Um idealista agente do FBI é chamado pelo governo para ajudar as forças na guerra contra as drogas na fronteira entre os Estados Unidos e Mexico.Um idealista agente do FBI é chamado pelo governo para ajudar as forças na guerra contra as drogas na fronteira entre os Estados Unidos e Mexico.Um idealista agente do FBI é chamado pelo governo para ajudar as forças na guerra contra as drogas na fronteira entre os Estados Unidos e Mexico.
- Indicado a 3 Oscars
- 15 vitórias e 157 indicações no total
Raoul Max Trujillo
- Rafael
- (as Raoul Trujillo)
Maximiliano Hernández
- Silvio
- (as Maximiliano Hernandez)
Resumo
Reviewers say 'Sicario' is a gripping thriller exploring drug cartels with standout performances by Benicio del Toro and Josh Brolin. Praised for Roger Deakins' atmospheric cinematography and Denis Villeneuve's direction, it delves into moral ambiguity and justice. Themes of ethical compromises and the human cost of the drug war are central. The score by Jóhann Jóhannsson enhances tension. However, some find Emily Blunt's character less impactful and criticize narrative and character development. Overall, it's visually stunning and thought-provoking, though not without flaws.
Avaliações em destaque
Sicario ('Hitman' in Mexican) is well worth your viewing time. The ever- reliable Emily Blunt excels here as FBI agent and hostage specialist Kate Macer. After a gruesome discovery in Phoenix, Kate becomes an idealistic fish-out-of-water in a complex CIA mission, run by Matt Graver (Josh Brolin) against a notorious Mexican drug cartel. Key to the mission is Columbian-born Alejandro (Benicio del Toro): a man with a tragic past that directly guides his future. To tell more would spoil what is a dense and complex storyline that evolves in a most satisfactory manner.
The acting is superb, with Blunt giving a career-best performance (sadly overlooked by the major awards), Josh Brolin being convincing as the war-weathered CIA man and Benicio del Toro delivering his best stone cold killer in gripping style. His Best Supporting Actor Oscar nomination is well deserved, albeit for the maintenance of a fairly standard and chilling expression. Finally a name to watch for the future is London-born Daniel Kaluuya as Macer's black FBI colleague frustrated at being sidelined as a 'spare' by the task force.
Equally praiseworthy is the epic cinematography of Roger Deakin ("Skyfall", "No Country for Old Men") which is also Oscar nominated. Remarkable landscapes of the Mexican border are supported by breathtaking helicopter/drone shots of the CIA convoy of black vehicles in one of the tenser moments in the film. Outstanding (for both direction, editing and cinematography) is a scene set in and around a tunnel that is the best satellite/night vision scene since the 'electronic battlefield' in "Patriot Games" in 1992.
The Oscar-nominated music by Jóhann Jóhannsson (so good with "The Theory of Everything") is of the atonal electronic variety, undoubtedly effective in conveying the film's mood but difficult to compare against the more obvious Oscar nominations from the likes of Ennio Morricone and John Williams.
Directed by Denis Villeneuve (who specialises in single named features) this is a tense, intelligent and thought-providing film that does nothing for Mexico's tourist industry but a lot for Trump's presidential campaign!
Often brutal, this is not an easy film to watch. But it is a highly intelligent watch, requiring your full attention throughout, and is deserving of a place among the best films of 2015. Recommended.
(Please visit bob-the-movie-man.com for the graphical version of this review. Thanks).
The acting is superb, with Blunt giving a career-best performance (sadly overlooked by the major awards), Josh Brolin being convincing as the war-weathered CIA man and Benicio del Toro delivering his best stone cold killer in gripping style. His Best Supporting Actor Oscar nomination is well deserved, albeit for the maintenance of a fairly standard and chilling expression. Finally a name to watch for the future is London-born Daniel Kaluuya as Macer's black FBI colleague frustrated at being sidelined as a 'spare' by the task force.
Equally praiseworthy is the epic cinematography of Roger Deakin ("Skyfall", "No Country for Old Men") which is also Oscar nominated. Remarkable landscapes of the Mexican border are supported by breathtaking helicopter/drone shots of the CIA convoy of black vehicles in one of the tenser moments in the film. Outstanding (for both direction, editing and cinematography) is a scene set in and around a tunnel that is the best satellite/night vision scene since the 'electronic battlefield' in "Patriot Games" in 1992.
The Oscar-nominated music by Jóhann Jóhannsson (so good with "The Theory of Everything") is of the atonal electronic variety, undoubtedly effective in conveying the film's mood but difficult to compare against the more obvious Oscar nominations from the likes of Ennio Morricone and John Williams.
Directed by Denis Villeneuve (who specialises in single named features) this is a tense, intelligent and thought-providing film that does nothing for Mexico's tourist industry but a lot for Trump's presidential campaign!
Often brutal, this is not an easy film to watch. But it is a highly intelligent watch, requiring your full attention throughout, and is deserving of a place among the best films of 2015. Recommended.
(Please visit bob-the-movie-man.com for the graphical version of this review. Thanks).
This is like the stuff you see on hour long serialized Television like Netflix's Narcos, but instead this police like drama is done in a two hour movie instead of thirteenth episodes.
Emily Blunt was amazing in her character, a good FBI agent who feels she's not doing enough on the streets and allows herself to get used by someone with more power, played by Josh Brolin brilliantly as a man who seems uncharismatic about his job in order to hide the covert nature of his mission to find the big man responsible for all the street crime.
Brolin played a necessary evil, that comes off brilliantly in the narrative that plays out. Loved how they go from the bottom and get to the very top. It's very surgical.
But the actor who stole the show in Sicario is Benicio del Toro whose character Alejandro, is a cloud of mystery that unravels slowly through the film, done both subtle and dramatic by Del Toro. Every time he was on the screen even when he did nothing he was doing something and you he demanded your attention.
Plus the music and sound combo of the movie added to the tension. it was powerful.
Incredible action-thriller.
Emily Blunt was amazing in her character, a good FBI agent who feels she's not doing enough on the streets and allows herself to get used by someone with more power, played by Josh Brolin brilliantly as a man who seems uncharismatic about his job in order to hide the covert nature of his mission to find the big man responsible for all the street crime.
Brolin played a necessary evil, that comes off brilliantly in the narrative that plays out. Loved how they go from the bottom and get to the very top. It's very surgical.
But the actor who stole the show in Sicario is Benicio del Toro whose character Alejandro, is a cloud of mystery that unravels slowly through the film, done both subtle and dramatic by Del Toro. Every time he was on the screen even when he did nothing he was doing something and you he demanded your attention.
Plus the music and sound combo of the movie added to the tension. it was powerful.
Incredible action-thriller.
The badlands of the US - Mexico border and the viciousness of the drug trade running across it sets the background and the tone for this movie. It's grim. Human life is very cheap and the movie doesn't flinch from showing consequences. There are definitely some scenes that are not for the faint hearted, but there is nothing gratuitous here. If anything - despite the subject matter - the film goes out of its way to avoid Hollywood heroics.
Emily Blunt does an amazing job portraying Kate Macy, a career policewoman heading a SWAT team. Her accent slips slightly a couple of times, but otherwise she's utterly believable as born and raised in the deep south of the US. Kate is a fundamentally decent, honorable human being, trying to the right thing in a world where the rule book doesn't seem to work any more. She's smart, tough, and experienced - but right from the start of the movie, it's clear that she's in over her head.
The tension never lets up. An attack could come at any moment, from any direction. Anything could be a trap. All of it, no matter how extreme something is, plays as real. The director manages scenes expertly to avoid any clean and easy action movie clichés, and it pays off enormously as the movie goes on.
It's also a highly intelligent movie, made for an intelligent audience. It doesn't lay things out on a plate. Instead you have to pay attention and you have to think, just as Kate has to - because her first mistake could be her last.
Staging, costuming, sets, cinematography, and lighting are all perfect. Some airborne shots in particular stand out as both daring and stunningly original, clearly showing just how harsh the landscape is, while managing to propel the story forward - without showing anyone, no less. This part of the movie is in the "As good as it gets" category. The only part that I didn't like (and the reason that this doesn't get a 10 from me) was the music. It's used deliberately to heighten tension during some scenes which would otherwise break the feel of the movie, and generally it's done well, but some scenes are spoiled with a There Will Be Blood styled screech. It's really not needed, especially since Sicario's own score manages to build or maintain tension quite successfully in other parts of the movie while remaining low-key.
To my mind, this is much more of a drama than it is a thriller. It's certainly not an action movie. The acting from the support cast is exactly what it needs to be - good in general, and great when a minor character is the focal point - but look closely at how much Benicio del Toro manages to do with no dialogue and not even all that much movement. Simply amazing.
This is a great movie to see if you want to be challenged.
Emily Blunt does an amazing job portraying Kate Macy, a career policewoman heading a SWAT team. Her accent slips slightly a couple of times, but otherwise she's utterly believable as born and raised in the deep south of the US. Kate is a fundamentally decent, honorable human being, trying to the right thing in a world where the rule book doesn't seem to work any more. She's smart, tough, and experienced - but right from the start of the movie, it's clear that she's in over her head.
The tension never lets up. An attack could come at any moment, from any direction. Anything could be a trap. All of it, no matter how extreme something is, plays as real. The director manages scenes expertly to avoid any clean and easy action movie clichés, and it pays off enormously as the movie goes on.
It's also a highly intelligent movie, made for an intelligent audience. It doesn't lay things out on a plate. Instead you have to pay attention and you have to think, just as Kate has to - because her first mistake could be her last.
Staging, costuming, sets, cinematography, and lighting are all perfect. Some airborne shots in particular stand out as both daring and stunningly original, clearly showing just how harsh the landscape is, while managing to propel the story forward - without showing anyone, no less. This part of the movie is in the "As good as it gets" category. The only part that I didn't like (and the reason that this doesn't get a 10 from me) was the music. It's used deliberately to heighten tension during some scenes which would otherwise break the feel of the movie, and generally it's done well, but some scenes are spoiled with a There Will Be Blood styled screech. It's really not needed, especially since Sicario's own score manages to build or maintain tension quite successfully in other parts of the movie while remaining low-key.
To my mind, this is much more of a drama than it is a thriller. It's certainly not an action movie. The acting from the support cast is exactly what it needs to be - good in general, and great when a minor character is the focal point - but look closely at how much Benicio del Toro manages to do with no dialogue and not even all that much movement. Simply amazing.
This is a great movie to see if you want to be challenged.
100U
Sicario was first released back in 2015. I just watched it for the first time last week...and I really have no excuse other than I'm an idiot. I knew I'd like it, I'd heard nothing but amazing things, and five minutes into the movie I completely regretted not watching it sooner. Sicario is, hands down, one of the best action/thrillers of the decade. Director Denis Villeneuve manages to create so much suspense and intensity throughout 120 minutes that at times it's almost unbearable. Needless to say, my fingernails did not survive this movie. The plot itself is fairly basic - the FBI teams up with some shady people to fight a brutal Mexican drug cartel. Emily Blunt plays the young FBI agent recruited into the fight, and for most of the movie the audience is just as confused and suspicious as she is. It delivers plenty of wonderful "what the hell?" moments, as you never really get a sense of anyone's true motivations until the end. The performances are universally terrific and the dialogue is sharp, but the main reason the movie works so masterfully is Villeneuve. With the help of some striking cinematography and a brilliant score, he gives us one of the most surprising, tense, and atmospheric thrillers in the history of the genre. If you've never seen Sicario, please don't make my mistake and see it ASAP.
Sicario is a good movie. A really good movie with excellent direction, cinematography, and tight-knit action which is never overdone. Every actor plays their part to near perfection, and the story is beautifully told--with barely any fluff and.no useless extravagance.
It could, however, have been a truly great movie if Emily Blunt and Daniel Kaluuya's characters were not in it ... or if they had been given different roles. Both actors did fine jobs ... but both their characters were quite simply pointless.
Kate Mercer (Emily Blunt) adds nothing to the story except a needless--and quite half-hearted--moral compass who cries, whines, and delivers empty threats while contributing nothing to the investigation.
Reggie Wayne (Daniel Kaluuya) does, if possible, even less. He is an arrogant, holier-than-thou, uninvited tag-along voice of reason who insists on being present without ever giving any real reason for it, and seems far too interested in his partner Kate's bra ... and her general appearance.
Left to Del Toro and Brolin, with the time wasted on Blunt and Kaluuya instead being spent on greater plot development, Sicario could have been a much better movie!
It could, however, have been a truly great movie if Emily Blunt and Daniel Kaluuya's characters were not in it ... or if they had been given different roles. Both actors did fine jobs ... but both their characters were quite simply pointless.
Kate Mercer (Emily Blunt) adds nothing to the story except a needless--and quite half-hearted--moral compass who cries, whines, and delivers empty threats while contributing nothing to the investigation.
Reggie Wayne (Daniel Kaluuya) does, if possible, even less. He is an arrogant, holier-than-thou, uninvited tag-along voice of reason who insists on being present without ever giving any real reason for it, and seems far too interested in his partner Kate's bra ... and her general appearance.
Left to Del Toro and Brolin, with the time wasted on Blunt and Kaluuya instead being spent on greater plot development, Sicario could have been a much better movie!
Você sabia?
- CuriosidadesWhile Benicio Del Toro's character is frequently silent in the movie, he initially had more lines. "In the original script, the character explained his background several times to Kate," Del Toro said. "And that gave me information about who this guy was, but it felt a little stiff to have someone you just met fifteen minutes ago suddenly telling you what happened to him and who he is." Working with director Denis Villeneuve, Del Toro began cutting some of his dialogue to preserve the mystery of who his character is; Villeneuve estimated they cut 90% of what Del Toro was originally intended to say by screenwriter Taylor Sheridan. Like Del Toro, Villeneuve saw power in stripping the character down to a brooding silence, stating that dialogue belongs to plays and "movies are about movement, character, and presence, and Benicio had all that."
- Erros de gravaçãoWhen the team first goes to Mexico, some of their Mexican police escorts have the word "Policia" misspelled on their vests, with the acute accent on the first "i" instead of the second. On the cars the word is spelled correctly.
- Trilhas sonorasHalf Empty
Written by Wyatt Earp and Keith Gattis
Performed by Keith Gattis
Courtesy of Pioneertown Productions
Principais escolhas
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- How long is Sicario?Fornecido pela Alexa
- What did Alejandro do to Guillermo in the interrogation room? All you see is a drain and hear grunting.
- Where does the word Sicario come from? Is it as described in the film's opening?
- How is Sicario pronounced?
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Tierra de Nadie: Sicario
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 46.889.293
- Fim de semana de estreia nos EUA e Canadá
- US$ 401.288
- 20 de set. de 2015
- Faturamento bruto mundial
- US$ 84.997.446
- Tempo de duração2 horas 1 minuto
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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