Following Yonder Star

Following Yonder Star is the story of a popular actress who discovers that everyone is the press in the social media age when a minor run-in with a store clerk blows up into a big scandal.

Brooke D'Orsay as Abby retreats to Vermont to let it blow over and winds up in a bed and breakfast run by John Brotherton as Tom.

He, among other things, is directing a children's Christmas play that includes his young daughter, but he is out of his element. Abby offers to help.

Commence bonding and all the usual Hallmark stuff.

D'Orsay is her usual sweet, vulnerable self. Brotherton has a nervous energy, totally appropriate for the part, but it made me uncomfortable.

Supporting cast is good, and as always, I really appreciate the inclusion of faith and the Nativity story in these movies.

Jack was right about the Astronomical stuff, that was silly. Made me laugh, Jack.

All in all, not the greatest ever, but very watchable.

Seven.

Following Yonder Star is a beautiful story of love and faith. Brook D'Orsay and Jon Brotherton had wonderful on screen chemistry and I really enjoyed them as a couple! Their characters were funny, likeable, and seeking something better in life. Watching their journey was the focus of the movie.

The young actress who played the daughter of Jon's character did a great job without being over sugary. (Some of the children in Hallmark movies are a little too perfect.) I loved the interaction between her and Abby, and also with her dad. All of the kids in the movie were very good.

FYS made me feel good and I will watch it again!

This is an interesting film and very well acted. It involves an actress coping with getting vilified by social media during the Christmas season - a unique premise. For the first time, we enjoyed Brooke D'Orsay's acting. We usually find her movies to be mediocre and her acting sort of robotic, probably because the scripts are so routine. But, here, she is given a good story and the opportunity to act with nice subtlety and expression. At times, she says nothing, but it is her face and movements that convey her feelings and emotions. Very nicely done. And John Brotherton is excellent - just as good as he was with Kimberley Sustad in "Lights! Camera! Christmas!".

His character is sort of a Nervous Nellie and it is endearing how he has feelings for D'Orsay's character.

Brotherton is a very multi-faceted actor - you can check him out in two episodes of the "911" series that aired earlier this year - in a performance that is stunningly evil.

But, here, he demonstrates just how diverse he is because this character is caring and sweet natured.

D'Orsay and Brotherton work well together and they make this movie fine and watchable holiday entertainment.

I love all her movies, I think she's very charming, funny, and earnest. I look forward to her Christmas movies every year. And this one did not disappoint.

First off, this movie is legitimately funny. Hallmark doesn't always hit the comedy beats but this one did. John Brotherton is also awesome and he has not only a great screen presence, but he's also quirky and hilarious. I think he crushed this role.

The story was sweet. Obviously the "meltdown" wasn't that big of a deal and people were acting like Abby murdered someone. But that was also funny because people were SO horrified. The store clerk was a jerk, tbh.

I loved the stuff with the stars, too. Hallmark makes about 40-42 Xmas movies every year and this is easily top three and might be the best one out of them all. And there have been some good ones. I'll be watching this one again on December 25th.

This is "famous actress finds love in small town but has to leave for career" movie number 386, so there aren't any surprises at all here.

For #386, it's nice. The reason she flees to a small town is amusing, as she has a meltdown video go viral and it mildly threatens her next role.

Of course, she becomes involved with a widowed father with an adorable daughter and gets involved with the kid's Christmas show, lending her professional acting talents to make the performances better, and spending lots of time with the widowed father, who owns the inn where she's staying.

And of course, her agent almost spoils things for everyone at the end as he pushes things to benefit her career.

One redeeming feature, the father never addresses his daughter as "kiddo".

It's a nice watch, and we like D'Orsay from all the way back to Royal Pains, but with nothing new in the story, it's a one-time watch for us.