Xiang yang: Hua

The screenwriter has crafted a well-structured story that effectively maintains audience engagement without awkward moments. Director Feng Xiaogang presents a film that highlights the individual talents of the actors.

The experience is unexpectedly wonderful. The mutual redemption among several women powerfully illustrates the struggle and tenacity of marginalized individuals. The performances of the two female protagonists are authentic and moving. The story features rich and varied scenes, and the plot is both clear and well-structured. Rather than relying on strong sensationalism, it is filled with warmth and healing.

Zhao Liying delivers a strong performance, portraying a complex character-a marginalized individual reintegrating into society after serving her sentence. She convincingly embodies the role of Gao Yuexiang. Lan Xiya is recognized for her promising performance, with several moments showcasing her character's depth, mainly through notable twists. The other actresses also provided strong portrayals throughout the film.

We Girls effectively portrays marginalized groups in society with authenticity and realism, emphasizing the theme of "female power." In the film, Gao Yuexiang and Mao Amei redeem one another, sharing a sisterhood that flourishes even in the face of adversity. This friendship is pure and powerful, illustrating that women united during difficult times possess extraordinary strength. What moved me most in the movie were the scenes in which the characters supported each other while confronting life's challenges. In prison, they stood by one another, enduring tough days together. Whenever one faced obstacles, the others were always ready to lend a helping hand without hesitation. This sisterhood served as a ray of light in the darkness, illuminating their path forward. After their release from prison, they did not abandon each other but continued to move forward hand in hand, striving to survive in challenging circumstances.

Unlike most movies that serve merely as entertainment, We Girls strongly emphasizes visual and emotional impact, exploring human nature and cultural connotations.

When I saw Zhao Liying's character, Gao Yuexiang, facing slander and public scrutiny, her reaction was far from a display of tears or self-pity; instead, she boldly demanded compensation. This made me realize that the film wasn't intended as a tragic drama meant to evoke sympathy, but rather an "anti-internal consumption cool film," showcasing a gritty underworld where fists break the chains of fate.

After watching We Girls, I was pleasantly surprised by its overall quality. Its sharp and realistic portrayal truly captured the struggles faced by marginalized individuals in society. Zhao Liying's performance was rich and layered; through her expressive body language and bloodshot eyes, she allowed the audience to witness how a determined woman is shaped into resilience by the challenges life throws her way.

This film accurately shows the lives of marginalized people, exploring self-salvation while reflecting on social issues. It is a worthwhile film, and Feng Xiaogang delivers on expectations. Although the characters Gao Yuexiang and Hei Mei face many challenges, the overall tone is mostly humorous. The story does not dwell on their suffering; instead, it highlights that life often includes both laughter and tears.

What stood out to me in this film was the strong bond and compassion among the women. They are willing to risk their lives for each other, showing that their relationships go beyond friendship to family, with each providing strong support. In the film, Zhao Liying plays White Fox, who comes back to society after being in prison. She faces life's challenges and starts a journey of self-salvation. Her performance shows her growth as an actor and highlights serious issues in today's society.

I initially believed that heavy narratives of suffering would consume Xiang Yang Hua. However, it unexpectedly provided a refreshing spiritual uplift during the Qingming Festival. Gao Yuexiang resembles a sunflower that, despite being rooted in harsh realities, refuses to be overwhelmed by strong winds. The character embodies both wild growth that defies stereotypes and the exhilaration from breaking free of narrow perspectives. Dignity is invaluable, and the unwavering hope of "living towards the sun" carries the potential to transmit genuine emotional energy from the screen to real life with a vibrant spirit.

Zhao Liying's impressive performance gives the character a sense of authenticity and depth. She convincingly portrays a cleaner or a salesperson navigating the gray areas of life. This role stands out due to its complexity and imperfections, allowing viewers to empathize deeply. This is undoubtedly one of her most significant performances on screen.