AVALIAÇÃO DA IMDb
7,0/10
8,1 mil
SUA AVALIAÇÃO
Charlie é uma adolescente dos subúrbios franceses, mas quando ela se torna rapidamente amiga de Sarah, a nova rebelde da escola, ela descobre que o que ela sente não é normal.Charlie é uma adolescente dos subúrbios franceses, mas quando ela se torna rapidamente amiga de Sarah, a nova rebelde da escola, ela descobre que o que ela sente não é normal.Charlie é uma adolescente dos subúrbios franceses, mas quando ela se torna rapidamente amiga de Sarah, a nova rebelde da escola, ela descobre que o que ela sente não é normal.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 10 indicações no total
Radivoje Bukvic
- Le père de Charlie
- (as Sasha Bukvic)
Thomas Solivérès
- Gastine
- (as Thomas Solivéres)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
A classroom discussion on passion, right at the beginning of the movie, gives an indication of what's to follow. Passion in excess is dangerous says the teacher, in response to our lead character's question, but alas, passion by it's very nature is prone to excess. Controlled passion is near impossible. So it is with our introverted self-controlled, studious heroine, who tries to bring her feelings for her classmate under control. But the other girl just won't let her be, not knowing low close to the edge she's pushing things. The French students in this movie make for a refreshing change from the way high school students are depicted in Hollywood movies. Here, they are fairly mature, intelligent, interested in their studies, never bullying, certainly not hyper sexed. Why haven't I given it a 10? Well, as another reviewer said, you do wonder at times during the movie what the point of it all is...
If person like Sarah haven't not influenced yours life, than this movie can be to short to make reasonable impact on you. On other side, if yours life was strongly influenced by person like Sarah, then this movie could be a little bit to harsh. Before I met such a person I was unable to imagine that this kind of people could possible exist – it just does not make any sense. It was harsh to see this movie, but it is very good to be reminded in clear way that those people exist.
Right from the start you are in it . The character development was unreal- every character you feel like you knew within just a few scenes . What incredible acting from a young crew .
The thing is it isn't even really a love story - maybe they were lovers and maybe not - but it's the friendship that really kills you here - that makes this a tragedy . The level of love and trust and vulnerability shared to just get taken away for no reason , honestly it's more painful than a break up.
There were many great scenes - the baiting in the beginning with the question about passion and freedom set up the whole film , the montage of the developing friendship and the montage of the bullying - it all tied together and felt real and heartbreaking.
It left me thinking about what the real catalyst for this was - was it when she said Sarah was a "classmate " ? Was it truly just trauma from her mom coming to play in every relationship in her life ?
The victimization and narcissism was very well shown . The loss of interest in every other aspect of element of life , the total obsession born from grief - only to be torn apart again at a reconciliation ( seemingly )
Honestly is made me feel and it will make you feel too - feel betrayal and tragedy and loss .
Very quality film and worth your time .
The thing is it isn't even really a love story - maybe they were lovers and maybe not - but it's the friendship that really kills you here - that makes this a tragedy . The level of love and trust and vulnerability shared to just get taken away for no reason , honestly it's more painful than a break up.
There were many great scenes - the baiting in the beginning with the question about passion and freedom set up the whole film , the montage of the developing friendship and the montage of the bullying - it all tied together and felt real and heartbreaking.
It left me thinking about what the real catalyst for this was - was it when she said Sarah was a "classmate " ? Was it truly just trauma from her mom coming to play in every relationship in her life ?
The victimization and narcissism was very well shown . The loss of interest in every other aspect of element of life , the total obsession born from grief - only to be torn apart again at a reconciliation ( seemingly )
Honestly is made me feel and it will make you feel too - feel betrayal and tragedy and loss .
Very quality film and worth your time .
So she's a great director, too. I still haven't seen Laurent's 'Les Adoptes', but will close this gap asap after watching this her 2nd feature film. On the surface alone 'Respire' offers everything that's good about and expected from a social drama produced in Europe: hand- held camera, faithfulness to the light in which we'd see each scenery in real life, the effects being in the faces rather than in post production. The story being told by those faces as much as by film narrative, foremost by Josephine Japy's face. And the film unfolds as everything but mere surface. It's a very simple story, a school friendship going awry with tragic consequences, but Laurent's focus is on the subtleties of this relationship's evolution in each moment, and in collaboration with formidable acting this makes it a compelling watch. One small but powerful feature of film language that particularly delighted me was the smart use of slow motion: slow-mo is too often used in other films in a very annoying, bashful in-your-face way, here it is sparsely used, brief moments that follow the sole purpose of accentuating, and these moments work. The final result is a quiet, engaging, and ultimately disquieting and unsettling portrayal of the potency of emotional conflict at teen-age, of how unrehearsed and thus affecting, cruel and potentially dramatic and disastrous actions and reactions can be, especially if the pretence of adjustment hides the cracks of insufficient, failing or absent home support. Reacting increasingly becomes overreacting, foreboding eventual catastrophe; vulnerability takes vengeance on the greater vulnerability, and it is the containment of this greater vulnerability beating with the heart of the more reasoned protagonist that will in the end cease abruptly and give way to a surrender of control. The final take, as simple, precise and convincing as the entire film, is nothing short of ingenious. Praise be due to the performances of both leads, especially Josephine Japy (often reminding me of a young Binoche), as well as that of Isabelle Carre, playing Charlie's mother.
Mean Girls, My Summer of Love, and many other like films have covered well the lesbian coming-of-age film. Breathe, a knowing but ultimately clichéd version of that genre, is a classy take on the angst of being a teen girl at anytime and anyplace.
Almost 18-year old Charlie (Josephine Japy) falls for class newcomer, charismatic Sarah (Lou de Laage), but Charlie has a challenging time catching her elusive, sexy girlfriend. The beauty of the film is the gentle way director Melanie Laurent treats the roiling passions of youth—an obvious thematic element as the teacher at the beginning of the film lectures about the downside of excessive passion.
The dull, washed-out landscape mirrors the depressing state of the working class and teen emotional adjustments. Shots such as Charlie wading into the water and looking at the horizon may be formulaic but nevertheless are a variation of the symbolic language, a part of this emotional teen overdrive: She is in water potentially over her head, and she can only guess at the events' future implications.
The scene of Charlie and Sarah's kiss followed by a slap is spot on to suggest figuratively the ambivalent, volatile nature of early love, regardless of the orientation. As the title suggests, this stuff is normal heavy breathing for young folks. Breathe is a breath of fresh air in a formula well known for film and teens.
Tennyson understood and embraced the passion: "As tho' to breathe were life." Ulysses
Almost 18-year old Charlie (Josephine Japy) falls for class newcomer, charismatic Sarah (Lou de Laage), but Charlie has a challenging time catching her elusive, sexy girlfriend. The beauty of the film is the gentle way director Melanie Laurent treats the roiling passions of youth—an obvious thematic element as the teacher at the beginning of the film lectures about the downside of excessive passion.
The dull, washed-out landscape mirrors the depressing state of the working class and teen emotional adjustments. Shots such as Charlie wading into the water and looking at the horizon may be formulaic but nevertheless are a variation of the symbolic language, a part of this emotional teen overdrive: She is in water potentially over her head, and she can only guess at the events' future implications.
The scene of Charlie and Sarah's kiss followed by a slap is spot on to suggest figuratively the ambivalent, volatile nature of early love, regardless of the orientation. As the title suggests, this stuff is normal heavy breathing for young folks. Breathe is a breath of fresh air in a formula well known for film and teens.
Tennyson understood and embraced the passion: "As tho' to breathe were life." Ulysses
Você sabia?
- CuriosidadesMélanie Laurent's second feature film as director.
- ConexõesReferenced in Horrible Reviews: Breathe Respire, 2014 - Video Review (2016)
Principais escolhas
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- How long is Breathe?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 42.297
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.063
- 13 de set. de 2015
- Faturamento bruto mundial
- US$ 1.158.695
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