Nas férias de inverno, duas alunas ficam em um internato só para garotas na companhia de uma presença terrível.Nas férias de inverno, duas alunas ficam em um internato só para garotas na companhia de uma presença terrível.Nas férias de inverno, duas alunas ficam em um internato só para garotas na companhia de uma presença terrível.
- Prêmios
- 6 indicações no total
Peter J. Gray
- Rick
- (as Peter Gray)
Tori Barban
- Private School Student
- (não creditado)
Veronica Cormier
- Private School Student
- (não creditado)
Avaliações em destaque
One my my favorite horror films of the last decade was 2015's "The Witch", I loved how the movie set a dark tone that continued to get darker and darker as the movie progressed. I don't mind horror films that are a little lighthearted or even a bit humorous, however I really love when a horror film decides to just be dark & dreary as possible without ever really making you feel like things are going to get better. "February" does not quite pack the punch the The Witch had but it is still a very interesting film with a pitch black tone.
The film follows Kat and Rose, two girls at an all female boarding school who are left alone at the school when their parents fail to pick them up for break. From there things take a bit to really get going, the film moves at a very slow pace however I thought that worked and matched the tone well. There really isn't much action or shock scenes, but for me that just made the shock scenes even better when they finally did happen. There was one scene in particular that kind of just pops out of nowhere and actually gave me chills a bit.
I honestly don't have a lot to say about this film, but at the same time I really felt the need to write review because this is one that stuck with me and had me still thinking about it a few days after viewing it. It's not perfect, the pacing won't be for everybody and I'm sure many people will find it too drab and depressing to get any enjoyment out of it. But I really liked it and think it does a good job of standing out in a genre that is filled with too many cliché films.
7/10
The film follows Kat and Rose, two girls at an all female boarding school who are left alone at the school when their parents fail to pick them up for break. From there things take a bit to really get going, the film moves at a very slow pace however I thought that worked and matched the tone well. There really isn't much action or shock scenes, but for me that just made the shock scenes even better when they finally did happen. There was one scene in particular that kind of just pops out of nowhere and actually gave me chills a bit.
I honestly don't have a lot to say about this film, but at the same time I really felt the need to write review because this is one that stuck with me and had me still thinking about it a few days after viewing it. It's not perfect, the pacing won't be for everybody and I'm sure many people will find it too drab and depressing to get any enjoyment out of it. But I really liked it and think it does a good job of standing out in a genre that is filled with too many cliché films.
7/10
Im glad I found this movie; unfortunately it had a limited release and there was not much buzz about it. So when I found it, I did not expect much. But I couldn't have been more wrong. Although there is not much originality, it was well done and made me uncomfortable!
The tone of the movie was dreadful and was beautifully supported by the score, the cinematography, and the acting. The pace of the movie was slow, but the payoff was excellent. No cheap jump scares, the right amount of gore, and a clever plot.
Horror fans should definitely give this movie a watch!
The tone of the movie was dreadful and was beautifully supported by the score, the cinematography, and the acting. The pace of the movie was slow, but the payoff was excellent. No cheap jump scares, the right amount of gore, and a clever plot.
Horror fans should definitely give this movie a watch!
Blackcoat's daughter has been sitting on my watchlist for a little while now. I was intrigued by it's mystery and eeriness, but something told me this won't be as great as I think it will.
And that little voice was right. Blackcoat's daughter had a massive potential. Not just that, it was very close to reaching that potential by having all the right details and twists in the plot. I think it was the execution that made the whole thing flop.
When you're watching it and assuming you're a fan of horror, you know there's something good there, but there's also a lot of that "wait what?" filter over it.
It's like listening to an almost good joke at a family gathering from your cousin. You know there's something hilarious about it, but your cousin is probably telling the joke the wrong way. So everyone is kinda lost, smiling awkwardly, and not sure about what they just heard when the joke's over. Then someone googles the joke and everyone gets that "ooooooh, right, that's actually pretty funny' moment.
Same thing with this movie - it took me a Youtube explanation video to understand that the idea behind the movie was actually genious.
I love it when the viewer has to use their brain and untangle a plot. But there's a line, where if you make it too mysterious, the audience just loses the thread completely.
And that little voice was right. Blackcoat's daughter had a massive potential. Not just that, it was very close to reaching that potential by having all the right details and twists in the plot. I think it was the execution that made the whole thing flop.
When you're watching it and assuming you're a fan of horror, you know there's something good there, but there's also a lot of that "wait what?" filter over it.
It's like listening to an almost good joke at a family gathering from your cousin. You know there's something hilarious about it, but your cousin is probably telling the joke the wrong way. So everyone is kinda lost, smiling awkwardly, and not sure about what they just heard when the joke's over. Then someone googles the joke and everyone gets that "ooooooh, right, that's actually pretty funny' moment.
Same thing with this movie - it took me a Youtube explanation video to understand that the idea behind the movie was actually genious.
I love it when the viewer has to use their brain and untangle a plot. But there's a line, where if you make it too mysterious, the audience just loses the thread completely.
It's an ambitious movie, and early on the scenes underscore that the scenes will emphasize the unspoken, with long, uncomfortable pauses. Shot mostly at night, and in a nonlinear method, it's very confusing at first, and the ending doesn't provide the payoff you're hoping for. Some reviews here try to fill in the gaps the filmmaker left, and it's unfortunate that that's needed. There's talent on the screen, and it's been wasted. Near the end there's an attempt to explain the murky as Satanism, with the local priest doing an exorcism, which isn't the norm, but it's like so many films that sculpt a dark mystery without a clear path out. A bit dismaying in the end. The British call this Too Clever by Half, ie, failure.
DISCLAIMER: This film requires a patient viewer who likes slow burns and atmospheric dread rather than jump scares or thriller action. Many of the user reviews on here trash the movie for being too slow or too boring, but this movie was never meant to appeal to everyone. If you thought this was boring or too slow, everyone has different taste and that's fine.
First off, the biggest strength of this movie is the icy dread and unease that this movie produces from the opening scene right up to the tragic final shot. This tense atmosphere never relents, even during mundane scenes, and left that dread in the pit of my stomach for the entirety of the film. Everything feels like there's something not quite right with it.
The cinematography and lighting are dark and brooding, with every room dimly lit and every setting having a sinister feel. This dreary feel to all the scenes almost never lets up and keeps the dread at a maximum.
The sound design is quite good, using prolonged silence to make scenes feel uneasy and eerie sound effects and music to heighten tension and fear. This is one of the loudest quiet movies I've ever seen, and the subtle arctic winds blowing and faint whispers and static drone are masterfully used.
The setting and environment add another layer to the dread of the film. Set in remote upstate New York in the dead of winter, the deep snow is suffocating and chilling. You can really feel the isolation of the school where Kat and Rose are staying, and the school itself is creepy in its own right, with dark and foreboding hallways and a glum exterior.
The story is not spoon-fed to viewers and is a bit of a puzzle that reveals itself one brief detail at a time, and it can be confusing on the first viewing of it. It keeps you guessing as to what's happening, and has some twists that make you rethink what you saw. The plot is told in an odd fashion, with each main character having their own "arc" in a sense and lots of brief flashbacks by Joan and Kat. The ending is a good payoff for all the dread and tension built up, though a bit rushed. The final shot is beautiful and haunting, and has stuck with me ever since.
Kiernan Shipka is very creepy and unsettling as Kat, and gives the best performance in the film. Even those who did not like this movie gave Shipka props for a wonderful job done. Emma Roberts steps into a different role than she usually does, and does an excellent job as Joan. Her body language said more than the few lines she has. The rest of the cast also turns in solid performances, the acting in this is a great strength next to its atmosphere.
This is an excellent but polarizing slow burn non-traditional possession horror film, and is impressive for Osgood Perkins' directorial debut.
First off, the biggest strength of this movie is the icy dread and unease that this movie produces from the opening scene right up to the tragic final shot. This tense atmosphere never relents, even during mundane scenes, and left that dread in the pit of my stomach for the entirety of the film. Everything feels like there's something not quite right with it.
The cinematography and lighting are dark and brooding, with every room dimly lit and every setting having a sinister feel. This dreary feel to all the scenes almost never lets up and keeps the dread at a maximum.
The sound design is quite good, using prolonged silence to make scenes feel uneasy and eerie sound effects and music to heighten tension and fear. This is one of the loudest quiet movies I've ever seen, and the subtle arctic winds blowing and faint whispers and static drone are masterfully used.
The setting and environment add another layer to the dread of the film. Set in remote upstate New York in the dead of winter, the deep snow is suffocating and chilling. You can really feel the isolation of the school where Kat and Rose are staying, and the school itself is creepy in its own right, with dark and foreboding hallways and a glum exterior.
The story is not spoon-fed to viewers and is a bit of a puzzle that reveals itself one brief detail at a time, and it can be confusing on the first viewing of it. It keeps you guessing as to what's happening, and has some twists that make you rethink what you saw. The plot is told in an odd fashion, with each main character having their own "arc" in a sense and lots of brief flashbacks by Joan and Kat. The ending is a good payoff for all the dread and tension built up, though a bit rushed. The final shot is beautiful and haunting, and has stuck with me ever since.
Kiernan Shipka is very creepy and unsettling as Kat, and gives the best performance in the film. Even those who did not like this movie gave Shipka props for a wonderful job done. Emma Roberts steps into a different role than she usually does, and does an excellent job as Joan. Her body language said more than the few lines she has. The rest of the cast also turns in solid performances, the acting in this is a great strength next to its atmosphere.
This is an excellent but polarizing slow burn non-traditional possession horror film, and is impressive for Osgood Perkins' directorial debut.
Você sabia?
- CuriosidadesThe week all of Emma Roberts' outdoor scenes were filmed was the coldest weather in recorded history in Canada's capital city.
- Erros de gravaçãoEvery school has emergency contacts for the kids if the parents aren't available to pick them up. Yet the school isn't shown even trying to find anyone else to pick up Kat and Rose.
- Citações
Theme: Deedle, deedle, Blackcoat's Daughter, what was in the Holy Water? Went to bed on an unclean head, the Angels they forgot her.
- ConexõesFeatured in FoundFlix: The Blackcoat's Daughter Ending Explained (2017)
- Trilhas sonorasIncantation {The Blackcoat's Daughter}
Written by Elvis Perkins
Mixed by Jesse Lauter
Performed by Elvis Perkins, Mitchell Robe, Danielle Aykroyd, Robert Caldwell, John Rosenthal, Otto Hauser, Paul Jasmin, Greg Wilk & Oz Perkins
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is The Blackcoat's Daughter?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- La enviada del mal
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 20.435
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.402
- 2 de abr. de 2017
- Faturamento bruto mundial
- US$ 38.348
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente