House on Eden

Ugh, when the movie started and it dawned on me that this was a 'found garbage' type of movie, I have to admit that my expectations went from slim to none. Sure, I had never even heard about "House on Eden" prior to sitting down to watching it. And had I known that it was a 'found garbage' subgenre of horror movie, I would not even have picked it up. I absolutely loathe this subgenre of horror.

Movies that are written by, directed by and starring the one and same person tends to be questionable affairs. And "House on Eden" was one such movie, and to top it off, it was also a 'found garbage' movie. So yeah, things were definitely not stacked in favor of the movie.

Writer Kris Collins, whom also directed the movie and starred in the movie, put together a pretty straightforward script and storyline. It was somewhat on the generic and stale side, though.

Needless to say that I was, of course, not familiar with a single actor or actress on the cast list. The acting performances in the movie were actually fair.

The movie's cover was actually the best thing about the ordeal, and it over-sold the movie by a landslide.

There are far better horror movies out there, even if you enjoy these pointless 'found garbage' type of movies.

My rating of writer and director Kris Collins's 2025 movie "House on Eden" lands on a generous two out of ten stars.

I don't understand why people feel the need to repeat the work of others 25 years later and call themselves a writer and a director? It's 2025, it's clearly obvious Kris Collins stumbled upon the Blair Witch Project and decided to put together some lame trash of her own. There's is nothing original here. It's a complete rip off from other found footage style movies, think also, REC or the American version Quarantine. Everything is overacted and unbelievable. The movie shots are abysmal. This isn't 90s and shooting everything with 480i resolution cameras is a cheap way out for a lack of vision in horror story telling. Trying to create tension with out of focus cameras and cheap thudding sounds and a obscure backstory into religion is overplayed. How did this even get greenlit for the big screen is beyond me. I was so happy the movie was short.

Pleasantly surprised. I knew the actors were content creators, but I'd only seen short clips here and there. I liked Kris in the Smosh Reddit episode, so I decided to check out the movie. The acting felt really natural, and I felt like I was along for the ride with 3 friends.

There were three solid jump scares that actually got me good but I do wish we got more background on the setting lore. My biggest issue was the overuse of handheld camera shots at the beginning. The constant motion started to give me a headache so I had to close my eyes.

Still, for a first-time writer and director, this was a fun and impressive debut. You can tell she has some interesting ideas.

I hate writing this because I love these two women, but I could not get into this movie. The writing wasn't bad, it was just a bit juvenile and cheesy in many places, especially the beginning. I see what they were going for here, but it wasn't executed well. The hide-and-seek part was really weird.

And then it just goes downhill further. No memorable jump scares or spooky moments, and the ending has been done so many times already. It felt very Paranormal Activity.

Honestly, I could see them nailing a comedy/horror. Something like Dale and Tucker VS Evil or Army of Darkness. I want Kris to keep at it. Very creative person. Just needs to focus on what she's good at, which is comedy, and then fuse that with your interest in horror.

Don't give up!

House on Eden isn't the worst found footage film I've seen, but it's nowhere near the best. Ambitious but hollow.

House on Eden is the latest entry into the increasingly crowded found footage subgenre and another notable step in the growing trend of YouTubers crossing into feature filmmaking. This time it's Kris Collins (better known as KallMeKris), teaming up with fellow digital star Celina Myers (CelinaSpookyBoo) in a haunted house setup that blends The Blair Witch Project, Paranormal Activity, and the kind of chaotic energy you might expect from content creators who built their names on short-form, personality-driven videos.

To her credit, Kris Collins doesn't just appear in the film-she wrote and directed it as well. Unlike other creators who leave their YouTube personas behind (like Chris Stuckmann or the Philippou brothers), Collins tries to fuse her online presence with the cinematic experience. It's a bold move, but unfortunately, the final result is more of a jumbled collision than a successful fusion.

The core premise, paranormal investigators documenting a malevolent presence inside an abandoned house using a mix of Super 8mm, Hi-8, and modern digital cameras has its appeal. The use of varying formats is visually interesting at times, and when it works, it evokes an eerie, fragmented sense of dread.

But Then There's the Execution. The first act spends far too long in the woods with jittery, poorly framed shots and confusing direction. Sure, the characters are supposed to be content creators, but shaky cam does not equal immersive. Instead of drawing us into their world, it just makes it hard to follow what's happening. Bad angles, awkward cuts, and aimless dialogue slow the pacing to a crawl.

The biggest problem House on Eden faces-by far-is its lack of likeable or compelling characters. For a film so focused on "real" personalities, it's bizarre how hollow the leads feel. I didn't care if they made it out. I didn't care if they didn't. There's no investment and there for there is no tension built.

As a fellow YouTuber prepping to make the leap into filmmaking myself, I'll say this, my hat's off to Kris and Celina. This kind of project is hard. Most people just talk about making a movie... they did it. And that deserves respect. There's ambition here. There's effort. There's even the seed of a great idea. But in the end, House on Eden feels like a first draft of something that needed a clearer vision, better character work, and more time in the editing room.