AVALIAÇÃO DA IMDb
6,3/10
9,2 mil
SUA AVALIAÇÃO
Um grupo de estudantes do ensino médio é obrigado a brincar de morte sem saber quem, por que ou como.Um grupo de estudantes do ensino médio é obrigado a brincar de morte sem saber quem, por que ou como.Um grupo de estudantes do ensino médio é obrigado a brincar de morte sem saber quem, por que ou como.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Tommy's Masa
- Daruma
- (narração)
Atsuko Maeda
- Beckoning Cat
- (narração)
Katsuhiro Higo
- Kokeshi Taro
- (narração)
Ryûhei Ueshima
- Kokeshi Kenichi
- (narração)
Jimon Terakado
- Kokeshi Oni
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Here is another good film by one of my favorite Japanese directors Takashi Miike. This film is based off a manga of the same name and shows the first arc of the manga. From the very beginning of the film it's really interesting and catches your attention unlike other films where the attention has to be caught sometime inwards. The basic premise of the film is students having to play games to survive and if you lost at these games you die gruesome deaths. There is a lot of blood and death and the characters in this film are a mix of actual people and CGI characters. I liked the CGI of the fictional characters in this film because it seemed to fit so well with everything. It's not like that completely horrible animation where it sucks.
Based on manga with the same title, Kamisama no iu tôri (As the Gods Will) is a story of average high school students forced to play a series of deadly games. Takeshi Miike who has proved capable with such theme is the perfect pick to create a fascinating, occasionally humorous and gory live action of the manga. He has a distinct stylish visual, timely touch of horror and a proper respect to the original source.
For such grimly movie, the cinematography is very sleek and cool. Viewpoints from above and panoramic shots are used often to set the ambiance. Visual offers bloody gore with mildly tone down violence. For the part of full blood pool of the manga, this movie counterpart uses a more comical effect yet without neglecting the intensity of the scene. In fact Miike, as expected, produces a couple of nasty gruesome sequences of his own.
Humor and philosophical elements are steadily present. The first half sees more comedy for ironic purpose, as the story progresses and the death dealing intensifies the tone tends to be more serious. The movie has taken the liberty of creating more appropriate screenplay for later games. This is due to the fact that it might become overly complex for a feature length movie to display later arcs, and frankly it's not a cause for concern as the new screenplay is still presentable and keeps all the thrilling attributes of the manga.
Miike has a knack for the unassuming shift of tone, as seen from Crows Zero and 13 Assassins. Sometimes the movie would transition from quiet scene to a rather explicit one. It doesn't venture into dark territory too much, but it does warrant a mature rating. If there's any concern, it's that the nature of the games is highly inspired by Japanese culture, this might create a rather awkward narrative at some points though it's only a minor hindrance.
Equally quirky and disturbing, the myriad of bizarrely captivating games of death is brought to live by Takeshi Miike.
For such grimly movie, the cinematography is very sleek and cool. Viewpoints from above and panoramic shots are used often to set the ambiance. Visual offers bloody gore with mildly tone down violence. For the part of full blood pool of the manga, this movie counterpart uses a more comical effect yet without neglecting the intensity of the scene. In fact Miike, as expected, produces a couple of nasty gruesome sequences of his own.
Humor and philosophical elements are steadily present. The first half sees more comedy for ironic purpose, as the story progresses and the death dealing intensifies the tone tends to be more serious. The movie has taken the liberty of creating more appropriate screenplay for later games. This is due to the fact that it might become overly complex for a feature length movie to display later arcs, and frankly it's not a cause for concern as the new screenplay is still presentable and keeps all the thrilling attributes of the manga.
Miike has a knack for the unassuming shift of tone, as seen from Crows Zero and 13 Assassins. Sometimes the movie would transition from quiet scene to a rather explicit one. It doesn't venture into dark territory too much, but it does warrant a mature rating. If there's any concern, it's that the nature of the games is highly inspired by Japanese culture, this might create a rather awkward narrative at some points though it's only a minor hindrance.
Equally quirky and disturbing, the myriad of bizarrely captivating games of death is brought to live by Takeshi Miike.
The synopsis to this toy store killing machine immediately brings an earlier Japanese film to mind, the ruthless and fumingly shocking 'Battle Royale, 2000' from auteur Kinji Fukasaku (Tora! Tora! Tora!, 1970). However Miike's film-cunning and dice rolls are perhaps simply far more simple than the keen viewer would like to imagine. Simple thus unworried, assured, extremely dark-humored, filled with rapid-fire philosophy and at least six blood banks blown to pieces.
Take the sound editing for instance. We know what has happened despite the event not being shown and instead replaced by an elementary sound or a children's song. 'As the Gods Will' is a director's nightmare, a feat only someTHING like Miike can execute.
Splattered with a plethora of psyched out colours and one of the few films where the CGI works like the crown wheel of the Oyster Perpetual, Miike's direction feels more confident as his obsession with Manga and Nao Ômori (Ichi the Killer, 2001) grows into a playful bear, the size of two Transformers, when they're not vehicles.
This film is filled with surreal images and evidently decapitated mannequins with floored extras mixed in with the lot. It is 'Maze Runner' meets 'The Running Man' inside Miike's Daedalian head. Perhaps that is an overstatement, probably I'm still thinking; 'but seriously, what's the deal here?'. However it may be, Miike has paid homage to ancient Japanese films of gore... I mean yore. Well not really, this seems more like the stop motion films from the Golden Age of Japanese cinema and director Ishiro Honda - but 'As the Gods Will' is sort of an antithesis to those films in terms of its antagonist's characterization and build up.
The director's films are far from subtle, including this baby cannibal elephant; however this time there is a certain calm undercurrent to the approach and style of the hypermanic Takashi Miike.
A strangely entertaining film that must be watched to further strengthen faith in the art of cinema.
Absolutely unbelievable.
Take the sound editing for instance. We know what has happened despite the event not being shown and instead replaced by an elementary sound or a children's song. 'As the Gods Will' is a director's nightmare, a feat only someTHING like Miike can execute.
Splattered with a plethora of psyched out colours and one of the few films where the CGI works like the crown wheel of the Oyster Perpetual, Miike's direction feels more confident as his obsession with Manga and Nao Ômori (Ichi the Killer, 2001) grows into a playful bear, the size of two Transformers, when they're not vehicles.
This film is filled with surreal images and evidently decapitated mannequins with floored extras mixed in with the lot. It is 'Maze Runner' meets 'The Running Man' inside Miike's Daedalian head. Perhaps that is an overstatement, probably I'm still thinking; 'but seriously, what's the deal here?'. However it may be, Miike has paid homage to ancient Japanese films of gore... I mean yore. Well not really, this seems more like the stop motion films from the Golden Age of Japanese cinema and director Ishiro Honda - but 'As the Gods Will' is sort of an antithesis to those films in terms of its antagonist's characterization and build up.
The director's films are far from subtle, including this baby cannibal elephant; however this time there is a certain calm undercurrent to the approach and style of the hypermanic Takashi Miike.
A strangely entertaining film that must be watched to further strengthen faith in the art of cinema.
Absolutely unbelievable.
As the Gods Will is a bloody movie. That said, the blood scenes, at least some of them, weren't that well executed, thus the gore was easier to watch. However, as there are many disturbing daeths, I wouldn't recommend it to someone who can't handle blood.
For the story, the plot was nice and there were some interesting characters, especially the lead and that creepy secons lead. And the riddles were entertaining to watch, and not too difficult to follow. However, the ending was not as good. I guess what bothered me was that the movie never went deeper than the riddle part, like, why didn't they asked why this was happening and for what purpose. Also, the ending felt quite open, but there is no second movie of this, so I do have to cut points for that. So, six and a half out of ten.
At core, Takashi Miike's As The Gods Will may seem like another Battle Royale rip-off as we've seen oh so many times before but I don't exactly believe that to be the case.
The cinematography on one hand was gripping, the color scheme meshed so amazingly. This was a rather pretty movie to look at all things considered.
The acting was a bit weak from some of the minor characters but the actors for the main characters was great.
Now as for the movie itself, it was fun which really is all I demand of a movie. To be entertaining. I don't even think the premise was bad.
The concept of the gods playing games with humans in order to test their skills is something that has been around since ancient Greece, but this did it exceptionally well as it never felt too forced. If it had gone to great lengths trying to explain everything it would've ruined the feel of the movie.
It's a ride from the start to the ending, never once did I feel bored during it and there were several moments where it was actually suspenseful.
I know some film snobs might overlook this movie as not being good enough due to it being a bit silly, but I think they are missing out on a brilliant experience.
I recommend this movie if you just want to sit back and enjoy a suspenseful ride with charm, creepiness and gore.
The cinematography on one hand was gripping, the color scheme meshed so amazingly. This was a rather pretty movie to look at all things considered.
The acting was a bit weak from some of the minor characters but the actors for the main characters was great.
Now as for the movie itself, it was fun which really is all I demand of a movie. To be entertaining. I don't even think the premise was bad.
The concept of the gods playing games with humans in order to test their skills is something that has been around since ancient Greece, but this did it exceptionally well as it never felt too forced. If it had gone to great lengths trying to explain everything it would've ruined the feel of the movie.
It's a ride from the start to the ending, never once did I feel bored during it and there were several moments where it was actually suspenseful.
I know some film snobs might overlook this movie as not being good enough due to it being a bit silly, but I think they are missing out on a brilliant experience.
I recommend this movie if you just want to sit back and enjoy a suspenseful ride with charm, creepiness and gore.
Você sabia?
- CuriosidadesThe video game Shun plays near the beginning is Biohazard 6 (Resident Evil 6).
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Detalhes
- Data de lançamento
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- Também conhecido como
- As the Gods Will
- Empresas de produção
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Bilheteria
- Faturamento bruto mundial
- US$ 1.938.654
- Tempo de duração
- 1 h 57 min(117 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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