing us to revel in a nostalgia for what never was. It is a literary playground for adventure, spectacle, drama, escapism and exploration. But most of all it is fun!" George Mann
April and the Extraordinary World is an animated French adventure for the whole family (I recommend about 8 years and older) reminiscent of the fantastic 'toons of Hayao Miyazaki (think of Howl's Moving Castle). Leading us through an alternate steampunk history of modern France, April (voice of Marion Cotillard) is a little girl whose scientist parents in 1941 were abducted by the "Empire" to advance the cause, in this case by creating an immortality drug.
With her charming talking cat(a product of the scientists' experiments), April spends her youth confronting malevolent forces like a driven policeman (Javert anyone?), a roguish boy, and nature itself. Not one moment of the 1 hr 45 min is wasted; each is crafted under the expert direction of Christian Desmares and Franck Ekinci for maximum adventure and humanity (for example, love may be blooming and Grandpa Pops is feistier than ever).
The graphics as well are outstanding in the steampunk visual style with the omnipresent steam and pipes, furtive surveillance rodents, bicycle-powered blimps, and suspended trolleys, among some of the creative expressions. Although great advances such as the use of electricity and oil have not been discovered, the above-mentioned steam objects awe April as she navigates this alternate universe of coal and wood.
Conservationists shouldn't despair, for there are numerous references to the need to use coal, for instance, responsibly—already coughs are in the ambient sound. The suggestion that without the invention and use of atomic energy and fossil fuel, the world could have been stuck in an ecological disaster is an intriguingly benign take on modern energy.
The extraordinary April and the Extraordinary World is nothing if not an invitation for girls to follow their dreams and create as their talents demand. For all children it is a call to be bold and responsible as they enter the real modern world.
April and the Extraordinary World is an animated French adventure for the whole family (I recommend about 8 years and older) reminiscent of the fantastic 'toons of Hayao Miyazaki (think of Howl's Moving Castle). Leading us through an alternate steampunk history of modern France, April (voice of Marion Cotillard) is a little girl whose scientist parents in 1941 were abducted by the "Empire" to advance the cause, in this case by creating an immortality drug.
With her charming talking cat(a product of the scientists' experiments), April spends her youth confronting malevolent forces like a driven policeman (Javert anyone?), a roguish boy, and nature itself. Not one moment of the 1 hr 45 min is wasted; each is crafted under the expert direction of Christian Desmares and Franck Ekinci for maximum adventure and humanity (for example, love may be blooming and Grandpa Pops is feistier than ever).
The graphics as well are outstanding in the steampunk visual style with the omnipresent steam and pipes, furtive surveillance rodents, bicycle-powered blimps, and suspended trolleys, among some of the creative expressions. Although great advances such as the use of electricity and oil have not been discovered, the above-mentioned steam objects awe April as she navigates this alternate universe of coal and wood.
Conservationists shouldn't despair, for there are numerous references to the need to use coal, for instance, responsibly—already coughs are in the ambient sound. The suggestion that without the invention and use of atomic energy and fossil fuel, the world could have been stuck in an ecological disaster is an intriguingly benign take on modern energy.
The extraordinary April and the Extraordinary World is nothing if not an invitation for girls to follow their dreams and create as their talents demand. For all children it is a call to be bold and responsible as they enter the real modern world.
Avril and the Extraordinary World is a nice French animated film set in an alternative past that diverts from real historical events starting from 1870. The result is a steam-punk world, dependent on coal first, on tree logging then, a world in constant war and where scientists are used as weapons.
The film has a great start and even the initial credits are beautifully presented. The mood is excellent, and the world depicted is wonderfully imaginative. Although this is mostly a fun and adventure story, there are some interesting environmental messages embedded in the story, as well as a light reflection on the role of science and scientists in Society. The character of Darwin, the talking cat, is utterly charming. The backgrounds are stunning as well as some of the machinery depicted. I found the second half of the movie really engaging, entertaining and with a cohesive story, witty and fun, and the ending was also lovely.
Having said that, this was a disappointing film for me, certainly not what I expected beforehand especially taking into account the raving reviews. There are many reasons for that. 1/ The story needed of better characters. I found Inspector Pizoni unnecessary for most of the film, and too much of a stereotype to be of any interest. Most of the main characters, Avril included, are totally unlikable, frigid emotionally and I couldn't care less about them. 2/ The story needed of a better tempo. The first half of the film is painfully slow and unfocused, and I found myself bored as it seemed to be leading nowhere. However, the film leads somewhere, it is just that part of the film was wandering around unnecessarily. 3/ The story needed of a bit of more humour and fun. At times seems to take itself too seriously! 4/ The movement was chunky some times, very good at some others; the lighting and chiaroscuro were almost non-existent, and the characters were not polished visually. The film was a bit flat visually to me.
The film is enjoyable overall, but it didn't do it for me.
The film has a great start and even the initial credits are beautifully presented. The mood is excellent, and the world depicted is wonderfully imaginative. Although this is mostly a fun and adventure story, there are some interesting environmental messages embedded in the story, as well as a light reflection on the role of science and scientists in Society. The character of Darwin, the talking cat, is utterly charming. The backgrounds are stunning as well as some of the machinery depicted. I found the second half of the movie really engaging, entertaining and with a cohesive story, witty and fun, and the ending was also lovely.
Having said that, this was a disappointing film for me, certainly not what I expected beforehand especially taking into account the raving reviews. There are many reasons for that. 1/ The story needed of better characters. I found Inspector Pizoni unnecessary for most of the film, and too much of a stereotype to be of any interest. Most of the main characters, Avril included, are totally unlikable, frigid emotionally and I couldn't care less about them. 2/ The story needed of a better tempo. The first half of the film is painfully slow and unfocused, and I found myself bored as it seemed to be leading nowhere. However, the film leads somewhere, it is just that part of the film was wandering around unnecessarily. 3/ The story needed of a bit of more humour and fun. At times seems to take itself too seriously! 4/ The movement was chunky some times, very good at some others; the lighting and chiaroscuro were almost non-existent, and the characters were not polished visually. The film was a bit flat visually to me.
The film is enjoyable overall, but it didn't do it for me.
"Avril and the extraordinary world" was presented before the official release at the Anim'est international animation festival in Bucharest. I went to see it after a brief look at parts of the official trailer, without knowing anything about the cast, cartoonist, director and the plot in general. I have to say that it was a magnificent movie, reminding me of some classic Disney style hand crafted animation that I used to love when I was a child. It is beautifully drawn and looks without any flaws. The story takes place in an alternative universe, where some modern inventions where never discovered or made available for the advancement of our societies. This makes you question how would the world look like if we have never used electricity or petrol in our daily lives. And the movie answers a lot of these questions. The plot keeps you for most of the movie engaged and in some small parts at the edge of your seat. The comic release character, a talking cat with the name of Darwin was instantly liked by all people present at the screening, adults and children together. His comments of various situations in the movie proved to be very effective, bringing smiles and laughter all around.
Avril's Extraordinary world is an alternative time line in which Napoleon V rules France and the scientist that help built the foundations of technology are missing, forcing the world into a steam punk setting, and Avril a young scientist herself has the key to our future.
It's animated quite beautifully. I'm a huge fan of steam punk and I love seeing the design all over the movie. I also like the style of 3D animation blended with computer generated images. It's always a welcome change to see this other than the world we live in right now that is dominated by 3D animation.
It was a great adventure film, filed with character and characters that were smart and funny, and accessible to everyone.
Good watch.
It's animated quite beautifully. I'm a huge fan of steam punk and I love seeing the design all over the movie. I also like the style of 3D animation blended with computer generated images. It's always a welcome change to see this other than the world we live in right now that is dominated by 3D animation.
It was a great adventure film, filed with character and characters that were smart and funny, and accessible to everyone.
Good watch.
This animation tells the story of a post Napoleon would, where all scientists are captured, and the world becomes very different due to a lack of technology. The last surviving free scientists strive hard to create the serum that can make life perpetual, but mysterious forces are after them.
The colour scheme of the animation is dark and dull. The characters are not cute either, and therefore it's hard for me to develop a liking for it. Though the story is quite engaging, I still don't find myself developing a connection with April and her experiences. The normally careful April all of a sudden trusts a stranger appearing from nowhere doesn't make sense, which annoys me quite a bit. Overall, the story is strong but has a loophole or two. I would have liked it better if the colour scheme was brighter.
The colour scheme of the animation is dark and dull. The characters are not cute either, and therefore it's hard for me to develop a liking for it. Though the story is quite engaging, I still don't find myself developing a connection with April and her experiences. The normally careful April all of a sudden trusts a stranger appearing from nowhere doesn't make sense, which annoys me quite a bit. Overall, the story is strong but has a loophole or two. I would have liked it better if the colour scheme was brighter.
Você sabia?
- CuriosidadesThe film is based on the art style of famed French comic book artist Jacques Tardi, but not on one of his actual works. Instead, Tardi was brought in at the earliest stages by his friend and sometime collaborator Benjamin Legrand, to come up with the look of the film and the characters.
- Erros de gravaçãoDuring the blackout, an announcement is made over the Public Address system that the backup generators are about to be turned on. But without regular power or backup power, the PA system would not work.
- Cenas durante ou pós-créditosThe opening credits of the production companies, cast and crew are drawn in the movie's animated style on cards, labels and other objects inside a lab.
- ConexõesReferences Metrópolis (1927)
- Trilhas sonorasChargez! Chargez!
Written by Perrine Capron and Claire Tillier
Performed by Claire Tillier
Guitar: Denis Vautrin
Lyrics by Perrine Capron, Claire Tillier and Franck Ekinci
Principais escolhas
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- How long is April and the Extraordinary World?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- April and the Extraordinary World
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 9.180.292 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 295.488
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.413
- 27 de mar. de 2016
- Faturamento bruto mundial
- US$ 495.879
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Proporção
- 1.85 : 1
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