Explosão no trem-bala

With all due respect to my fellow critics-whose insights I genuinely admire-I must gently (but firmly) tap the brakes on this recurring assertion that Bullet Train Explosion is little more than a Japanese Speed. Yes, both films hinge on the same pulse-quickening premise: a vehicle that must maintain velocity or detonate spectacularly. But before we declare Speed the originator of this trope, let's give history its proper due-and a little reverence.

Because long before Keanu Reeves fired off "Pop quiz, BLEEP," and Sandra Bullock white-knuckled her way into action-movie legend, there was The Bullet Train (Shinkansen Daibakuha, 1975). A Japanese thriller that introduced the world to a high-speed train wired to explode if it dipped below a certain speed. Sound familiar? It should. This was the first film to plant a bomb squarely under the concept of velocity. And it was brilliant.

But the lineage doesn't stop there. Even Speed's screenwriter, Graham Yost, credited his inspiration not as some divine spark, but as a cinematic handoff from Runaway Train (1985)-another nail-biter about an unstoppable locomotive hurtling toward oblivion. Here's where it gets even juicier: Runaway Train was originally the brainchild of none other than Akira Kurosawa. Yes, that Kurosawa. The auteur behind Seven Samurai and Rashomon. He wrote the screenplay in the 1960s, envisioning a deeply human, existential thriller set aboard a runaway engine. Though he never got to direct it, his vision survived and roared to life years later under Andrei Konchalovsky.

So let's be clear: Bullet Train Explosion isn't some derivative knockoff trailing behind Speed. It's part of a long, cross-cultural cinematic tradition that spans continents and decades. It stands proudly in a lineage that includes Kurosawa, Konchalovsky, and yes, Jan de Bont. To reduce it to "Speed, but Japanese" is to miss the point-and miss the artistry.

As a Gen-Xer, Speed is sacred to me. It defined a decade of action cinema. It made "mass transit terrorism" an oddly specific genre. And it will always be brilliant. But brilliance doesn't need to be first. And homage is not theft-it's a love letter. Bullet Train Explosion is exactly that: a loud, stylish, blood-soaked valentine to its forebears.

So instead of side-eyeing the similarities, let's celebrate the shared DNA. Let's honor Bullet Train Explosion as a continuation-not a copy-of a global cinematic conversation about speed, stakes, and what happens when you can't stop moving.

With admiration for my fellow Speed disciples (I am one of you), and with cinematic history riding shotgun, I rest my case.

I just finished watching Netflix's new "Bullet Train Explosion" (2025) and couldn't help but notice all the comments claiming it's "just a Speed ripoff." Oh, sweet summer children of cinema...

For those whose film history knowledge apparently begins with Keanu Reeves, allow me to enlighten you: "Shinkansen Daibakuha" isn't copying Speed (1994). It's a REBOOT of the ORIGINAL "Shinkansen Daibakuha" from 1975 - a Japanese disaster thriller released NINETEEN YEARS BEFORE "Speed" even existed.

That's right. The "can't slow down or it explodes" concept that everyone associates with "Speed" was actually pioneered by this Japanese film starring Ken Takakura, Sonny Chiba, and other legendary Japanese actors nearly two decades earlier. The original featured Japan's bullet train that would explode if it dropped below 80km/h, with criminals demanding ransom money.

So who copied whom? If anything, "Speed" borrowed from Japan, not the other way around. Shinji Higuchi's new Netflix adaptation is simply bringing a Japanese classic back to life for a new generation.

The irony of Western viewers accusing a Japanese reboot of copying an American film that may have been "inspired" by the original Japanese concept is absolutely delicious. It's the perfect embodiment of that meme where someone makes a joke, someone else says it louder, and gets all the credit.

If you're looking a lazy afternoon-watch this weekend that doesn't want you to think too much, this Japanese-version of 'Speed' but on a Bullet Train might be worth considering.

The film was fairly decent until the major reveal that was not really convincing at all, but if you forceful yourself to apply the logic you often see in the news about 'bad actors', you could maaaaybe see why/how it all makes sense.

But like I said, if you don't want to think too much, or at all, this might be one of the decent films for this weekend, or even for passive viewing as you do the dishes or fold your clothes away. Could have been so much better but I didn't care that it was not that and it doesn't feel like a let down.

But this is really good! I like the 3D-effects regarding to the bullet train and I green screen effects where they made it exceptionally clear. In perspective this not really realistic as it is in Japan, 'cause it's too much of actions. But in general I liked the actor's character more their personalities that fits into the movie. I was surprised about the character's performance regarding to bomber that planted the bomb on the train. That felt so good with the twist in the good way. However that is, I'm not gonna spoil it. So watch the movie and enjoy actions felt with sweat and tears. You'll not regret it!

Bullet Train Explosion (2025) is an interesting ride that tries to bring back the disaster-thriller vibe but falls a little short on the human side of things. The directing by Shinji Higuchi feels like it cares more about showing the technical process of running a train than about telling a story through its characters. You can tell a lot of work went into the production itself, especially with the practical effects, model sets, and tight editing that really keep the tension high. The problem is, while everything looks good and feels intense, the characters end up feeling like background noise rather than the heart of the movie. It feels more like you are watching a really well-made simulation than being pulled into a story.

The acting is decent, especially from Tsuyoshi Kusanagi, who manages to bring some presence even without a lot of material to work with. The script, though, feels a bit thin, like it was written just enough to move from one tense scene to another without really digging into who these people are. The cinematography is clean and sharp, with some really impressive shots during the action sequences, and the sound design does a solid job of keeping you in that high-stakes atmosphere. The score is there but not very memorable, mostly serving the moment without standing out. Overall, it is a movie you can enjoy for the tension and visuals, but if you are hoping to get attached to the characters or dive deep into the story, it might leave you wanting more.