Duas irmãs sofrendo com a morte recente de sua mãe sem receberem muito apoio de seu pai, um terapeuta que está lidando com sua própria dor, precisam enfrentar uma entidade sobrenatural que s... Ler tudoDuas irmãs sofrendo com a morte recente de sua mãe sem receberem muito apoio de seu pai, um terapeuta que está lidando com sua própria dor, precisam enfrentar uma entidade sobrenatural que se alimenta do sofrimento de suas vítimas.Duas irmãs sofrendo com a morte recente de sua mãe sem receberem muito apoio de seu pai, um terapeuta que está lidando com sua própria dor, precisam enfrentar uma entidade sobrenatural que se alimenta do sofrimento de suas vítimas.
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- 3 indicações no total
Avaliações em destaque
Never in human history has mankind had access to such a wide variety of lighting implements for virtually any lighting need.
You've got LED flashlights packed with thousands of lumens. Battery powered, solar powered, you name it. Even a cheap dollar store flashlight these days is capable of lighting up your entire backyard so you can see who's been stealing your underthings.
Headlamps? We got headlamps. Get one with a rechargeable battery pack and you'll never be without hands free lighting again.
Why not try the Ryobi work light, which will blast 4,200 blinding lumens at that hard to reach manifold, difficult basement job, or closet dwelling creature trying to eat your kids. It's powered by the popular ONE+ battery so you'll never be in the dark again.
Want something more budget friendly? Strap on a puck light or grab a packet of glow sticks at the dollar store (deep down, didn't you know we'd be back at the dollar store again?) and light up your world for mere pocket change.
Of course, if an ancient evil creature is menacing your family and that creature exists only in the dark, you may choose to go without all of these lighting needs and try fighting it with... Oh, I dunno. An bulk supply of tea candles? Your dead mom's almost-out-of-juice zippo lighter? Some 1970s era Christmas lights that depend on an extension cord, even though electrical power seems to be out all over the house?
Now, see here. I actually enjoyed The Boogeyman to some extent, because the scenes were shot well and it was decently acted. But come on. If even one of the bonehead characters in this movie had made just a cursory trip to Harbor Freight (I like to plug aaaall the stores,) they could have completely vanquished that rather feeble creature the very first night. Hell, what I keep in my glove compartment would have sent that Predator-wannabee packing lickety split.
I'm sorry, but when you get right down to it, that boogey creature wasn't all the powerful. In fact, the most dangerous thing it seemed to accomplish was the spreading of mold throughout the house. That's gonna cost the family a pretty penny to eradicate. Too bad they don't have a Tractor Supply, Dollar Tree or Harbor Freight in their neighborhood.
Kind of a cool movie and some scary scenes, but you have to suspend belief a little too much for it to really sink it. I mean, gee whiz, fellas. They make bright lights with little motion sensors on them now, because we live in a time of wonders.
You've got LED flashlights packed with thousands of lumens. Battery powered, solar powered, you name it. Even a cheap dollar store flashlight these days is capable of lighting up your entire backyard so you can see who's been stealing your underthings.
Headlamps? We got headlamps. Get one with a rechargeable battery pack and you'll never be without hands free lighting again.
Why not try the Ryobi work light, which will blast 4,200 blinding lumens at that hard to reach manifold, difficult basement job, or closet dwelling creature trying to eat your kids. It's powered by the popular ONE+ battery so you'll never be in the dark again.
Want something more budget friendly? Strap on a puck light or grab a packet of glow sticks at the dollar store (deep down, didn't you know we'd be back at the dollar store again?) and light up your world for mere pocket change.
Of course, if an ancient evil creature is menacing your family and that creature exists only in the dark, you may choose to go without all of these lighting needs and try fighting it with... Oh, I dunno. An bulk supply of tea candles? Your dead mom's almost-out-of-juice zippo lighter? Some 1970s era Christmas lights that depend on an extension cord, even though electrical power seems to be out all over the house?
Now, see here. I actually enjoyed The Boogeyman to some extent, because the scenes were shot well and it was decently acted. But come on. If even one of the bonehead characters in this movie had made just a cursory trip to Harbor Freight (I like to plug aaaall the stores,) they could have completely vanquished that rather feeble creature the very first night. Hell, what I keep in my glove compartment would have sent that Predator-wannabee packing lickety split.
I'm sorry, but when you get right down to it, that boogey creature wasn't all the powerful. In fact, the most dangerous thing it seemed to accomplish was the spreading of mold throughout the house. That's gonna cost the family a pretty penny to eradicate. Too bad they don't have a Tractor Supply, Dollar Tree or Harbor Freight in their neighborhood.
Kind of a cool movie and some scary scenes, but you have to suspend belief a little too much for it to really sink it. I mean, gee whiz, fellas. They make bright lights with little motion sensors on them now, because we live in a time of wonders.
While I give the film props for an interesting and unique creature design, it can't really elevate a movie that just feels mediocre.
The film presents itself as something of a metaphor for grief, but it ultimately feels extremely toned down and toothless. Jump scares aside, the movie does very little to ratchet up its tension, making its handful of tense moments feel a bit like islands in a sea of "get on with it".
The performances are fine, but ultimately the film never lets the characters really get to dig into their own trauma and depression in a way that might give the film some much needed depth. It ends of feeling as if someone wanted to make the Babadook, but in the style of films like House on Haunted Hill or Thirteen Ghosts.
It's a pleasant enough watch, but you'll forget it in a week.
The film presents itself as something of a metaphor for grief, but it ultimately feels extremely toned down and toothless. Jump scares aside, the movie does very little to ratchet up its tension, making its handful of tense moments feel a bit like islands in a sea of "get on with it".
The performances are fine, but ultimately the film never lets the characters really get to dig into their own trauma and depression in a way that might give the film some much needed depth. It ends of feeling as if someone wanted to make the Babadook, but in the style of films like House on Haunted Hill or Thirteen Ghosts.
It's a pleasant enough watch, but you'll forget it in a week.
I felt this was a mediocre movie. Some of the jump scares in the first half were pretty well done, but when the Boogeyman started to make a real appearance, the wheels came off for me.
I think the acting was pretty good but there was nothing original or special in this movie. I feel that it's difficult to make a truly scary movie that sticks with you long after you've left the theater; I was hoping The Boogeyman would stick to my bones a bit, but it did not.
If you're looking to kill some time with some jump scares, this is an okay flick. If you're looking for something truly frightening and engaging, I don't believe this is it.
I think the acting was pretty good but there was nothing original or special in this movie. I feel that it's difficult to make a truly scary movie that sticks with you long after you've left the theater; I was hoping The Boogeyman would stick to my bones a bit, but it did not.
If you're looking to kill some time with some jump scares, this is an okay flick. If you're looking for something truly frightening and engaging, I don't believe this is it.
Truly, this movie was screwed over with its title. I know it's an adaptation, but "The Boogeyman" makes it sounds like a bottom-of-the-bargain-bin DVD movie. But while far from original, this is a thoroughly well-crafted, at times thoughtful horror film.
By far, this is one of the most frightening PG-13 movies I've seen. Director Rob Savage has a lot of talent, and he wields the camera with style and with care. Excellent sound design and mixing, as well as a smart subdued musical score, build anticipation for each scare and don't let up the tension once something has been revealed.
The monster is horrifying in its design, but Savage wisely doesn't show it to us very often, and never really shows it to us in detail. Dark, oppressive atmosphere pervades the screen and it leaves a lot of distressing things to the imagination.
While this isn't the first film to hold grief or trauma as a metaphor for its monster, it's done quite well here. The family dynamics in this script are restrained and well-realised, with satisfying thematic payoff at the end.
I have only one major issue with the film, and that's that the characters seem to easily brush off when they see horrifying things. They didn't sell the paranoia at all. And at a couple points Sadie finds potential proof of the monster's existence but never does anything with it. Perhaps there was some material left on the cutting room floor that fills in these gaps, but we may never know.
Still, this is a supernatural scare-fest that's several cuts above average and I would truly recommend it for anyone who enjoys a decent story with their spooks.
By far, this is one of the most frightening PG-13 movies I've seen. Director Rob Savage has a lot of talent, and he wields the camera with style and with care. Excellent sound design and mixing, as well as a smart subdued musical score, build anticipation for each scare and don't let up the tension once something has been revealed.
The monster is horrifying in its design, but Savage wisely doesn't show it to us very often, and never really shows it to us in detail. Dark, oppressive atmosphere pervades the screen and it leaves a lot of distressing things to the imagination.
While this isn't the first film to hold grief or trauma as a metaphor for its monster, it's done quite well here. The family dynamics in this script are restrained and well-realised, with satisfying thematic payoff at the end.
I have only one major issue with the film, and that's that the characters seem to easily brush off when they see horrifying things. They didn't sell the paranoia at all. And at a couple points Sadie finds potential proof of the monster's existence but never does anything with it. Perhaps there was some material left on the cutting room floor that fills in these gaps, but we may never know.
Still, this is a supernatural scare-fest that's several cuts above average and I would truly recommend it for anyone who enjoys a decent story with their spooks.
I can't understand what some people are looking for. Horror movies can't get way better than this. If you are a horror snob, that's ok, but not every horror director is brilliant as Aster or Eggers. If you don't lower your expectations, almost every new horror movie will bring you more disappointment than enjoyment.
Rob Savage is a good horror director, i would even call him a hope for horror genre. I enjoyed his previous movies. BOOGEYMAN is even better. It's the best horror movie since SMILE.
Not a masterpiece for sure, it's flawed. I could live with less jump scares, they seem overused here. Furthermore, i would prefer for the monster to appear less on the screen. It would be more menacing if it didn't constantly pop out here and there. First half of the movie was scary. But, as it progressed, i got desensitized. It was not that scary anymore and there were some pacing problems in the second half.
However, the sum of it was good. Great acting, especially the young girls. Likeable characters: Not something usual in horror movies nowadays. I cared for them and there were many intense scenes that made me anxious. Spooky atmosphere, constant dread, viewer doesn't relax for a second. Monster was a great villain, i really hated it. I won't reveal the ending but i found it very good.
In general, this is not brilliant, neither groundbreaking or mindblowing. But it does what a good horror movie suppose to do. And, i repeat myself but i must emphasize about the characters. It's important for a horror movie to have likeable characters, i watched many ridiculous horror movies in which i didn't care if they live or die. BOOGEYMAN suceeds because these characters are very likeable. That's a lesson that every horror director should learn.
Rob Savage is a good horror director, i would even call him a hope for horror genre. I enjoyed his previous movies. BOOGEYMAN is even better. It's the best horror movie since SMILE.
Not a masterpiece for sure, it's flawed. I could live with less jump scares, they seem overused here. Furthermore, i would prefer for the monster to appear less on the screen. It would be more menacing if it didn't constantly pop out here and there. First half of the movie was scary. But, as it progressed, i got desensitized. It was not that scary anymore and there were some pacing problems in the second half.
However, the sum of it was good. Great acting, especially the young girls. Likeable characters: Not something usual in horror movies nowadays. I cared for them and there were many intense scenes that made me anxious. Spooky atmosphere, constant dread, viewer doesn't relax for a second. Monster was a great villain, i really hated it. I won't reveal the ending but i found it very good.
In general, this is not brilliant, neither groundbreaking or mindblowing. But it does what a good horror movie suppose to do. And, i repeat myself but i must emphasize about the characters. It's important for a horror movie to have likeable characters, i watched many ridiculous horror movies in which i didn't care if they live or die. BOOGEYMAN suceeds because these characters are very likeable. That's a lesson that every horror director should learn.
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
See how IMDb users rank the feature films based on the work of Stephen King.
Você sabia?
- CuriosidadesA film adaptation of a short story, written by Stephen King, that was originally featured in a March 1973 issue of Cavalier magazine & later in Night Shift, a collection of short stories all written by King.
- Erros de gravaçãoSadie comes out of her bedroom wearing a gray sweatshirt, sweatpants and socks to investigate strange noises coming from her mom's studio. As she steps in a red liquid pooling from under the door you'll notice that she no longer has socks on her feet.
- ConexõesFeatured in Half in the Bag: 2023 Catch-up (Part 1) (2023)
- Trilhas sonorasJeff Goldblum
Written by Mattiel (as Atina Mattiel Brown) and Jonah Swilley
Performed by Mattiel
Courtesy of ATO Records
Principais escolhas
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- How long is The Boogeyman?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Boogeyman: Tu miedo es real
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 43.244.282
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.356.486
- 4 de jun. de 2023
- Faturamento bruto mundial
- US$ 67.307.243
- Tempo de duração
- 1 h 38 min(98 min)
- Cor
- Mixagem de som
- Proporção
- 2.39:1
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