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Pengepungan di Bukit Duri

  • 2025
  • TV-MA
  • 1 h 58 min
AVALIAÇÃO DA IMDb
6,6/10
1,8 mil
SUA AVALIAÇÃO
POPULARIDADE
925
760
Morgan Oey in Pengepungan di Bukit Duri (2025)
A special school for troubled children. A teacher who is determined to discipline the students. Here, teachers must not only teach, but survive the deadly attacks of their students.
Reproduzir trailer2:19
1 vídeo
77 fotos
Artes marciaisDrama adolescenteAçãoCrimeDramaSuspense

Uma escola especial para crianças problemáticas. Um professor determinado a disciplinar os estudantes. Aqui, los maestros no solo deben enseñar, sinos sobrevivir a los ataques mortais de sus... Ler tudoUma escola especial para crianças problemáticas. Um professor determinado a disciplinar os estudantes. Aqui, los maestros no solo deben enseñar, sinos sobrevivir a los ataques mortais de sus alumnos.Uma escola especial para crianças problemáticas. Um professor determinado a disciplinar os estudantes. Aqui, los maestros no solo deben enseñar, sinos sobrevivir a los ataques mortais de sus alumnos.

  • Direção
    • Joko Anwar
  • Roteirista
    • Joko Anwar
  • Artistas
    • Morgan Oey
    • Omara N. Esteghlal
    • Hana Malasan
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,6/10
    1,8 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    925
    760
    • Direção
      • Joko Anwar
    • Roteirista
      • Joko Anwar
    • Artistas
      • Morgan Oey
      • Omara N. Esteghlal
      • Hana Malasan
    • 22Avaliações de usuários
    • 10Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 2:19
    Official Trailer

    Fotos77

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    Elenco principal87

    Editar
    Morgan Oey
    Morgan Oey
    • Edwin
    Omara N. Esteghlal
    • Jefri
    Hana Malasan
    • Diana
    • (as Hana Pitrashata Malasan)
    Endy Arfian
    • Khristo
    Fatih Unru
    • Rangga
    Satine Zaneta
    • Dotty
    Dewa Dayana
    • Gerry
    Faris Fadjar Munggaran
    • Reihan
    Florian Rutters
    • Sim
    Farandika
    • Jay
    Raihan Khan
    • Culap
    Sandy Pradana
    • Anto
    Kiki Narendra
    • Abduh
    Landung Simatupang
    • School Principal
    Sheila Kusnadi
    • Teen Silvi
    Millo Taslim
    • Teen Edwin
    • (as Theo Camillo Taslim)
    Bima Azriel
    • Teen Panca
    Emir Mahira
    • Panca
    • Direção
      • Joko Anwar
    • Roteirista
      • Joko Anwar
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários22

    6,61.8K
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    Avaliações em destaque

    6sometimeswatchesmovies

    Great Start, Fell Off Midway

    As a thriller, this movie is amazing. It really made me tense in some scenes to the point I didn't even want to look at the screen. The actors are also amazing. Sometimes some build up tension is ruined by the actors but most of the actors here actually helped with making the scenes even more intense. They executed the scenes well. The music for this song is awesome. Most of them are very catchy. Despite not being horror, I find this story to be very scary in a psychological way. Ghosts and other spirits might be scary, but nothing is scarier than mankind. Everything that happened in this movie could happen in real life, and I find that makes the story much more scarier.

    The intro to the movie is amazing. It made me intrigued, it looked promising. But then a huge time jump happened (17 years) and the story starts falling apart from there. At first, it was about racism. Then as the story progresses, it starts to focus less and less on the racism; instead, it starts focusing on gore, brutality and the violence. I can tell they were trying to tell a message, but it falls short as the ending was shown abruptly. Many questions were unanswered and yet the story already ended. Maybe they were trying to show the dangers of racism, but I would've preferred if the ending had a complete conclusion to the story instead of just ending it when there's so many unexplained things.

    (spoiler warning from here!!)

    I really don't like how the two girls (the only girls in the story) immediately fell in love with the mc at first sight. Don't get me started on this pick-me teacher. If they made her a strong type of woman that's independent and can fight on her own, that would've made the story more interesting. But instead, she's obviously just a female love candidate for Edwin and she does nothing to help him. She studies psychology and it was never utilized. It's such a missed opportunity. If she could've done something useful rather than just waiting and depending on Edwin, it would've made the story and their dynamic much more interesting.

    The other one is the girl Edwin met at the bar. She was an obvious love candidate for Edwin too. Cheering him up, and then getting upset when she saw him bringing another woman in the bar, only to disappear forever from the story after that. I wish the story gave an explanation to what happened to her, otherwise this scene just feels unnecessary and adds nothing to whole plot. If you're going to introduce a character that's going to disappear after two scenes, might as well not add them. (Do they know about The Bechdel Test...)

    I do like the shaky camera effect when Jeffrey was bullying the random student. It makes it seem like we're watching a live video of a bullying. Though some of the camera angles are a bit awkward. During the time when Edwin was talking to his sister, it was supposed to be emotional. But the awkward cuts and pause from the sister talking to just a shot of Edwin with tears in his eyes just felt very stiff. Some of the scene change was also very sudden and didn't flow smoothly with the previous scene.

    The way they were stalling the door scene for so long actually makes me so sick of it. At this point, I'm begging them to just kick down the door. I know they're terrified, but they couldn't utilize all of that time behind the door to actually searching the room for exits? Instead of just going back and forth arguing with Jeffrey, and being like "I should open the door," "No, you shouldn't!" again and again. I wish the tension could've been spread into other locations as well instead of spending what felt to be like 45 minutes behind the door.

    Some of the sfx were a bit much. It sounded too gore-y in a way I can't explain well with words. The vfx for the blood splatters as well. It was too exaggerated. The way the blood splatters like hand sanitizer spray when they were being slashed with a long knife... It was unnatural and not very realistic.

    I wish there was subtitles for this movie. Some of the words they were saying weren't that clear, I just had to assume what is happening. I don't know if every movie theater is the same, but mine didn't have any subtitles.

    Finally, the questions that were left unanswered in the end of the movie. First, how did a child get into an abandoned place and saved the student that was being bullied at the start? I understand they were trying to portray how, despite their differences, they helped each other. But it just felt so sudden and it doesn't make any sense why a child would wander into an abandoned place all alone and coincidentally know which door to unlock to save the student. Next, what happened to the bar? What happened to some of the other characters in this movie? Like the principal for example. He never appeared again after expelling Jeffrey. What happened to Christo and the teacher when they escaped? They disappeared after that. Especially the most important question, who is Edwin's nephew? Maybe it was answered in the end but it wasn't that clear (since, again, my movie theater did not have any subtitles) so I'm assuming it's Jeffrey? I'm still confused.

    Overall, the movie is really great as a thriller. The actors are also great. But I wished they could've told the story better, and especially for the ending. I wish it had a complete conclusion instead of leaving the viewers hanging.
    7SpardaTriple-6

    Boom 💥

    Joko Anwar is bold enough to raise the issue of racial discrimination against Chinese Indonesians.

    (Apologies) Without intending to discredit Gen Z and beyond, this film can be quite provocative if viewers don't filter or approach it with an open mind.

    At the very least, it will prompt them to look up historical articles about the 1998 tragedy.

    Morgan Oey + Omar Esteghlal = Boom!

    Fatih Unru was quite memorable for me.

    Minimal plot holes, but unfortunately it loses momentum from the middle to the end.

    The layered plot twists were interesting, though one of them was predictable - minus 0.5 from my rating.

    Joko Anwar is (still) the best director at the moment.
    2GuspaP

    Battle Without Brains: A Hollow Echo of Better Stories

    Despite its high-octane trailers, it falls flat as an action movie. The plot is thin, riddled with clichés, and never gives the audience a reason to care about the characters. It also attempts to borrow the mysterious mentor trope from Assassination Classroom, but the character falls flat. Ultimately, It feels like a checklist of tired tropes rather than a thrilling ride, making it more frustrating than fun.

    It feels like the movie is too busy imitating better works without understanding what made them great in the first place.

    It hints at the borrowed elements from Battle Royale and Assassination Classroom, while emphasizing the film's lack of depth or originality.
    7yasminrachmasita

    Best but not really

    All films produced by Joko Anwar always have a fresh storyline, for example this film. In the era of the Indonesian basic horror film, but this film rebuilds the Indonesian film industry as it should be.

    The storyline is indeed quite heavy and the complications/conflicts are quite heavy, with the theme of the 98s. And this film also has several meanings in it which describe what the future conditions in Indonesia will be like with high levels of racist thinking.

    However, in terms of the level of sadism, this is not a film with a high level of sadism, it is still ordinary but it is enough to make you emotional and get your adrenaline pumping with the action.
    7johannesmarbun

    Reality and brutal criticism of the issues of violence and morality that exist in the Indonesian environment.

    About a teacher named Edwin who searches for his sister's child, who was raped. It's set in a dystopian era with riots everywhere. Inspired by the racist riots against the Chinese in 1998.

    The visuals are quite impressive, with Jokan's graphic, gory scenes. From beginning to end, we see slashings, stabbings, and burnings-all of them fantastically brutal. Personally, I was watching it with a shiver of joy and wincing.

    Personally, i expected plenty of action. However, the transitions between the stories felt slow, and many of my expectations felt unfulfilled. Even so, Jokan managed to deliver another jaw-dropping ending.

    In the end, this film successfully depicts and critiques all forms of racial issues that have occurred in Indonesia and also portrays the deplorable morality of schoolchildren. Whether it's violence or offensive language (ajg, bgst, ngentot)-it's all truly present here.

    Anyway, keep this up, Bang Jokan!

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    • Cenas durante ou pós-créditos
      During the opening MGM logo, the roar of Leo the Lion, the studio's mascot, is silenced.
    • Trilhas sonoras
      Terima Kasih Guruku
      Performed by Achmad Barakha Novianda, Velyn Elsa and Khayla Khay

      Written by Melly Goeslaw

      Arranged by Alvin Witarsa

      Licensed by Aquarius Pustaka Musik

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    Detalhes

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    • Data de lançamento
      • 17 de abril de 2025 (Indonésia)
    • Países de origem
      • Indonésia
      • Estados Unidos da América
    • Idioma
      • Indonésio
    • Também conhecido como
      • The Siege at Thorn High
    • Locações de filme
      • Jacarta, Indonésia
    • Empresas de produção
      • Amazon MGM Studios
      • Come and See Pictures
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 58 min(118 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.39 : 1

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