Às Escondidas

In the world heavily dominated by film works coming from English- speaking countries, it is, from time to time, interesting to get the feel what's going on in other areas. Spain is certainly not an unknown country regarding films, but most of its directors are too sophisticated for me. The advanced information I obtained regarding A escondidas and its "normal" duration made me dedicate the time to it.

Coming of age and out in a country with a high number of not-like- minded immigrant and refugee communities should be a basis for an intense and versatile story where different aspects of human values and understanding can be disclosed in catchy ways. In my opinion, the filmmakers here have not exploited their options in full: the tune and aims are set forth too plainly, and there are discrepancies between the pace and the use of flashbacks, often disturbing to comprehend the course of events. The choice of young actors is great, but there is a limited development of characters, many interesting benchmarks remain in-process until the end.

But as I mentioned, I am not among the target audience, and for certain juveniles, it is apparently a good work to follow. However, the possible audience could be limited by the fact that it has been proclaimed as a LGBT film, although it is far from being a primary topic and mode of expression here.

A film so beautiful and sincere that made me cry and recall those days of innocence. Don't we need a sequel to tell us how to overcome barriers in life with love and courage? You should not miss this film gays or straights. The movie tells us lot more than a love story if you care about to have a better world. There is lot more areas we need to make effort to improve but first of all to work on ourselves to be a better global individual.

I began watching this little known film only because of its gay love story, not expecting it to be anything remarkable. It is not, but I was quite surprised to find a decently good story with a handful of talented young debuting actors that made a great impression on me and left me rooting for the two main characters. Being shot in a semi-documentary style and entirely on location, it gives the story a feel of authenticity, and the youngsters are so natural before the camera, so Spanish-teenage in the way they speak, joke, horseplay, swear, talk dirty and quarrel that it took me back to my own teenage years. The only fault that I find is that the two main characters are supposed to be 14-16 years old, but it is pretty obvious that the actors are at least 18-19 and that can't fool anyone, come on. The age of consent in Spain currently is 14 years both for straight and gay sex, but it looks like the filmmaker was afraid of stepping over the PC-crap line or something had he used actors of that age. There is no sex scenes at all in this film, only a few harmless kiss shots. In the 1964 French film "Les Amities Particulieres" (This Special Friendship), a 17-18 year-old boarding school senior pupil falls in love with a cherubic 12-year-old junior. And Didier Haudepin was only 13 when he made the film. We are moving backwards.

Heartfelt tale dealing with two teens , regarding themes of immigration and race , but done through the eyes of youth . The picture concerns about an agreeable friendship , taking place issues about love , xenophobia and racism . It stars Rafa (German Alcarrazu) to be aware at the age of 14 the world around you changes at a dizzying speed , as he is beginning to realise that maybe his friends are jerks and racists , something that becomes especially acute when they start to pressure him to get with girls , which he isn't interested in . Along with Ibrahim Adil (Adil Koukouh) , being a Moroccan immigrant unhappily living by selling drugs or ¨Coste¨ . Both of whom are going to suffer these changes for themselves , experiencing first love in a way they never could have imagined . Rafa doesn't really care about the politics but finds himself trapped between love, basic humanity and an indoctrination of societal attitudes, in this case that 'Arabs' are wastrel, criminal scum . So that initially he thinks that the biggest problem with befriending Ibra will be the disapproval of his friends , peculiarly if they realise his intentions aren't purely platonic , but is then thrust into a situation where the stakes are far greater than he realised . It becomes clear the Spanish authorities want to deport him , despite the fact he's underage and has nobody to go back to . Meanwhile , some social attendants (Ana Wagener , Alex Angulo) attempt to help Ibrahim . And having to keep him Hidden away .

Close drama with sensitive friendship , emotion , a moving romance and racist elements ; including enjoyable interpretations with outcast roles were pretty well developed . As their touching love story becomes extremely affecting , partly because it's so innocent and partly because it's under threat of being ripped apart so cruelly . This thought-provoking and brooding flick concerning sweet and heartbreaking story of first love given extra power by dealing with a moving portrait of racism , social prejudice and illegal immigration from Africa ; however , the picture relies heavily on the lively relationship among two protagonists . This can be the story of many faceless and nameless immigrants in any country that live in ¨Pisos Patera¨ and face uphill challenges all the way through their illegal immigration . As most of them share small apartments with other African immigrants and have menial jobs or selling dope to survive . Indeed the most effective aspect of the movie is taking what is a relatively simple story , but moving us through two young boys , but in a relatively subtle way and always through the eyes of the main roles . It may be nothing new , indeed except for immigration/racism story has been told many times , but it is charming, sometimes moving and it works . As other films referring illegal immigration/racism result to be the followings : Bwana (1996) by Imanol Uribe with Andres Pajares , Maria Barranco , ¨Cartas a Alou¨ (1990) by Montxo Armendariz with Eulàlia Ramon , Mulie Jarju ; ¨Ilegal¨ (2003) by Ignacio Vilar with Lucía Jiménez and Chete Lera and ¨The suit¨or El Traje by Alberto Rodríguez with Eugenio Roca and Manuel Moron .

Main actors and support players give splendid performances . Both German Alcarazu and Ramón Agirre as Rafa and Ibra put in extremely nice acting , which is key to ensuring Hidden Away works, as it is so based around their roles' experiences, particularly Alcarazu as a teenage boy on the verge of becoming a man , who is in virtually every scene . It may not totally get to the heart of some of the themes it raises , but it results in an exciting fresco with social fable , emotion , racism and by the end manages to be pretty touching . The motion picture was well directed by Mikel Rueda in his second one , his first was titled "Stars to Wish Upon" . Here he does a very good job of taking you into a world where what should be simple first love is threatened by a host of issues outside the lovers' control . It achieved Feroz Awards, 2015 Nominated Best Poster and Spanish Actors Union and 2015 Nominated Award of the Spanish Actors Union Film : Performance in a Minor Role, Female , Ana Wagener . The film is dedicated to Alex Angulo with these words : ¨Estes Donde Estes , Gracias Por Tu Cariño¨. Alex Angulo who recently died by car accident was a veteran actor , Alex De La Iglesia's usual , who starred a lot of films such as ¨Action Mutante¨, ¨El Dia De La Bestia¨, ¨Muertos De Risa¨, ¨Live Flesh¨ , ¨El Gran Vazquez¨ and ¨Pan's labyrinth¨ .

This movie was much better than I thought it would be! I fell like it is just such a heart-warming/awwww type of movie. You can really see a connection build up between the characters and it has several passionate moments where it just seems so authentic. It's not about sex or anything, and it doesn't need to be. It's beautiful and I recommend it if you like to see gay movies about a an attraction between 2 people growing more intense and intimate.