XX

Proposing a collection of original shorts in a horror landscape over-saturated with remakes and old recipes is a daring proposition, with or without gender twist. XX delivers four 20 minutes works with an episodic animated sequence as interlude. While the animated part is simply masterful, the quality of the shorts varies.

1st Short: The Box. This short seems to draw an illustration of how a dysfunctional family would end up if closeted drama and shouting exchanges were replaced by a supernatural element. Rather ambient, it lets you wonder what to expect. Unfortunately, the conclusion misses the target and leaves you wanting something more elaborate.

2nd Short: The Birthday party. Expedited premise and hardly believable character behavior make this short rather weak. It seems to be intended as a joke and it sort of, kind of work if you're a good audience. Good material for fan theory, but nothing memorable.

3rd Short: Don't fall. Typical monster story, with all the clichés of the genre packed into way too little time to deliver any kind of tension. A success if you want to watch absolutely every (bad) monster film in 20 minutes, a failure if you're looking for anything else.

4rh Short: Her only living son. The best of the lot, with a tense ambiance from early on, and the only one with enough background to establish a more solid story line. The female lead knows how to act, and the dramatic arc is built better than in the 3 other shorts. Nonetheless, some of the narrative is expedited and make the story fall a bit flat.

Ultimately, the bundle gives the impression that none of the stories were meant for the short format to begin with, and try to follow the same formula as full feature films while condensing it in 20 minutes. As a result most of the shorts rest on interesting ideas but none seems to know whether to be a trailer or a feature film, to the detriment of tension and narrative.

It remains that there are far worse movies around. "The box" and "Her only living son" have a compelling second level of reading and can push your empathy buttons just right, and "The Birthday Party" might make you smile ("Don't Fall", though is a total miss). Funnily enough the 20 minutes format, as ambiguous as it is, also makes sure that no story overstays its welcome.

I'll give it a 5 for effort and for the animation. Watch it if you want something a bit different, and for some good starting ideas if you're a fiction writer. Give it a rain check if you're looking for a mind-blowing work.

The good: Interesting ideas + Good metaphors + Refreshing formula + Masterful animated intermezzos

The meh: - Average acting - Narrative doesn't fit the format well - Soundtrack could be more subtle

The bad: - The whole 3rd short (Don't fall). - The mood lapse between the 1rst and 2nd short.

When the very poster draws heavy focus to the fact that the shorts are directed by women, one assumes that you will finally be able to see film through a female lens. Those in the film industry are frequently excited by the prospect of having the stories and viewpoints of women shown as it opens up stories that previously have been masked. Female characters frequently are left underdeveloped and masked in the backgrounds of features. You can imagine my disappointment to read that tag line on the poster, just to find that 3 of the 4 shorts are as generic and soulless as the dregs of the horror industry.

The first 3 shorts are as uninspired, uninteresting and cliché as imaginable. 3 of the 4 stories feature white, middle-aged stay-at-home mothers, of which are the manifestation of what most people complain about when a female character is given minimal attention and effort from a male director.

The 1st and 3rd short offer absolutely nothing we haven't seen before, and the 2nd short isn't even remotely within the horror genre. The director of the 2nd short has somehow managed to convince herself that adding loud, eerie music to a regular scene creates a horror short.

The 2nd of the 4 shorts is vastly the worst, followed by the 3rd and then the 1st. The 4th short however is an interesting, if not still un-creative piece of horror. Whilst the 4th short feels reminiscent of films like The Babadook, it still manages to differentiate itself enough to warrant at least a 7/10.

Ultimately generic, uninspired and frustrating. The intermission, stop motion segments are the pinnacle of this feature. 3/10

The dolls and walking boxes inbetween the stories were much more unsettling than any of the four bland stories. I would rate the doll segments as a 6 and the stories as a 2 so overall a 4.

First segment has a good premise. Lazy writing and uncreative filmmaking makes it really boring and the transition to the dream sequence is done poorly. Second segment is so far apart than the rest. It's not horror in any way shape or form. Third segment is using the traditional tropes of horror movie and it's well made. Unfortunately it is way too short for character buildings so I just couldn't care less about them. As for the fourth segment, It is definitely the better out of all. It has a chilling and dark tone and has somewhat more coherent story, had it been longer to further explore the topic it would've turn out a lot better.

I'm sorry to report that this year's "XX" doesn't quite live up to the great horror anthology that its trailer promises. This quarter of female-directed horror shorts is actually quite average, when considered together, and I'd give it a 6 out of 10.

Only the first segment is truly memorable — "The Box," adapted from a short story by Jack Ketchum. The directing and scoring is superb. (Seriously, the music is quite good.) The acting is also good throughout this segment, most especially by "The Strain's" Natalie Brown. She's a good actress and she's starting to grow on me. (And her memorable last lines here, which I assume come from the text of Ketchum's story, are weird and haunting.) This quarter of "XX" gets under your skin.

Despite "The Box" being capably developed and unnerving, however, there were no conventional scares at all. It hardly felt like a horror short; it was more like a particularly macabre and ambiguous parable. Nor is the story's mystery solved — it's left open-ended.

The second segment is largely a waste of time, despite being stylishly shot and scored. (Hint: it's got the same story device as "Weekend at Bernie's.")

The remaining two tales are more standard horror stories. I'd suggest they are somewhat fair at best.

I think I would recommend this only to the most well rounded horror fans who are in the mood for something different. And, even then, it might only be for the peculiar elements of "The Box."