Adicionar um enredo no seu idiomaA tale of unrequited love, where one's devotion silently flourishes unnoticed. Their beloved may never grasp the depth of their feelings, yet their selfless acts redefine love as putting the... Ler tudoA tale of unrequited love, where one's devotion silently flourishes unnoticed. Their beloved may never grasp the depth of their feelings, yet their selfless acts redefine love as putting the other's happiness first.A tale of unrequited love, where one's devotion silently flourishes unnoticed. Their beloved may never grasp the depth of their feelings, yet their selfless acts redefine love as putting the other's happiness first.
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Most of the characters of this play are projected as thankless. Starting with Mother, daughter, brother, friends and Sadaf's husband-Omar. If Bilal had done so much for Sadaf family , nobody even thanked him properly and ignored him on every count. Probably some sort of consideration should have been given to characters who deserve thanks. From acting perspective, all the main actors have really given their best performance to this play.
There are so many twists and turns in the play which keep viewers glued to the screen. But we still feel script writers should not show middle class families as thankless.
There are so many twists and turns in the play which keep viewers glued to the screen. But we still feel script writers should not show middle class families as thankless.
Such an old fashioned, slow paced drama, pathetic screenplay, every character speaks so very slow, as if everyone of them is sick. Even the dialogues are pretty okay, doesn't show any 'Khalil ur Rehman prowess'. Khalil sahab has this propensity of showing tragic, more often sudden, deaths in his stories, which is indeed an irksome repetition.
The drama has the vibes of 90's bollywood movies where almost after every dialogue a sound of flute kicks in to intensify the scene unnecessarily. Acting is nice, wardrobe is good, cast looks good but this is what happens when the director and writer aren't up to the mark. Good actors can't run and win this race on their own. Not recommended at all.
The drama has the vibes of 90's bollywood movies where almost after every dialogue a sound of flute kicks in to intensify the scene unnecessarily. Acting is nice, wardrobe is good, cast looks good but this is what happens when the director and writer aren't up to the mark. Good actors can't run and win this race on their own. Not recommended at all.
Writing this review after utter frustration of watching the first 10 episodes. Never expected this cringe fest from Khalil. Extremely slow screenplay, cringe dialogues, very slow dialogue delivery, loud background music which is making hard to hear the dialogues, pathetic acting and expressions from Maya who is with over makeup. Imagine the female lead takes 5 seconds to say hello after picking call, this is the pace of the show. After watching the extremely well written KHKT and Fahad who gave a masterclass in natural acting , this drama disappointed me no end.. especially my fav Wahaj also shows he is only a directors actor and cannot fine tune the expressions on his own. His star power and fangirls are the ones who are giving these positive comments under the episodes on YT. Else it's a cringe fest and with those dialogues it cannot be watched with Family.
This drama is yet another poorly written disappointment from Khalil-ur-Rehman Qamar, relying on the same tired love triangle formula we've seen countless times before. One person loves another who loves someone else, and that's all there is to it. The story lacks originality, depth, or any attempt at creativity, making it painfully predictable and boring. The characters feel one-dimensional, and the writing seems lazy, offering nothing new to engage the audience. It drags on endlessly, testing your patience with every predictable scene. If you're looking for fresh or meaningful content, skip this one. It's not worth your time.
The drama, clearly intended for a 1960s audience, is poorly written and constructed. It makes unnecessary excessive attempts to make the scenes and situations sad, which feels forced rather than genuinely moving. The writer lacks the imagination to bring anything new to the drama's storyline, recycling the same plot and situations found in countless other productions. Also, the production team's unsuccessful attempts to stretch out scenes unnecessarily and add slow, melancholic music to create emotion fall flat. Today's audience expects real-life, relatable situations and issues, not the same old love triangles and overused romantic plots.
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