Peter Pan

Going into this movie, I knew it wouldn't do well at the box office. Unfortunately, that is true, due to the negativity surrounding it. It did indeed bomb at the box office... By default, does that mean it's a bad film? Absolutely not. As a matter of fact, I found it a ton of fun to watch!

The biggest problem the movie has is there are quite a few scenes that seem to rush themselves. Aside from that, the characters are a sheer delight to watch; all the cast members were clearly having a ton of fun in their respective roles and one can't help but feel that when watching. The music is absolutely enchanting and the visual effects are gorgeous; one scene in particular, though barely a minute long, has a beautiful combination of music, cinematography, and character intensity.

Fans of the source material may not like the changes they made, but try to watch this movie with the unbridled ambition of a child's imagination and judge the movie as a movie on its own merits first... and who knows? You may enjoy it too!

The visuals are stunning. Hugh Jackman is just great, clearly relishing his role. His performance alone makes the film worth a watch. The story is capable of dragging you in. You have to forget your Peter Pan pre-conceptions and accept that this is different. Be prepared to go with the flow.

Greetings again from the darkness. Writer J.M. Barre first introduced the world to Peter Pan just after the turn of the twentieth century. Children and adults alike were enamored with "the boy who wouldn't grow up". The stories were filled with the mischief created by Peter and his Lost Boys buddies from their Neverland home, and although there existed elements of danger (Captain Hook), Barre's story was mostly about holding on to the joy and carefree world of childhood.

Sadly, these days we don't encourage kids to be kids. Instead, we push them to take on responsibility and act 'grown up' … heck, most kids today never really experience free play time with their friends. Everything is organized and scheduled (just check the calendar on the fridge). Writer Jason Fuchs and director Joe Wright (Atonement, Hanna) have created a Peter Pan "origin" story that lacks any touch of whimsy or enchantment from the original books or the numerous film adaptations: the 1953 Disney animated classic, the 1991 Steven Spielberg/Robin Williams/Dustin Hoffman vehicle, the underrated 2003 live action version from director P.J. Hogan, or even last year's Live TV broadcast featuring Allison Williams as Peter.

This one begins with a talented Parkour-enabled Mother (Amanda Seyfried) dropping off her infant son on the steps of an orphanage. She leaves only a note and a pan flute medallion. Flash forward twelve years and Peter (Levi Miller) is questioning the mysterious disappearance of kids from an environment straight out of a Dickens novel, as well as the hoarding talents of the evil Mother Superior (Kathy Burke). Soon enough Peter finds himself, along with scores of other youngsters, slaving in the fairy dust mines belonging to Blackbeard (Hugh Jackman). Are you depressed yet? Things only get bleaker as Peter escapes with his new friend James Hook (the name is no coincidence). They soon encounter the tribe that protects the Fairy Kingdom and the fairy dust that Blackbeard so values. Part of the tribe is Tiger Lilly (Rooney Mara) who believes that Peter is "the chosen one" who has come to lead and protect them. Lots of fighting ensues, plus some soaring giant crocodiles, flying pirate ships, and a trio of mermaids (all played by supermodel Cara Delevingne).

Re-imagining the classics is about the closest thing we get to creativity in Hollywood these days, so it's not the idea of the project that so bothers, but rather the approach. Where is the fun? Where is the sense of wonderment? In fact, young Peter's destiny seems to be an urgency to assume more responsibility as a leader … not live the carefree days of fun and games that Mr. Barre had set out.

Newcomer Levi, who plays Peter, ranks right there with director Joe Wright's previous discovery of Saoirse Ronan, as child actors with big time screen presence. Young Mr. Miller has a grasp of the script and character and is the best part of the film. Hugh Jackman plays Blackbeard, but can never really reach the necessary level of intimidation or theatricality. For some reason Garrett Hedlund plays Hook as if he is imitating Christian Slater who is imitating Jack Nicholson playing Indiana Jones. It's so over-the-top that we must assume Hedlund was directed to bring some comic relief to the bleak environment. Much has already been written about the casting of ultra-Caucasian Rooney Mara in the role of Tiger Lilly, though she performs the role quite well (avoiding the screeching of her lines in the manner of Jackman and Hedlund). Rounding out the cast is Adeel Axhtar as Smiegel/Smee.

Some of Wright's action sequences and CGI are quite impressive, though it's difficult to overlook the obvious influences of Terry Gilliam, Baz Luhrman, and even George Lucas and James Cameron. Particularly painful and out of place are the Luhrman-influenced musical interludes of Nirvana's "Smells Like Teen Spirit" and The Ramone's "Blitkrieg Bop". Even the pixie dust effect reminds of Dorian Gray, though Jackman only gets one brief scene in which to capitalize.

Devotees of the J.M. Barre source material will be no doubt disappointed and confused, but the theatre was filled with youngsters who couldn't seem to care less that Joe Wright had taken a classic story in the opposite direction. They enjoyed the visual effects as evidenced by the numerous "oohs" and "ahhs". So let's allow that reaction to speak for itself, rather than saying this version just didn't pan out.

If there was a more awkward movie than Pan released in the last few years I'd certainly like to know about it as Joe Wright's big budgeted wannabe franchise starter is a lavishly coloured and extravagant picture that lacks knowledge of what it actually wants to be or who in fact it's aimed at and judging by the films flopping at the box office the world over, it seems as though audiences too struggled to figure out who should be watching this revamping of J.M Barrie's classic material or why they should be watching it.

Tonally all over the place and with a story that seems to meander about the motions until a highly lacking finale and lack of answers regarding certain story questions (a glaring one being how Hook and Pan in fact become enemies as they are adventures together here), for the first time in his quietly impressive directing career Wright seems completely lost within his narrative and fails to liven up proceedings despite throwing every known colour onto the screen, plopping in Nirvana songs and letting many of his actors ham it up to level 11 to try and cover up the fact Pan's story is actually rather dull in a world that should be anything but.

Our Pan here is played by newcomer Levi Miller and the poor young performer labours in his first major turn injecting Peter with neither the charm, smarts nor emotion that was needed for the role. When you consider however how his cast alongside a horribly miscast double act of Garrett Hedlund (who continues to frustrate as a lead actor) and the beyond bad Rooney Mara, the child performer didn't really stand much of a chance. The films only saving grace acting wise is Hugh Jackman who has a blast playing Blackbeard the fearsome pirate who will stop at nothing to collect that sought after pixie dust but while he has fun it still doesn't make a whole lot of sense having Blackbeard in this beloved tale.

Whilst normally it would not be something called out for by the masses it would've actually been nice for Pan to stick more closely to the original Peter Pan story that has enchanted readers and viewers for decades upon decades and while its commendable for a big budget film to take such a risk on a new take on a well-trod property, Pan is a stinging reminder of what can go wrong when money is thrown all over the place and scripts seem doctored to tick off as many set piece wish lists as possible and for the first time in his career Joe Wright has crafted an almost irredeemably bad piece of cinematic entertainment.

All those seeking a Peter Pan fix are much better off seeking out a copy of Disney's beloved animated take or even the similarly styled Steven Spielberg event Hook.

1 ½ awkwardly used Nirvana song out of 5

Sassy British descendant of Time Lord Cosette and Thumbelina's Prince Cornelius is orphaned with his flute necklace and surrounded by ninja-kicking nuns who sell children on the black market. After being abducted by Jean Valjean the Nirvana-loving dictator, he befriends Indiana Jones, who falls in love with Emily Blunt's Native American alter ego. He is then saved from flying crocodiles by the Cara Delevingne mermaid quadruplets (with glowing Rapunzel hair) who live in a sea of memories. He proceeds to discover he has the force, pixie-edition, and saves Atlantis the lost fairy-kingdom empire, adopting the title of "The Chosen One". And after all of this, we still don't find out what caused the proverbial bad blood between Peter Flute and Captain Indiana Hook. So there's that.

Despite all of this (or maybe because of it), I actually did enjoy the movie quite a bit. Even if the singing of Smells Like Teen Spirit left me confused and thinking of Moulin Rouge.