Happy Valley

I expected something slow paced, in the vein of The Killing. Not at all, but it's absorbing and tense from the start, very mainstream-accessible, and always intriguing. The acting from all involved is pretty excellent, especially Sarah Lancashire. An amazing performance, one that I hope gets serious awards recognition next year. I ultimately liked this more than I expected to, it's easy to get caught up in its plot and I also think that it does a great job moving it along at a surprisingly fast pace while also having some fantastic character moments. At times it gets a bit too over-the-top in its melodrama, but it never actually fails to emotionally hit home. I'm super ecstatic that it's coming back for a second season.

The fact that Sgt Catherine Cawood is not a real person but a character played by an actress is completely 100% inconceivable. The portrayal is SO real in every aspect. It's real in every mannerism, in the shift between her persona as a private person and police officer, in the way she dresses, the way she wears her hair, her make up, the choices she makes and how she behaves. I've never seen a performance like it in my life. So extremely vulnerable, yet so extremely strong and when push comes to shove so extremely brave and tough. I for one would not want to cross her, for she would surely kick my behind severely, at the same time I sure would want her to talk to if ever I was victimized.

As for the series, both one and two, the plot squeezes the characters so hard that it's sometimes unwatchable because you relate so intensely to the psychological pressures their under, both the good guys and the bad.

An absolute must to watch!

I cannot praise this series enough. It has an air of realism about it from its location to the main actors. The lead sergeant Catherine Cawood and her sister are so ordinary, preoccupied with ordinary things, (no trendy,smarmy,clever middle class media interpretations of what ordinary people speak like dialog). Without exception every character is believable. With master classes in acting from the lead, her sister, her grandson and Tommy the maniac. The criminals are believably cruel and stupid in measure. The damaged and unfortunate are portrayed realistically but with compassion. No left wing idealism or right wing coldness that usually invades these type of program. The setting is the bleakest place I've ever seen, a beautiful English valley shrouded in mist, dampness and high rises. The streets and buildings are claustrophobic. Most of all the story is credible, consistent and finely paced. raw emotions are not avoided and dysfunction is everywhere. And yet there's something noble in sergeant Catherine Cawood.

The most intense, well written, well acted crime series I've ever seen on television. For six weeks I've been hooked on a story that uses a police drama as a framework for the human emotions that are at the core of this fantastic series. Steve Pemberton (The League of Gentlemen, Inside No 9) as the self-interested accountant out of his depth when a kidnapping plot goes horribly wrong was brilliant and James Norton was easily one of the best psychopaths I've ever seen in a television drama. There was real depth to his character and I expect he was hated by viewers as much as Joffre in Game of Thrones nonsense police officer. But it was Sarah Lancashire's show all the way as the tough, no-nonsense, but damaged police officer. At first I thought this was going to go the way of the film Fargo, with it's kidnapping-gone-wrong scenario, but by the start of the second episode it was clear that it was going to take a different path. Be warned though, it's dark and unsettling with moments of sudden shocking violence, especially at the end of the fourth episode, where I was left shaking at the sheer intensity of it all. Better than anything American crime dramas have had to offer us over the past year, it was brilliant. Absolutely bloody brilliant!

I've only just realised what a great actress Sarah Lancashire is (I last saw her as a dizzy blonde in Coronation Street!). In the whole range of the Happy Valley character its the silences, those long lingering close-ups of her face as it conveys everything she doesn't have to say. One minute you feel sorry for the poor sod; next your laughing at the characters directness; next your almost in tears as she drives to hold herself together in the face of crippling memories. The story itself it terrific but sitting in the middle is Catherine Cawood, the dedicated, honest, seen-it-all-before, no-nonsense copper. The writer who opened the story with the confrontation with a smack-head allowed some cracking dialogue to kick the series off and show us the character we will grow to like and care for. The BAFTA's hers!