Uma mulher idosa que luta contra a doença de Alzheimer concorda em deixar uma equipe de filmagem documentar a sua condição, mas eles descobrem que algo muito mais sinistro está acontecendo.Uma mulher idosa que luta contra a doença de Alzheimer concorda em deixar uma equipe de filmagem documentar a sua condição, mas eles descobrem que algo muito mais sinistro está acontecendo.Uma mulher idosa que luta contra a doença de Alzheimer concorda em deixar uma equipe de filmagem documentar a sua condição, mas eles descobrem que algo muito mais sinistro está acontecendo.
- Prêmios
- 1 vitória e 7 indicações no total
- Cara
- (as Julianne Elizabeth Taylor)
- Cara's Mother
- (as Melissa Ann Lozoff)
- Reporter #2
- (as Bruce Edward Florence)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Is it the best horror movie ever? Definitely not. But is it an entertaining time? Yes. Does it have genuine scares? Yes. Will horror fans appreciate? Most likely, yes. Again, I'm not a fan of found footage films, but I liked this one. I'd recommend it to anyone who likes a good old horror.
The first half of the film is genuinely terrifying, and had me in suspense.It is the film's second half, which I will not divulge here, that was a bit of a letdown. I really wanted to give the film a higher score, but I couldn't come up with more than a 6. All I will say is this: A horror film with a unique premise and a lot of promise gradually works its way back into the clichés of jump-scare Hollywood.
However, I would be remiss if I did not commend the film for its portrayal of three major female characters (who really carry the film)--a Ph. D. student, a troubled daughter, and Deborah herself-- each one fairly layered and driven by palpable human motivations. The whole "freaked-out, over-sexed bimbo" schtick gets old.
But they lost me once all the supernatural stuff started.
And I could have tolerated the supernatural stuff if that's the way they wanted to go with this, but I couldn't because of that stupid shaky cam and that girl doing the documentary (I forgot her name, May?) screaming all the time.
Sucks because I started watching this with very high expectations (since I heard it was a pretty good movie) but it didn't deliver. And that sucks, because based on the first 20-30 minutes, it had potential.
What I will say is that the biggest detriment to this movie is that it was willing to have its characters make stupid choices in order for the creepy, intense scenes to happen. People often don't turn on lights when they are readily available (or should be, maybe there were unspoken reasons why the lights weren't working?). When Deborah becomes violent and injures people, she is not kept under lock and key until they can figure out how to treat her, rather she is allowed to go home time and again so she can do the same things. And of course, people go into places alone when they shouldn't, and don't call for back up when they should.
That being said, I have to hand it to the filmmakers for creating some of the most intense and effective scaring that I've seen in years. Not even just the finale (I'll get to that later) but intermittently. Not everything works, and not every scare is fresh or original, but quite a few of them hit the mark and had me at the edge of my seat.
And finally the ending. I had read in other reviews that this was quite the doozy, and I have to admit I was in no way, shape, or form prepared. I don't want to over-hype it (although I can't imagine how), but that was something I could not have seen coming, and for the first time in my horror-loving life, I actually had to look away from the screen. The image is still burned in my mind.
I can say that the ending almost made the whole thing worth it, but just for setting up the scary bits I can't rationalize all the stupidity the characters show. As a whole, I don't regret watching "Taking" but it definitely had its flaws.
That ending though...
Deborah Logan (Jill Larson) is an elderly woman that is suffering from the onset of Alzheimer's disease. In order to help keep the house and pay for medical care her daughter agrees to have a team film her. Everything that happens after that is textbook possession stuff but somehow it was different with an old lady. I think the child possession was too overplayed so they went in a slightly different direction.
There was a mystery element to it: who, why, how to stop it? Of course there were your jump scares, but there was an overriding creepiness to it that was directly linked to Deborah Logan's age. When someone so old, fragile and withering starts clawing at herself or disrobing it just looks so much more eerie. No one wants to see an old lady naked and no one wants to see an old lady peeling her skin off. Aah! I just got the heeby jeebies just thinking about it.
Considering this movie wasn't very unique it was done well enough and it just separated itself enough to stand on its own.
Você sabia?
- CuriosidadesNot screened for critics.
- Erros de gravaçãoThe priest states that the Catholic church no longer does exorcisms when in real life they do in select circumstances.
- Citações
Deborah Logan: I do all my little puzzles. I do crosswords. I'm lifting weights. I am doing everything that I have read will help to stave off the progression of this disease. Stave it off! There's no cure. And so when I am in the middle of something and suddenly my mind just leaves the premises, there are no words to describe how distressing it is.
- ConexõesFeatured in Rental Reviews: Underrated Horror Movies (2018)
Principais escolhas
- How long is The Taking of Deborah Logan?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Profecía sangrienta
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.500.000 (estimativa)
- Faturamento bruto mundial
- US$ 407.782
- Tempo de duração1 hora 30 minutos
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1