Adoráveis Mulheres

I admit, I wasn't too impressed by Greta Gerwig's Ladybird. I found Little Women a whole other level of a movie. It's not just that the source material provided a much more colorful story. It's not just that the March sisters seem to be richer characters than Ladybird's decidedly bland heroine. To me with this film Gerwig emerged as a master storyteller and a true auteur. I loved how instead of following chronological order, she presented the story as more of a memory stream. Even though constant time jumps were confusing at first, especially since the characters didn't change much, I thought it made the movie more engaging and somehow more relatable. It created some incredibly poignant moments, like the two times Jo (Saoirse Ronan) wakes up and doesn't find Beth (Eliza Scanlen) in her bed. And I got that strange and wonderful feeling like I was in the midst of it rather than outside looking in. Even bits like when Mr. Dashwood (Tracy Letts) tells what he wrote to Jo directly to the camera rather than as a voice over, that in a different movie would seem like a gimmick, here felt perfectly organic and gave the film a little extra kick. The entire sequence that moves between Jo negotiating her fate with him and living it is pure brilliance. The cast is great in a way that goes beyond just being able to portray complex emotions. What struck me the most was that by the end I found myself in love with every single character. Not because they are saintly, but because they are human. Alive. Warm. Even Meryl Streep's Aunt March is lovable because it's clear that behind everything she says, she cares deeply about the girls.

There was only one thing that bugged me a little - too little difference in the sisters' appearance between the two time periods. It ultimately worked anyway, except for Amy. Florence Pugh is a fantastic actress and she did a great job making Amy act like a 13 year old. But she just didn't look like a 13 year old, especially next to her older sisters. I kept wondering why she was always left behind, why she needed Jo to take her ice skating, and how it was that she couldn't understand why Jo stayed mad at her after what she'd done. It also made Laurie's (Timothee Chalamet) sudden change of heart about her hard to buy.

This was very good. By all means a well made, well written and shot adaptation. But for me it didn't even come close to the '94 version with Winona Ryder. Each character was phenomenal in that old version, especially Claire Danes as Beth and Christian Bale as Laurie. Also the unforgettable Winona Ryder, of course, and Susan Sarandon. Kirsten Dunst as Amy...oh my goodness, absolutely exquisite. Even though I enjoyed watching the new version, my preference remains firmly with the old. Though more simply told, perhaps, without flashbacks back and forth and fancy effects, to me it was richer in emotions and with much more memorable, more 'colorful' characters. I enjoyed watching Amy in the new version, I just didn't understand why she was never little?... She was this mature woman both as a kid and an adult...very strange. Anyway, you won't regret watching this, for sure. I just doubt I'll ever see it again. Whereas the '94 version I could watch another ten times, with pleasure. I guess that says it all.

Tender, beautiful rhythm, well-kept characters and an atmosphere that holds up to the end. we all know the story, making a good movie was not easy at all. 7/10

This movie is about as far away from 'my type' of movie as possible, or at least that's what I thought, but I have to say I enjoyed it a lot.

It's a story about the upbringing and growth of four girls from the bubbling happiness and hopeful optimism of children, into the hard and scary reality of adulthood. Therefore, the focus of the film is the wonderful characters played by Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Timothee Chalamet and Laura Dern. They are all very well acted and every single character is unique and filled with personality.

Acting and characters aside, it's beautifully captured and the environments really breathes life into the film. The movie is also very touching and I couldn't help but cry, both tears of happiness and of grief.

My only complaint is that the story is rather messy and it often jumps between different time periods and places without giving good enough hints of this. I spent quite a lot of time and energy on trying to understand where and when they were, and that is something that could have been done better.

Overall, I really liked the film and I completely understand why it has received such critical praise.

I read through many of the reviews for this 2019 version of "Little Women" and noticed that most reviewers adored the film. Because of this, I assumed I also would love the movie. Sadly, however, I was left feeling ambivalent about it...and I noticed that my wife and oldest daughter felt pretty much the same way.

I won't talk about the plot...after all, there's a summary on IMDB and lots of reviews talk about this. What I should mention is that the film is much more like the book than previous versions....a plus. But the reasons I still did not love this film are what stop me from recommending the film. First, there simply is too much story to cram into a little over two hours. If you are going to try to stick closer to the book, then perhaps consider making it a mini-series. This is because although the film is more like the book, to do this they also omit a lot of things....making the story seem a bit disjoint and confusing. Second, I really didn't think they did a good job of helping the viewers to actually care about the characters. Some of this was because the little women in the story were poorly chosen--much too old in some cases (the 12 year-old early in the story looked to be about 20). Some was because the choppiness of the story really harmed the film because the characters just seemed one-dimensional. Overall, a decent story but even with its sticking closer to the book, I much preferred the 1990s version...which was much more charming, fun and likable.