Prêmios

For creatively evoking the din and blare of highway traffic, of silence and its interstices, as they are captured in the mind of a personal driver, as he journeys from Baguio to Manila and back, contemplating questions of destiny, fantasy, and identity, the award for Best Sound goes to JEDD DUMAGUINA and MARIO CONSUNJI for "AN ERRAND"

For its masterful montage of the sights and scenes of road travel as captured in the mind of a driver coping with questions of time, class, and identity, the award for Best Editing goes to DOMINIC BEKAERT for "AN ERRAND"

For displaying a strong sense of style and point of view in a debut project to deliver a fascinating take on class division

For creating a pulsating and dynamic score that is in sync with the film's internal beats and that remains memorable long after the credits have finished rolling.

For effectively sublimating the protagonist's headspace through potent shots of memories, flashbacks, and the great northern landscape in an introspective journey toward self-preservation.

For the skillful use of editing by traveling across character mindsets and timelines to present provocative ideas about privilege and class.

For capably utilizing the various elements of cinematic language to realize a contemplative filmic voyage that traverses memory and time while reflecting on the false familiarity of servitude.