Based on a true story, writer/director Jonathan Salemi's crime thriller is set in a post-Prop 64 world where marijuana has been decriminalized and those who were once the "haves" become the "have nots." One such fellow is Vincent (Anthony Molinari), whose previous jet-setting lifestyle has come to a screeching halt as his medicinal weed business is now essentially irrelevant. He's not much more than a courier now and that's a mighty steep fall. When his partner, Bobby (Mister Fitzgerald), comes to him with the possibility for one big last deal that could save the business and even get him ahead it's too good to resist. Unable to completely handle the score himself, he turns to the Boss (Sala Baker) seeking a buy-in. Everything has to go right. Of course, it doesn't. The Last Deal is that rare convincing low-budget action flick that soars on the strength of a talented production crew and incredibly strong ensemble led by stunt man/actor Molinari. With almost a couple hundred stunt credits, there's literally no doubt you've seen Molinari's work but The Last Deal makes it perfectly clear that he's leading man material. Salemi's script is substantial, both convincing as an action flick and as a cultural statement. If you don't get the film's messages, you're likely not paying close enough attention.
Molinari's Vincent is a seriously complex dude. While The Last Deal is set smack-dab in the world of crime and there's no doubt Vincent has made his share of bad choices, he's a relatable guy whose down to earth qualities radiate a strange sense of normalcy amidst it all. You can't help but like the guy. He's essentially a good guy to Tabitha (Jeffri Lauren) and pretty much to everyone until he gets in over his head and starts getting double and triple-crossed. He kind of reminds me of John Wick, though with much less violence. There's an inner spark inside him and we see his light no matter how dark he has to get.
I'd love to see what director Jonathan Salemi could do with a bigger budget. His work here is impressive and if there's any justice in the cinematic world Hollywood is watching and will be knocking on his door.
