Neverlake

I am aware that this film is not perfect. Maybe eight out of then is a little too high as a rate but you should consider that since the seventies and early eighties the Italian horror movie gender has been completely abandoned and disown here in its homeland. So it really gives me solace that for once there is an Italian horror movie that I can support without shame. And mind you, I am not usually enthusiastic about my country.

Of course since Italian acting school nowadays is dreadful one of the things that keeps this film going is the fact that the cast is international. Good choice. None of the actors is a genius but they all are quite good.

I like a lot that the story talks about ancient Italian myths and it is set in a gloomy misty Tuscany miles away from the clichés we are used to in American movie. Tuscany is sunny and full of vegetation and vines and good food and beautiful country houses and charming little towns but in winter it really is just like that.

The screenplay is good. All the flaws in the story you can pick up during the movie have an explanation in the end if you are patient. It has almost the kind of creepy feeling of a Pupi Avati movie but it actually makes sense in the end.

Unfortunately the film slows down a lot during the second half before the final part and this is my main problem with it.

This said, the direction is good and discreet, the screenplay is interesting the CG special effects are few but nice so I am really happy to support this film. If only there were more like this one made in Italy...

When I say 'action', I mean getting to the meat of the story.

First 50 mins (and yes, I went back and double checked on BluRay) were way too boring. So boring that I had this BluRay since 2014 and only NOW (in 2015) sat through it all because I had nothing else to watch.

So yeah, first 50 mins will bore you. Last 35 mins will enthrall you.

Last 35 mins also are surprisingly darker than I imagined, for this movie. First 50 mins give you the impression that you are watching some same old cliché-fest of a ghost movie. But I would say, the ending moments are pretty good.

Also, the movie is well acted. But some of the dialogues feel too artificial (only 'some'). Overall, watch the movie for the last 35 mins, it's worth it.

5/10 (5 for the last 35 mins, -5 for the first 50 mins)

There are pretty straightforward pros and cons to this movie, and to me it seems to really be stretching things to call it "horrible" or "great storytelling.

The story itself - overall - wasn't that bad and, in fact, I enjoyed the ending. It was darker than I'd thought it would be, and definitely not entirely predictable. Ironically, that's also part of the problem. There wasn't really enough story development in the first 70 minutes of the film to lead you to predict much of anything, and by that time you're almost a little apathetic. Very little seems to be holding together what is presented during this stretch, and much of it isn't really that necessary.

A lot of the bad reviews I've read include phrases like "I couldn't make it half-way through" and "I turned it off with 20 minutes left." Because the story is so back-loaded into the conclusion of the movie, their reviews (to me) are rendered almost completely irrelevant. But because of the glacial pace I definitely understand where they're coming from.

Before I get the usual condescending "Most people (who aren't as smart as I am) who expect explosions and non-stop action/killing/slashing just won't 'get' this type of artistic storytelling (and are not worthy to cast eyes on the film like I am)," I beg to differ. I don't need nonstop action, especially in a horror/psychological thriller movie. But in lieu of action there needs to be story/character development to keep you engaged. And in this film that all came at the end, with only fairly disjointed bits and pieces for the first 70 minutes.

I give this a better-than-average rating because it IS better than most of the low-budget garbage out there. It is, indeed, watchable. But your life will not change. You'll think, "Hmmm. Didn't quite see THAT ending coming," then get back to your housework.

"Neverlake" isn't necessarily a great horror movie, but one thing's undeniable: the plot contains more than enough potentially strong ideas to fill at least three movies! I almost overlooked this film because it looks so mundane and derivative, but then I discovered that it's Italian (my favorite country for horror movies) and that it stars David Brandon (semi-successful lead actor of "Stagefright", "Delirium: Photos of Gioia" and "Caligola: The Untold Story"). The film is reasonably well-made, but the script is too ambitious and director Riccardo Paoletti makes the rookie mistake that he desperately attempts to uphold the various mysteries for far too long. It's complex, with a lot of references towards Tuscan culture and particularly the Etruscan civilization, but also supernatural themes and mad surgeon twists. Gorgeous young teenager Jenny Brooks visits her father in his birth region of Tuscany, Italy, for the very first time since her mother died. Her father used to be an acclaimed doctor but now he's into archaeology and researching the nearby Etruscan Lake of Idols. Jenny was hoping to visit the beautiful region, but her father is always locked up in his study room or away on business, so she sets out exploring herself and meets a group of disabled children in a ramshackle hospital. Riccardo Paoletti builds up a lot of tension and mystery, but why, in fact? From the very first moment that Jenny's father walks into the screen, it's abundantly clear that he's malicious and unreliable. The atmosphere in "Neverlake" is admirably ominous and spooky and the filming locations and set pieces are often astounding, but the film could have used a better pacing and more frequent bloodshed. The finale, however, is terrific and reminiscent of the good old- fashioned Gothic Italian horrors of the fifties and sixties. The acting performances are quite good as well. Daisy Keeping looks like a slightly young version of Danielle Harris, which is always an example if you want to make it in the horror industry, and is even credible as the clever young girl who's a fan of Gothic poetry (Percy Shelley, Edgar Allen Poe, etc…)

I'm a little different from many horror fans in that I appreciate a good story line within the genre without necessarily needing to be scared by it. Such is the case with Neverlake.

Jenny comes to her father's Tuscany home from New York as a teenager, not having seen him since she went away to school. The house is near a lake with a rich history of Etruscan legends, which Jenny's father is researching.

Soon she becomes bored because Dad tends to be elusive, his housekeeper is rather brittle and Jenny doesn't like her. One day she takes a walk and meets a blind girl who takes her to visit the orphanage where she lives. She tells Jenny, "It's fine, just don't let the grownups see you. They're bad." Jenny continues to visit, and one night she learns the full history of the lake and its power.

Meanwhile, the relationship between Jenny and her father becomes stranger and stranger. One night, she faints, only to wake up in a hospital bed with her father explaining that she'd been sick with an infection and had needed surgery. A heavily drugged Jenny goes back to sleep to wake up back in her own bed.

The story slows down a bit, and some viewers may become bored, but I found the film so atmospheric that it kept me engaged. Piece by piece, Jenny begins to learn of the powers of the lake and her father's involvement in the strange orphanage. The children send Jenny on a mission that brings the story to its very satisfying conclusion.

I will say that it was the first time I felt like crying at the end of a horror film. And that wouldn't have happened without an interesting story, good actors and a rich atmosphere in which to tell this unusual tale. You won't find monsters or ghosts in this film, but you won't need them because the horror comes not from the dead, but the living. I recommend this film highly for those cold, dark nights when you want to settle in with a good story with both atmosphere and foreboding.