Explosão no trem-bala

Japanese is still Japanese. Even though they have great material, the results made me frustrated. First I saw the trailer, it seemed like the movie from 90s - Speed, Keanu Reeve and Sandra Bullock - a Japanese version. I had high expectation due to the explosion was about their high speed technology train like Shinkansen bullet train that serves many people daily. During the line, I was getting upset by boring dialog, drama-with-no-reason made me sick, and overall was pretty disappointed. The signature of Japanese movie is about their spirit, responsibility, patriotism etc. But those built overall movie worsen.

The villain supposed to hit my nerve and made me stunned, but no. There was not solid and believable; or AKA enough to convince; the motive of making the train exploded.

I just finished watching Netflix's new "Bullet Train Explosion" (2025) and couldn't help but notice all the comments claiming it's "just a Speed ripoff." Oh, sweet summer children of cinema...

For those whose film history knowledge apparently begins with Keanu Reeves, allow me to enlighten you: "Shinkansen Daibakuha" isn't copying Speed (1994). It's a REBOOT of the ORIGINAL "Shinkansen Daibakuha" from 1975 - a Japanese disaster thriller released NINETEEN YEARS BEFORE "Speed" even existed.

That's right. The "can't slow down or it explodes" concept that everyone associates with "Speed" was actually pioneered by this Japanese film starring Ken Takakura, Sonny Chiba, and other legendary Japanese actors nearly two decades earlier. The original featured Japan's bullet train that would explode if it dropped below 80km/h, with criminals demanding ransom money.

So who copied whom? If anything, "Speed" borrowed from Japan, not the other way around. Shinji Higuchi's new Netflix adaptation is simply bringing a Japanese classic back to life for a new generation.

The irony of Western viewers accusing a Japanese reboot of copying an American film that may have been "inspired" by the original Japanese concept is absolutely delicious. It's the perfect embodiment of that meme where someone makes a joke, someone else says it louder, and gets all the credit.

Not only was the story intense, but I really loved how they showcased the technical operations of the Tohoku Shinkansen - from the control room decisions to the real-time communication between the operator, conductor, and driver. It all felt incredibly authentic, like watching real professionals in action. Their calmness, precision, and teamwork during high-stress moments really stood out and added so much depth. As a Shinkansen otaku, seeing those accurate procedures and behind-the-scenes details was an absolute thrill and made the experience even more enjoyable. The attention to detail was remarkable.

If you're looking a lazy afternoon-watch this weekend that doesn't want you to think too much, this Japanese-version of 'Speed' but on a Bullet Train might be worth considering.

The film was fairly decent until the major reveal that was not really convincing at all, but if you forceful yourself to apply the logic you often see in the news about 'bad actors', you could maaaaybe see why/how it all makes sense.

But like I said, if you don't want to think too much, or at all, this might be one of the decent films for this weekend, or even for passive viewing as you do the dishes or fold your clothes away. Could have been so much better but I didn't care that it was not that and it doesn't feel like a let down.

Bullet Train Explosion (2025) is an interesting ride that tries to bring back the disaster-thriller vibe but falls a little short on the human side of things. The directing by Shinji Higuchi feels like it cares more about showing the technical process of running a train than about telling a story through its characters. You can tell a lot of work went into the production itself, especially with the practical effects, model sets, and tight editing that really keep the tension high. The problem is, while everything looks good and feels intense, the characters end up feeling like background noise rather than the heart of the movie. It feels more like you are watching a really well-made simulation than being pulled into a story.

The acting is decent, especially from Tsuyoshi Kusanagi, who manages to bring some presence even without a lot of material to work with. The script, though, feels a bit thin, like it was written just enough to move from one tense scene to another without really digging into who these people are. The cinematography is clean and sharp, with some really impressive shots during the action sequences, and the sound design does a solid job of keeping you in that high-stakes atmosphere. The score is there but not very memorable, mostly serving the moment without standing out. Overall, it is a movie you can enjoy for the tension and visuals, but if you are hoping to get attached to the characters or dive deep into the story, it might leave you wanting more.