AVALIAÇÃO DA IMDb
6,7/10
33 mil
SUA AVALIAÇÃO
Um jovem com problemas pessoais foge dos Estados Unidos para a Itália, onde começa um caso com uma mulher que abriga um segredo obscuro e primordial.Um jovem com problemas pessoais foge dos Estados Unidos para a Itália, onde começa um caso com uma mulher que abriga um segredo obscuro e primordial.Um jovem com problemas pessoais foge dos Estados Unidos para a Itália, onde começa um caso com uma mulher que abriga um segredo obscuro e primordial.
- Direção
- Roteirista
- Artistas
- Prêmios
- 5 vitórias e 13 indicações no total
Avaliações em destaque
Spring not only manages to blend different genres - especially horror and romance - but also directorial styles from typically distant worlds.
A mature and conscious work that showcases a well-defined style with a script that tells a deep romantic love story.
The visual elegance of the scenes, a mellow and delightful soundtrack and intrinsic quality material elevate this film above the usual cinematic products.
It evokes a feeling that has something of the sublimity: it is mixed at the same time of attraction and repulsion, of disgust and pleasure, of terror and joy.
Wonderful utopia of love lost in time but also an ancient mystery of inexplicable horror.
A horror that wants to talk about feelings, beautifully told against a fairytale backdrop.
Transcends all genres to deliver a story that feels entirely unique.
The film was highly praised and received enthusiastic reviews.
"Spring is one of the best horror films of this decade. A film that has blown me away." - Guillermo del Toro
"A beautiful and unique love story ... a real accomplishment of genre and tone." - Richard Linklater
"Phenomenal....a hybrid of Richard Linklater & H. P. Lovecraft" - rogerebert.
A mature and conscious work that showcases a well-defined style with a script that tells a deep romantic love story.
The visual elegance of the scenes, a mellow and delightful soundtrack and intrinsic quality material elevate this film above the usual cinematic products.
It evokes a feeling that has something of the sublimity: it is mixed at the same time of attraction and repulsion, of disgust and pleasure, of terror and joy.
Wonderful utopia of love lost in time but also an ancient mystery of inexplicable horror.
A horror that wants to talk about feelings, beautifully told against a fairytale backdrop.
Transcends all genres to deliver a story that feels entirely unique.
The film was highly praised and received enthusiastic reviews.
"Spring is one of the best horror films of this decade. A film that has blown me away." - Guillermo del Toro
"A beautiful and unique love story ... a real accomplishment of genre and tone." - Richard Linklater
"Phenomenal....a hybrid of Richard Linklater & H. P. Lovecraft" - rogerebert.
A hidden gem and easily one of the best movies I've seen in a long time. The acting, writing and directing are all seamless.
I admit there were moments, such as when our poor protagonist reacts to the truth about his girlfriend, which stretched the bounds of plausibility, but aside from those few scenes the film was incredibly real and fresh throughout.
The film's brand of dry, intelligent humor was a lovely surprise. I buckled in for a thriller and found myself laughing many times instead. I also highly commend the snippets of philosophy, morality, mortality, religion and science which were sprinkled throughout the film and delivered with just the right amount of wit and depth by both actors.
It really is a wonderful blend of romance and sci-fi, and this is coming from someone who loves sci-fi and has a pathological fear of chick flicks. I highly recommend it.
I admit there were moments, such as when our poor protagonist reacts to the truth about his girlfriend, which stretched the bounds of plausibility, but aside from those few scenes the film was incredibly real and fresh throughout.
The film's brand of dry, intelligent humor was a lovely surprise. I buckled in for a thriller and found myself laughing many times instead. I also highly commend the snippets of philosophy, morality, mortality, religion and science which were sprinkled throughout the film and delivered with just the right amount of wit and depth by both actors.
It really is a wonderful blend of romance and sci-fi, and this is coming from someone who loves sci-fi and has a pathological fear of chick flicks. I highly recommend it.
This turned out to be much sweeter, much more touching than I had first anticipated. Though the film takes a good half an hour to get into its stride it really is worth the slight uneasy feeling you may have when Evan first gets to Italy and you're wondering if it's going to turn into something akin to the Hostel series, but thankfully this is as far away from that kind of horror as possible.
At it's core the film is a dark, fairy-tale like horror romance but it keeps itself grounded in ways that are really satisfying and could only be possible in the world of independent cinema because if someone else, other than Benson & Moorhead, had made the film it could've easily turned into one of those slick, Hollywood style fantasy movies with lots of leather, low-key lighting, vivid colours and fast editing. The film does have very dark moments, horrifying moments, but they're handled with a certain amount of grace and elegance that I wasn't expecting and you will enjoy this film more than you think you might.
The lead actors are great. Lou Taylor Pucci's portrayal of Evan is wholly convincing, his character could've run the risk of being entirely forgettable but he's sweet and charming and highly likable. Nadia Hilker has been working in German television for about 5 years, this is her first feature film, and I have to say I'm a little bit in love with her. The personality she gives to a character that could easily have fallen into the realms of utter cliché is really, really refreshing.
A slightly twisted, supernatural companion piece to Before Sunrise? maybe, maybe not. But definitely something different, at least.
At it's core the film is a dark, fairy-tale like horror romance but it keeps itself grounded in ways that are really satisfying and could only be possible in the world of independent cinema because if someone else, other than Benson & Moorhead, had made the film it could've easily turned into one of those slick, Hollywood style fantasy movies with lots of leather, low-key lighting, vivid colours and fast editing. The film does have very dark moments, horrifying moments, but they're handled with a certain amount of grace and elegance that I wasn't expecting and you will enjoy this film more than you think you might.
The lead actors are great. Lou Taylor Pucci's portrayal of Evan is wholly convincing, his character could've run the risk of being entirely forgettable but he's sweet and charming and highly likable. Nadia Hilker has been working in German television for about 5 years, this is her first feature film, and I have to say I'm a little bit in love with her. The personality she gives to a character that could easily have fallen into the realms of utter cliché is really, really refreshing.
A slightly twisted, supernatural companion piece to Before Sunrise? maybe, maybe not. But definitely something different, at least.
So...this movie is somehow thrown into the horror genre, but it is DEFINITELY not a horror movie. It's an avant-garde romantic comedy. There are a few sci-fi moments, but for the most part it's one of the cutest movies I've ever seen. The plot is very Disney with subtle hints of Slither-esque grotesqueness. I liked this movie a lot, but I feel tricked... I was really in the mood for a good horror film, but I got a strange rom-com instead. I'm not mad though. I enjoyed the film for its extreme amount of cuteness. I highly recommend this movie, but don't expect any horror. It has a lot of personality. I can't relate it any other film. I think this movie might pave the way for a new type of romantic comedy. I usually loathe romantic comedies, but this one takes a fresh approach! I can imagine this new genre really taking off. If you're a dude who's really into sci-fi and you're dating a girl who is really into typical chick-flicks, then this is a great movie for meeting her in the middle.
I watched this movie without any expectations and was more than satisfied with it.
The story centers on a man traveling abroad after the death of his mother. By chance he happens to find himself in a very rural seaport town in Italy. A an exotic woman catches his eye and a romance begins. The rest of the tale centers on the young mans romance with the exotic woman, who isn't everything she appears to be and has a horrible secret.
This movie is a slow paced film with just enough gore and pacing to hold my interest. I was very satisfied with the tension and build-up at the closing moment of the film.
I highly recommend this to those who like well developed tension building lovecraftian horror. I'd be interested in watching further productions from this group of film-makers.
The story centers on a man traveling abroad after the death of his mother. By chance he happens to find himself in a very rural seaport town in Italy. A an exotic woman catches his eye and a romance begins. The rest of the tale centers on the young mans romance with the exotic woman, who isn't everything she appears to be and has a horrible secret.
This movie is a slow paced film with just enough gore and pacing to hold my interest. I was very satisfied with the tension and build-up at the closing moment of the film.
I highly recommend this to those who like well developed tension building lovecraftian horror. I'd be interested in watching further productions from this group of film-makers.
Você sabia?
- CuriosidadesDirector Justin Benson on the aerial drone photography: "We had a very meticulous shot list and had a well thought out approach to the photography of the movie and after all that was done, our first AC/steadycam operator, William Tanner Sampson, came to us and said 'Hey, I've got this new drone I just bought. Should I bring it for the production? Maybe we could use it.' We knew immediately how that would fit into our general approach to the photography of the movie. The photography should feel like an omniscient presence in the movie. It should feel very subjective, almost like a third, all-powerful character. So Will came out with the drone and, after almost getting arrested with it in a Moscow airport because they were thinking it was a piece of military equipment he was going to assault Russia with, we got to use it. Any day the crew was off, [co-director/cinematographer] Aaron Moorhead and I would continue to shoot. On Sundays in Italy, we'd continue shooting and that was when we'd do the drone photography with Will. Just grab as many shots as we could, experiment with it, see how it would work. And almost everything we shot with the drone made it into the edit. It's one of the talking points of the movie. It's pretty cool. It's one of those things where one day, because a lot of people have started using them and someday people are going to look at our movie and be like, 'Why did Moorhead and Benson use the fucking toy helicopter thing over and over and over again?'"[2014]
- Erros de gravaçãoThere is no volcano near Polignano.
- ConexõesEdited into The Making of Spring (2014)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Spring?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Spring
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 49.970
- Fim de semana de estreia nos EUA e Canadá
- US$ 19.675
- 22 de mar. de 2015
- Faturamento bruto mundial
- US$ 49.970
- Tempo de duração1 hora 49 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente