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IMDbPro

Beatles '64

  • 2024
  • 1 h 46 min
AVALIAÇÃO DA IMDb
7,2/10
2,8 mil
SUA AVALIAÇÃO
The Beatles in Beatles '64 (2024)
Captures the band's electrifying 1964 US debut amid fan frenzy. With rare behind-the-scenes footage, it chronicles their unprecedented rise to global superstardom after performing on The Ed Sullivan Show to over 73 million viewers.
Reproduzir trailer2:23
6 vídeos
67 fotos
DocumentárioMúsica

Captura a eletrizante estreia da banda nos EUA em 1964, em meio ao frenesi dos fãs. Com raras cenas de bastidores, narra sua ascensão sem precedentes ao estrelato global após se apresentarem... Ler tudoCaptura a eletrizante estreia da banda nos EUA em 1964, em meio ao frenesi dos fãs. Com raras cenas de bastidores, narra sua ascensão sem precedentes ao estrelato global após se apresentarem no The Ed Sullivan Show.Captura a eletrizante estreia da banda nos EUA em 1964, em meio ao frenesi dos fãs. Com raras cenas de bastidores, narra sua ascensão sem precedentes ao estrelato global após se apresentarem no The Ed Sullivan Show.

  • Direção
    • David Tedeschi
  • Artistas
    • The Beatles
    • John Lennon
    • Paul McCartney
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    2,8 mil
    SUA AVALIAÇÃO
    • Direção
      • David Tedeschi
    • Artistas
      • The Beatles
      • John Lennon
      • Paul McCartney
    • 22Avaliações de usuários
    • 33Avaliações da crítica
    • 78Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado para 2 Primetime Emmys
      • 1 vitória e 5 indicações no total

    Vídeos6

    Official Trailer
    Trailer 2:23
    Official Trailer
    Beatles '64: What Should We Do?
    Clip 1:02
    Beatles '64: What Should We Do?
    Beatles '64: What Should We Do?
    Clip 1:02
    Beatles '64: What Should We Do?
    Beatles '64: Take 251
    Clip 0:31
    Beatles '64: Take 251
    Beatles '64: New York
    Clip 0:38
    Beatles '64: New York
    Beatles '64: You Really Got A Hold On Me
    Clip 0:58
    Beatles '64: You Really Got A Hold On Me
    Beatles '64: She Loves You
    Clip 0:33
    Beatles '64: She Loves You

    Fotos66

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    Elenco principal43

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    The Beatles
    The Beatles
    • Themselves
    • (cenas de arquivo)
    John Lennon
    John Lennon
    • Self
    • (cenas de arquivo)
    Paul McCartney
    Paul McCartney
    • Self
    George Harrison
    George Harrison
    • Self
    • (cenas de arquivo)
    Ringo Starr
    Ringo Starr
    • Self
    Joe Queenan
    Joe Queenan
    • Self - Writer
    Vickie Brenna-Costa
    Vickie Brenna-Costa
    • Self - Fan from the Plaza Hotel
    Danny Bennett
    Danny Bennett
    • Self - Music Producer
    Martin Scorsese
    Martin Scorsese
    • Self - Producer
    Jamie Bernstein
    Jamie Bernstein
    • Self - Writer
    Ronnie Spector
    Ronnie Spector
    • Self - The Ronettes
    • (cenas de arquivo)
    Jack Douglas
    Jack Douglas
    • Self - Music Producer
    Terence Trent D'Arby
    Terence Trent D'Arby
    • Self - Artist
    • (as Sananda Maitreya)
    • …
    Jane Tompkins
    Jane Tompkins
    • Self - Writer
    Smokey Robinson
    Smokey Robinson
    • Self - The Miracles
    Harry Benson
    Harry Benson
    • Self - Photographer
    David Lynch
    David Lynch
    • Self - Artist…
    Ronald Isley
    Ronald Isley
    • Self - The Isley Brothers
    • Direção
      • David Tedeschi
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários22

    7,22.7K
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    Avaliações em destaque

    7HabibieHakim123

    A Nice Tribute To History And A Nostalgic Trip, But Not A Game-Changer

    Beatles '64 might not be the most groundbreaking Beatles documentary, it's not Get Back, where newly unearthed Beatles footage is revealed in all its glory, instead, it serves more as a nostalgic throwback, revisiting an iconic and historic moment in the band's journey, while much of the footage has likely been seen by longtime fans, the upgraded quality offers a fresh perspective, the story that they told about the surrounding vibe and reaction was enough to keep the film going, i wish we could've got more of Paul and Ringo with Scorsese, that said, as a retrospective, it's still a fascinating look at a pivotal moment in Beatles history, as a fan, i thoroughly enjoyed it, though as a documentary, it's not the one that i would revisit nor the the one that i think was the most engaging, i would still much prefer the Eight Days A Week documentary by Ron Howard, but it's still nice to watch.
    9riezexeero

    A good documentary for fan of the Beatles or for new listeners of the band.

    It provided a fantastic insight into what was going on during the US visit. The film showcased how the Beatles acted on and off stage, as well as providing information about what happened when they arrived in America and the impact their music had on the people. The quality of the archive footage was excellent. The soundtrack of the movie was outstanding and the interviews were interesting.

    What it lacks is narration, but I believe they were trying for a "stock footage" approach and enabling you, the audience, to put it together. There was some storytelling in text form, but it wasn't enough for me, and it felt slightly "missing something".

    Overall, the film is an 8 but I gave it a 9 cause I am a fan of the band.
    7wildcatian

    Women's Fantasies, Man Crying Over She Loves You, WHAT IS THIS?

    It wasn't a bad documentary, but I didn't walk away feeling like I learned all that much. I was really looking for something that dove deep into the concert by concert of the 1964 tour. I was hoping to see a little bit of footage from each show and behind the scenes in each location. However, a lot of the focus was on New York and Washington with little to no focus on any other places that the Beatles traveled to. I would've loved to see their time in Seattle, San Francisco, Las Vegas, LA, Canada, the list goes on! It would've been interesting to learn more about the issues with segregation in Jacksonville, Florida, meeting Bob Dylan, and the 1.5 million dollars offered to them to perform an extra show in Kansas City. Instead the documentary is mostly about New York and Washington, featuring full length clips of a woman's fantasies with the Beatles, a man crying about the emotional connection to She Loves You, and a full length clip of Smokey Robinson's band performing a sssslllllooooowwww version of Yesterday. Why do I need to see this? I came here to watch something about the Beatles, and while it's OK to have guest speakers talk, they need to be short and RELEVANT. Martin Scorsese is a weird guy, which is probably why he made this weird documentary with some actually boring clips of the Beatles. There was far too much focus on Beatlemania (including the gory details of people's love affair of the boys), which is something that has been covered, like a million times. I don't think this whole thing is bad, I just wanted a focused and interesting watch, but there's not a ton here that I haven't already heard or seen. What is new is actually a little boring.

    And that's coming from someone who loved: Get Back (10/10), Rooftop Concert (10/10), A Hard Days Night, and Help.
    7sambase-38773

    The Beatles - Yeah Yeah Yeah

    Since this documentary was produced for the Disney streaming channel you should probably assume that it's not for the super hardcore fans who are always grumpy and impossible to please. It's much more for the casual fan. And for young people (under 40 let's say) who know very little about The Beatles.

    There are lots of "talking heads" interviews which are okay, but not really all that exciting to watch. Some are more interesting than others.

    The old footage of The Beatles performing and not performing is the most enjoyable to watch. I saw quite a bit of footage that I had never seen before and there are some wonderful moments.

    There are also some ugly moments, too. There's one moment when a New York City cop threatens to throw two teenage girls down a flight of stairs just because they aren't staying at the hotel. Yikes! Talk about police brutality! The girls were very peaceful and didn't deserve that.

    There's also an ugly moment when some random male adult is telling young teenage girls that their love of The Beatles is "psycho-sexual" and that they are "sick". That guy seemed totally perverted! He was the one who was "sick". What a weirdo.

    The musical performances sounded really good, especially listening with headphones.

    Anyway, overall I enjoyed it quite a bit and would recommend watching it.
    6barrywomb

    Why?

    First, I'm a huge Beatles fan. Always have been and I'm an old guy (62). I've seen most, if not all, The Beatles films and was looking forward to this one. So much so, that I opted in for a month of Disney+ so that I could watch this and also the remastered "Let it Be" film.

    While 1964 was a crucial year for The Beatles and important to what they meant to America, especially after the Kennedy assassination, I have to say that I preferred Ron Howard's spin much more as it was much more Beatle-centric to me. Beatles '64 kind of meanders all over the place and there are awkward segues into the psychology of Beatlemania (from later in the 60s) and just the kind of mood of the early 60s. Those segues are ridiculous and just out of place in this film. The clips don't age well and really had ZERO to do with John, Paul, George, and Ringo.

    There were fan interviews (new and from 64) and that was ok, but there were other interviews that didn't make much sense to me. Jack Douglas's interview was good, but in the scheme of things, it was more about him and less about The Beatles, so a good interview, but out of place here.

    The film has recent interviews with Paul and Ringo. Ringo seemed to add to the conversation with a few things I hadn't heard before. Paul just kind of fell back on his 'same old stories'. I mean, did we NEED to hear Paul give the talk about how the early hits were "From ME to YOU. SHE loves YOU. Please Please ME...". Good God, how many times can he recycle that? I really wish he'd open up a bit more. It was nice to see Ringo drum a bit and talk about the drum riser used on the Sullivan show, etc. Paul... eh, he really didn't add much and his F bomb, to me, was really out of place, especially on the Disney+ channel. Seemed a bit forced, too. The George and John interviews added more than Paul's.

    Speaking of the Sullivan stuff- Why they didn't use the pristine video versions that came out about 10 years ago, I'll never know. The clips they used from the Sullivan show in Beatles '64 were much lower quality than what has been otherwise released.

    I did enjoy the Ronnie Spector and Smokey Robinson interviews very much. The Beatles definitely beat the drum for the black American groups, so that was cool. Smokey singing 'Yesterday' was good too, but if this was about 1964, it was odd to see that which was at least a year later. Small point. It was cool to see George request "Got My Mind Set On You" on the phone. Prophetic.

    I never realized how ANNOYING Murray the K was. He just kind of latched on and it was funny to see George say "we never knew how he got there...".

    There was stuff that was later than '64 in the film too, which was kind of weird considering the film's title.

    For me, there wasn't much I'd not seen before. The original films came out in the 80s or 90s as "The Beatles First Visit to the US" home video and, for my money, that is MUCH BETTER than this one. You can find it on the Internet Archive. Watch that as it's a much better representation.

    It was nice to see how funny they were on the films of the train and in the hotel in New York. I'd forgotten that and Beatle Humor is such a big part of them. George masquerading as a train bartender was funny. I'd forgotten about that. John seemed a bit subdued and Paul, Ringo, and George were really hamming it up.

    The NEXT film should be the restored Washington DC concert (which parts are shown here). They really improved the sound in the clips used in this film (though it's odd to see George singing "Roll Over Beethoven" on one mic, then move to another mic right in the middle of the lyric line. The reason he did this was because, in the original film, his mic was dead, so he jumped over to John's mic. Well, in this film, both mics mysteriously are working, so when he moves and you don't know this, you kind of go "Why did he move?". Peter Jackson restored that a bit too much. The dead mic and Ringo's funky drum riser kind of illustrate how UNready the US entertainment industry was for The Beatles as a live act.

    All in all, it was 'OK' and worth a watch, but it really adds nothing new to The Beatles mythology.

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    • Curiosidades
      In a 2024 interview with Variety, David Tedeschi spoke about some of the previously unseen footage and one interview in particular that surprised him: "That Harlem footage had never been seen before. So you have various reactions from young, black teenage girls and boys, and a few older people, and of course you have these young men in the record store. The one guy says, 'It's just disgusting the way they play that music over and over again. I like Miles Davis. I like John Coltrane.' But it was sort of interesting the way the teenage girls in Harlem just loved The Beatles, loved their hair, loved their music. That to me was a surprising thing, because of course the civil rights movement was going on. Of course I knew that later on when they actually toured the States, they refused to play before segregated audiences. But when we decided to interview Smokey Robinson, I didn't expect him to say everything that he said. One of the things was that the Beatles were the first white artist of their magnitude that said they loved and learned from black music and sang black music. We have several people, from David Lynch to Smokey, talking about the power of music, I thought in a very beautiful way. And when Smokey says in regards to the audiences being desegregated, that it gave kids a common love and that it was the power of music that literally overcame the barrier that was set up between the white audience and the black audience, I thought that was really a wonderful thing for him to say, and unexpected."
    • Citações

      Self - Writer: It was so visceral, the reaction to The Beatles' music. You know, something we couldn't explain in words. That's why we screamed, because it was just coming out of some non-verbal place.

    • Conexões
      Features Toast of the Town: Meet The Beatles (1964)
    • Trilhas sonoras
      She Loves You
      Performed By The Beatles

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    Detalhes

    Editar
    • Data de lançamento
      • 2 de dezembro de 2024 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • ビートルズ '64
    • Empresas de produção
      • Park Road Post Production
      • Sikelia Productions
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 46 min(106 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 16:9 HD

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