Terra de guerreiros

The movie's plot moves along predictable lines i.e a tribe is wiped out by a ruthless clan of another tribe with only the chief's young son who is able to escape. How he takes revenge with the help of a flesh eating giant tribal man living in the Deadlands, forms the story.

What slightly separates the movie from other movies is - it is completely set in the jungles, shows how the tribals fight and and some of the fight sequences are staged well.

What was required was a tight script, bit of mystery and fear and more depth in the characters to make it interesting. In the absence of this, the film becomes sluggish to watch.

Give it a miss.

The Dead Lands offers myriad of tribal warrior codes, brutal combat and near mythical depiction of ancient culture. Though it may set in archaic time, the visual is crisp and portraying the natural landscape with elegance. Clash of flesh and weapon are aplenty, this is not for the viewing of fainthearted as the scenes are surprisingly full of gore and blood.

Its premise is quiet simple. A boy's clan is attacked by the opposing rival clan led by the ambitious son of their chief. With false pretext and sudden ambush, the clan suffers greatly. The boy then must walk the path of vengeance which leads him to a scared ground and a warrior with dubious past. Acting-wise the film is brash, filled with both honor code and battle cries.

Casting looks good, the actors physically look intimidating. The old warrior has menacing air as one who has been shouldering heavy burden his entire life. This is an anti-hero story as well as how honor can mean so differently for each person. The characters all have their own salvation to search, but they do so with significantly different paths. Relationship between the boy and the warrior is interesting since both of them barely agree on anything yet still strive for a common goal.

Fighting is especially well-choreographed. In a few scenes there are mutilations which will make audience cringe, these are honestly rather unexpected. It's nice to see that the film includes a lot of Maori myth and style with motions as well. There's inclusion of mythology for unworldly presence, it's presented dynamically as how the ancient people would see it.

Unfortunately, the film possesses a couple of flaws. It's very combatant oriented, so some of the philosophical themes might not translate well for broader audience. The film has stumbled in halfway point as the visual gets uncomfortably dark and the pace halts.

Still, even with several hindrances, The Dead Lands is a great and brazen cultural visit.

This film delivers on the trailer's promise of an out of the box, skull crushing, action epic. It begins as a basic fable, but gains complexity as the story unfolds, all while hitting frequent action beats. The warrior's character in particular is more than a typical anti-hero, having far more of the "anti" than a Hollywood archetype.

I came for stylish brutality and badass fights, and this film delivers on both counts. As a martial arts film fan, I found the use of traditional Mauri weapons a fresh take on the genre. The choreography also holds up to a Hong Kong standard, but with a unique and brutal feel. All in all, it's a very memorable action epic. More than worth your time.

In brief, this is an entertaining movie with lots of impressive fighting, a bit of supernatural colour, authentic period setting in pre-European New Zealand, and believable characters. The plot is simple: a chiefs son must avenge the dishonourable slaying of his father and his tribe, and with the support of his deceased grandmother (an effectively spooky Rena Owen) he seeks the help of a reclusive warrior with a dark past. The film deserves extra credit for the authentic portrayal of Maori fighting tradition and weapons, and the accuracy of the central role of honour, revenge, and supernatural beliefs in the warrior culture. I appreciated the decision to have Maori dialogue, I find the sound of the language itself expresses the warrior spirit.

The theme of honour and revenge was also central to the plot of Utu, meaning "blood for blood" a 1984 film directed by Geoff Murphy and set during the early European colonial era in NZ. Worth watching if you enjoyed the Dead Lands and want to see more of the warrior culture of the Maori, although a much more philosophical and slow paced film than this one.

Perhaps to add a little to the appreciation of both of these films, the depiction of Maori as extremely tough and fearless warriors is in no way exaggerated. These people lived very hard lives in a land with very few resources for humans. With no native animals to speak of, and few edible plants, Maori survived on little more than fish, a few birds, and a few berries and roots. The average life expectancy was early 30's. Despite this, they were tall, powerfully built people. There was fierce competition between tribes for resources, and they constantly fought each other over any pretext, usually ascribed to matters of honour and leading to endless blood feuds, but in at least some cases the real motive was hunger. Cannibalism was common, especially after the ostrich-like moa was hunted to extinction and the climate became colder.

Despite these desperate circumstances, Maori retained a rich mythological heritage and believed their land was populated by spirits, good and evil, and it was imperative that their ancestors be honoured and remembered, just as depicted in the film. To this day some Maori can trace their lineage, literally naming their ancestors, back 1000 years to the first tough, brave warriors that crossed the vast pacific to find and colonise NZ.

The only negative for me was that the film dragged a little in the middle.

Sometimes "last of ..." is not that accurate, especially if you have two who can be called that. For different reasons of course. And while the main story is pretty straight forward (and you can see where it's going) there are some gems here and there. The action scenes are pretty well executed. My Maori is not up to the task, but the acting seems more than decent too.

Talking about tasks, the question is is our main hero up to it? Being put in a situation, no one wants to be in, but sometimes you are forced to be in, is more than difficult. On the other hand, you have his mentor, who has some issues of his own. The dynamic works well, though you have to be open minded with what it means to be them or live in that sort of environment - if you can't get down with that, it can be dreadful to watch