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6,7/10
9,3 mil
SUA AVALIAÇÃO
Uma mulher mantém um diário de sua estadia prolongada em um hospital psiquiátrico.Uma mulher mantém um diário de sua estadia prolongada em um hospital psiquiátrico.Uma mulher mantém um diário de sua estadia prolongada em um hospital psiquiátrico.
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- 2 vitórias e 4 indicações no total
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Avaliações em destaque
It's easy to get absorbed in a story without recognising the bigger picture that frames the narrative. To describe The Secret Scripture (2017) as a woman's diary of life in a mental hospital masks the darker narrative of horror perpetrated by the Catholic Church. Based on a 2008 novel of the same name, the film is part of the recent wave of disclosures about appalling misdeeds committed in the name of holiness across various parts of the world.
Set in Ireland from the early 1930s, the story traces the life of Roseanne McNulty who was falsely incarcerated in an Irish mental hospital owned by the Catholic Church. After more than 40 years as a patient, Rose must be discharged or moved elsewhere when the hospital closes. New psychiatrist William Grene (Eric Bana) discovers that she is mentally sharp and has meticulously recorded her life story across the pages of an old bible. In a complex series of flashbacks the elderly Rose (Vanessa Redgrave) recounts how, as a feisty young woman (played by Rooney Mara), she had fallen in love with Michael McNulty (Jack Reynor) believed by locals to be a British sympathiser. The new Father Gaunt (Theo James) takes more than a pastoral interest in Rose and tries to stop the affair. When Rose becomes pregnant and Michael is embroiled in the Irish Troubles, she is hunted down by local vigilantes for harbouring the suspected sympathiser. Enraged by the affair, Father Gaunt certifies her to be suffering from nymphomania and she is subjected to electric shock treatment and other abuses over four decades.
Great filming locations and stellar acting performances by Redgrave and Mara do little to save this film from its complicated and fractured web of episodic flashbacks. The constant shifts of time, place, and people is at the cost of narrative coherence and the contrived finale defies beiief. The narrow expressive repertoire of Eric Bana casts a pall of indifference over Rose's existence as if she were a specimen in a hospital test tube. When it is revealed she is much more than that, Bana strains to emote with warmth or empathy and leaves you wondering why he was cast in that role. The transitions between the younger and older Rose are increasingly disjointed as the entire ensemble drifts towards its soap-operatic conclusion.
Uncertain direction and messy narrative means it is easy to lose sight of the larger story of injustice suffered by people like Rose at the hands of the Catholic Church. The moral perversion of Father Gaunt and the Church's obsession to punish victims is left unexamined. Despite excellent filming and a well-crafted atmosphere of claustrophobic confinement, this film struggles to rise above a mediocre melodrama.
More reviews https://cinemusefilms.com
Set in Ireland from the early 1930s, the story traces the life of Roseanne McNulty who was falsely incarcerated in an Irish mental hospital owned by the Catholic Church. After more than 40 years as a patient, Rose must be discharged or moved elsewhere when the hospital closes. New psychiatrist William Grene (Eric Bana) discovers that she is mentally sharp and has meticulously recorded her life story across the pages of an old bible. In a complex series of flashbacks the elderly Rose (Vanessa Redgrave) recounts how, as a feisty young woman (played by Rooney Mara), she had fallen in love with Michael McNulty (Jack Reynor) believed by locals to be a British sympathiser. The new Father Gaunt (Theo James) takes more than a pastoral interest in Rose and tries to stop the affair. When Rose becomes pregnant and Michael is embroiled in the Irish Troubles, she is hunted down by local vigilantes for harbouring the suspected sympathiser. Enraged by the affair, Father Gaunt certifies her to be suffering from nymphomania and she is subjected to electric shock treatment and other abuses over four decades.
Great filming locations and stellar acting performances by Redgrave and Mara do little to save this film from its complicated and fractured web of episodic flashbacks. The constant shifts of time, place, and people is at the cost of narrative coherence and the contrived finale defies beiief. The narrow expressive repertoire of Eric Bana casts a pall of indifference over Rose's existence as if she were a specimen in a hospital test tube. When it is revealed she is much more than that, Bana strains to emote with warmth or empathy and leaves you wondering why he was cast in that role. The transitions between the younger and older Rose are increasingly disjointed as the entire ensemble drifts towards its soap-operatic conclusion.
Uncertain direction and messy narrative means it is easy to lose sight of the larger story of injustice suffered by people like Rose at the hands of the Catholic Church. The moral perversion of Father Gaunt and the Church's obsession to punish victims is left unexamined. Despite excellent filming and a well-crafted atmosphere of claustrophobic confinement, this film struggles to rise above a mediocre melodrama.
More reviews https://cinemusefilms.com
An intriguing story, great acting, some things could have surely been better, but overall it's more than just a good movie, much better than one could tell from it's imdb 6.7 rating
This is a surprise film. Almost my favourite. Because I don't know when the last time I wetted my eyes. I'm not ashamed to say that I love sentimental films. This was not like a thorough tearjerker, but it gets there at some point. It was like I have been waiting for such film a very long time, so that I ended up liking it more than I was anticipating.
An Irish-English language film with a wonderful cast. Because of those actors I have watched it, despite it was not promoted big like the Hollywood films. It's not in the mainstream films list. That's why not many people do not know about this film. Rooney Mara's one of the best performances. The remaining cast too had big roles, but was not powerful as hers.
Films has genres, books has genres, but not all of those works converted to each other form works out. This is such a rare genre where both formats triumphs. Watching this film is almost as experience of reading the book. You know those literatures explaining the events, character deeply, emotionally, that's quite matching in this film with beautiful locations and nice background score.
The suspense kept me expecting every moment of my watch. The end twist was not that difficult, but not all the viewers can predict it easily. It is a tale from the first half of the 20th century. But most of it was split into early and the later events. Overwhelmed by the flashback, the film reveals an old and a last woman in a mental asylum to evacuate the building to a new location. So those last moments of her stay in there, she explains why she's refusing to leave.
-xX] There's a sickness in people that stops them seeing the truth. [Xx-
A doctor from another place is now reviewing her case, has to go through her story to understand the situation and act accordingly, that's accompanied by a nurse. So she reveals her secret romance when she was young, when the whole town turned against her. Particularly a young priest. How she had ended up in the mental hospital, and after 40 years, now denying to leave the building. The story ends emotionally.
The film was like the mix of 'The Little Prince' and 'Neverwas'. Because the reality and the other way around were nicely put together. Only it all were told from the grown up's perspective. They are showing something means does not you have to believe it. So it all comes to the final twist, how it ends by revealing what. No doubt if it resembles someone's real life, perhaps in the past, because in the earlier centuries, such fate, particularly for women is so common. That's where it's heart-wrenching.
A perfect title for what it narrated. The older version of the lead role was too well performed. The romance part was short, but mystery extended till the final scene. Overall, the focus given to what to narrate and what not were nicely done. A very satisfying film, glad that I saw it.
I don't know everybody would like it as much I did, but surely worth a try. Since the story was told from a woman's point of view about her struggle in the men dominated world, they might like it better than others. Because, as I know in the recent, the women's empowerment rising to equal men than never before. All I say is, just watch it!
8.5/10
An Irish-English language film with a wonderful cast. Because of those actors I have watched it, despite it was not promoted big like the Hollywood films. It's not in the mainstream films list. That's why not many people do not know about this film. Rooney Mara's one of the best performances. The remaining cast too had big roles, but was not powerful as hers.
Films has genres, books has genres, but not all of those works converted to each other form works out. This is such a rare genre where both formats triumphs. Watching this film is almost as experience of reading the book. You know those literatures explaining the events, character deeply, emotionally, that's quite matching in this film with beautiful locations and nice background score.
The suspense kept me expecting every moment of my watch. The end twist was not that difficult, but not all the viewers can predict it easily. It is a tale from the first half of the 20th century. But most of it was split into early and the later events. Overwhelmed by the flashback, the film reveals an old and a last woman in a mental asylum to evacuate the building to a new location. So those last moments of her stay in there, she explains why she's refusing to leave.
-xX] There's a sickness in people that stops them seeing the truth. [Xx-
A doctor from another place is now reviewing her case, has to go through her story to understand the situation and act accordingly, that's accompanied by a nurse. So she reveals her secret romance when she was young, when the whole town turned against her. Particularly a young priest. How she had ended up in the mental hospital, and after 40 years, now denying to leave the building. The story ends emotionally.
The film was like the mix of 'The Little Prince' and 'Neverwas'. Because the reality and the other way around were nicely put together. Only it all were told from the grown up's perspective. They are showing something means does not you have to believe it. So it all comes to the final twist, how it ends by revealing what. No doubt if it resembles someone's real life, perhaps in the past, because in the earlier centuries, such fate, particularly for women is so common. That's where it's heart-wrenching.
A perfect title for what it narrated. The older version of the lead role was too well performed. The romance part was short, but mystery extended till the final scene. Overall, the focus given to what to narrate and what not were nicely done. A very satisfying film, glad that I saw it.
I don't know everybody would like it as much I did, but surely worth a try. Since the story was told from a woman's point of view about her struggle in the men dominated world, they might like it better than others. Because, as I know in the recent, the women's empowerment rising to equal men than never before. All I say is, just watch it!
8.5/10
One of the things I reckon a lot of people fear, is being detained in a mental hospital. While I do think that things probably have improved over the years (dear God let that be true) in those facilities, it still wouldn't be something anyone would look forward to.
The acting is really good, the story engaging and the tension is high. You may feel squeamish at times and sickened, but that is what the movie wants you to feel. Not an easy watch then, but if you can watch it, you will find something that is worth your time and really engaging.
The acting is really good, the story engaging and the tension is high. You may feel squeamish at times and sickened, but that is what the movie wants you to feel. Not an easy watch then, but if you can watch it, you will find something that is worth your time and really engaging.
Superb adaptation of Sebastian Barry's book. It tells the story of Ireland's dark, and for years deliberately hidden, history with regard to the inhuman attitudes towards & treatment of unmarried mothers & their babies. Excellent performances from all but Vanessa Redgrave is simply outstanding.
Você sabia?
- CuriosidadesBased on Sebastian Barry's novel The Secret Scripture which is one of the McNulty Family series of books.
- Erros de gravaçãoIt is set in 1982 but the car is a 1988 one.
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- How long is The Secret Scripture?Fornecido pela Alexa
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- Faturamento bruto mundial
- US$ 694.981
- Tempo de duração
- 1 h 48 min(108 min)
- Cor
- Proporção
- 2.39 : 1
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