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All Things Must Pass: The Rise and Fall of Tower Records

  • 2015
  • Not Rated
  • 1 h 34 min
AVALIAÇÃO DA IMDb
7,3/10
3,7 mil
SUA AVALIAÇÃO
All Things Must Pass: The Rise and Fall of Tower Records (2015)
A documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.
Reproduzir trailer2:05
2 vídeos
8 fotos
DocumentárioHistóriaMúsica

Adicionar um enredo no seu idioma'All Things Must Pass' is a documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.'All Things Must Pass' is a documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.'All Things Must Pass' is a documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.

  • Direção
    • Colin Hanks
  • Roteirista
    • Steven Leckart
  • Artistas
    • Russ Solomon
    • Michael Solomon
    • Heidi Cotler
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    3,7 mil
    SUA AVALIAÇÃO
    • Direção
      • Colin Hanks
    • Roteirista
      • Steven Leckart
    • Artistas
      • Russ Solomon
      • Michael Solomon
      • Heidi Cotler
    • 27Avaliações de usuários
    • 27Avaliações da crítica
    • 73Metascore
  • Veja as informações de produção no IMDbPro
  • Vídeos2

    Official Trailer
    Trailer 2:05
    Official Trailer
    All Things Must Pass
    Promo 0:27
    All Things Must Pass
    All Things Must Pass
    Promo 0:27
    All Things Must Pass

    Fotos7

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    Elenco principal22

    Editar
    Russ Solomon
    Russ Solomon
    • Self - Founder, Tower Records
    Michael Solomon
    • Self - Russ's Son
    Heidi Cotler
    Heidi Cotler
    • Self - VP of Operations, Tower Books
    Paul Brown
    • Self - Manager, Watt Avenue, Sacramento
    Stan Goman
    • Self - Chief Operating Officer, Tower Worldwide
    Steve Knopper
    • Self - Contributing Editor, Rolling Stone
    David Geffen
    David Geffen
    • Self - Founder, Geffen Records DGC
    Rudy Danzinger
    • Self - VP of Community Relations
    Mike Farrace
    • Self - VP of Marketing, Tower Partners
    Steve Nikkel
    • Self - VP of Worldwide Advertising
    Bruce Springsteen
    Bruce Springsteen
    • Self - Singer-Songwriter
    Mark Viducich
    • Self - Shipping & Receiving Clerk
    Ken Sockolov
    • Self - Store Clerk, Watt Avenue
    Dave Grohl
    Dave Grohl
    • Self - Store Clerk, Washington D. C.
    Bob Delanoy
    • Self - Stan's Neighbor
    Elton John
    Elton John
    • Self - Singer-Songwriter
    • (as Sir Elton John)
    Jim Urie
    • Self - Former President & CEO, Universal Music Group
    Patty Drosins
    • Self - Russ's Wife
    • (as Patti Drosins-Solomon)
    • Direção
      • Colin Hanks
    • Roteirista
      • Steven Leckart
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários27

    7,33.7K
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    Avaliações em destaque

    7ferguson-6

    No Music No Life

    Greetings again from the darkness. I do not envy those experiencing their childhood in this modern era. Sure, they have far superior electronics and hundreds more TV channels, but they also have very little independence (most can't even walk alone to a friend's house or a park) and they likely will never experience the pure joy of perusing the stacks at Tower Records (or any other record store) for hours … experiencing the thrill of discovering a new artist or style of music that rips into their soul. OK, I admittedly suffer from a touch of "old man" syndrome, but filmmaker Colin Hanks (yes, the actor and son of Tom) has delivered both a cozy trip down memory lane and a stark accounting of good times and bad at Tower Records.

    With humble beginnings as little more than a lark, Tower Records began when Russ Solomon's dad decided to sell used 45 rpm singles in his cramped Sacramento drug store. He bought the singles for 3 cents and sold them for 10 cents. Within a few years, Russ purchased the record business from his dad, and proceeded to run it as only a rebellious kid from the 1960's could. From 1960 through 2000, the business grew each year. It expanded the number of stores (peaking at 192 worldwide) and constantly adjusted to the musical tastes and the delivery method – 45's, LP's, cassettes, CD's, etc.

    Using some terrific photographs and video clips, accompanied by spot on music selections, director Hanks brilliantly and generously allows the actual players to tell the story. The expected celebrity drops are present, and even the words of David Geffen, Dave Grohl, Bruce Springsteen and Sir Elton John carry emotion. However, far and away the most impact comes from extended interviews with the unconventional and charismatic Tower Records founder Russ Solomon and his devoted and forthright employee team. Their sincere recollections provide the roadmap through the phenomenal growth, as well as the devastating end in 2006. We understand how these stores became so much more than retail outlets … they were cultural hotspots for at least two generations. We also learn some things we probably shouldn't … like the definition of "hand truck fuel", and the reason Russ installed hot lighting in the listening booths.

    Mr. Hanks surprises with his ability to balance nostalgia and the harsh realities of the downfall of an iconic cultural business. The film captures the key role Tower Records, while also pointing out that the crash was due to more than just Napster and digital music delivery. An interesting case study for business majors highlights the importance of vision vs debt. For more insight from Colin Hanks, check out the interview from film critic Chase Whale: http://www.hammertonail.com/

    "No Music. No Life". The motto of Tower Records was somehow inspirational, and fit perfectly for stores that featured mammoth album artwork on their store fronts, their own "Pulse" magazine, and staff that couldn't fathom life without music … much less wearing a suit and tie to work. This was truly "a chain of independent stores", and trust me when I tell you that hanging out at Tower Records was more fun than having hundreds of cable channels.
    8subxerogravity

    More than a history of Tower Records but a history of the last 50 to 60 years of music.

    It's a great documentary, especially for those of us who remember a time before iTunes, when you had to go to a store to buy new music. It's very meaningful even for those like me who Tower Records was not the friendly neighborhood "supermarket" of music. I remember the Tower Records that was very close to me, but I went to another store, a store which probably had the same story (or at least the same ending to their story).

    Actor, Collin Hanks directs this documentary of the rise and fall of an important landmark in music history, from behind the scenes (as we all are most likely familiar with the surface of the story (especially it's end).

    The interviews and narrative take me back to the days when you could not download a single, and had to go into a store to buy an album. Watching footage of rows and rows of albums and CDs fills me with the memories.

    And the documentary truly points out what an interesting place Tower Records was and how interesting the people who worked there are, as they talk to people who were either there from the beginning or started out as a stock clerk at the original store and worked their way up to VP of something. It felt like the cool place you wish you had a job at.

    Especially if Foo Fighters front man Dave Grohl was a fellow Stock Clerk. He and Bruce Springstein and Sir Elton John told about their personal experiences at the store and showed their love for it.

    It seems so recent, but Tower Records is now just a part of music history. This doc did a good job of showing that history from beginning to end.
    8wlb

    The Rise and Fall of a Music Powerhouse

    Just saw this today at Ground Zero, Sacramento's 75 year old Tower Theater that had right next door, Tower Drugs where the founder, Russ Solomon, started what became a world-wide musical empire.

    I was not surprised at the influence Tower had on the recording industry, particularly after they opened up their Sunset Blvd store in Los Angeles. Didn't realize though that many big recording stars such as Bruce Springsteen and Elton John shopped there.

    It's a fascinating look not only at the rise and fall of Tower Records, but the recording industry's changes over the years.

    You'll even see how the Beach Boys changed their sales focus.

    If Tower Records was in your life, and chances are if you are over 30 it was, this is a must-see.

    Kudos to Colin Hanks, who spent seven years on this project.
    7imseeg

    Bye bye records...

    Nostalgic, slowburning (sometimes a bit boring) story about the rise and fall of the biggest record store company in the world called Tower Records, which rose to fame during the seventies. Bruce Springsteen and Elton John declare their unconditional love for Tower Records, because both and many other famous artists where household guests at Tower Records, which opened an hour earlier especially for these popstars to let them be able to go on their weekly shopping spree for new records.

    There was something quite special about that feeling of visiting an actual existing recordstore, which simple can not be experienced by simply downloading A TRACK.Going to the record store, with all these zillion records stacked up high, gave a feeling of coming home. And it was a home, for many music lovers AND musicians for many many years.

    Internet killed the record store though after 2000. But the record store miraculously DID SURVIVE in Japan, of all places!

    A bit too many management talking heads are the only downside of this documentary. For that reason I skipped the middle part. But the first part of the origin and rise to fame of Tower Records and the last part about the downfall are pretty interesting and fun to watch.
    6bonsai-superstar

    Karma At Work

    Unlikeable men fall into a CANNOT LOSE business (baby boomer, rock buying generation) and milk the customer dry for decades. Despite making millions, and eventually billions, this is not enough for these offensive parasites. These supposed "businessmen" (actually simple-minded drunkards and coke heads), fail to see digital coming and greedily refuse to offer their goods at reasonable prices. Now that these people are exposed for the lowlife scum that they are, they can only weep at the loss of their jobs (and at the loss of a fellow drunk, a gentleman who hilariously, literally wears a lampshade on his head. What a cutup! This, and the David Crosby / walrus-mustachioed Cletus are these people's idea of interesting people.

    Despite each working for decades, adding up to centuries worth of experience, in a music-related field, it is notable that music - remember music? - is never a discussion point for these selfish greed heads, only the good times they enjoyed and the incredible profit they were making, both at the customer's expense.

    Tower Records was a good store in spite of these people. Everyone loves music, all you needed to do was sell it to them at a reasonable price. See the Beatles' Apple Records for a similar example of what happens when you put burnt-out hippies in charge of your business. It's a shame alright, shameful actions.

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    • Curiosidades
      To promote the release of the film, the still empty building which once housed the Tower Records on Sunset Blvd. in West Hollywood had its facade repainted to appear as it once had. This led to rumors that the store may reopen, but in fact the building had been sold to Gibson Guitars in 2014 with the intention of opening a guitar showroom, while preserving the historic building itself. Not yet ready to open their showroom, Gibson worked with the documentary makers to repaint the building to display the Tower facade. The repaint was planned to be taken down after the premiere party was held inside the empty building, but remained up for over a year while Gibson continued to plan their new store.
    • Erros de gravação
      In the closing credits the Japanese Translator, Kyoko Nishijima, is listed twice.
    • Citações

      Dave Grohl, Himself: [Describing the cover of Nirvana's "Nevermind" LP] People went to great lengths. Like they'd get that weird foam and cardboard stuff and make a baby and there's a actual dollar bill dangling in front of it and it looks like water behind it. And, you know, when you would see people go to that much trouble for you, for your band, we were just, like, we were just shocked.

    • Conexões
      Referenced in Late Night with Seth Meyers: Carol Burnett/Colin Hanks/Baio/Abe Laboriel Jr. (2015)
    • Trilhas sonoras
      Bless This Morning Year
      Written and Performed by Helios

      Courtesy of Unseen Music LLC.

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    Perguntas frequentes16

    • How long is All Things Must Pass?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 16 de outubro de 2015 (Estados Unidos da América)
    • Países de origem
      • Estados Unidos da América
      • Japão
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official Trailer
    • Idioma
      • Inglês
    • Também conhecido como
      • All Things Must Pass
    • Locações de filme
      • 8801 Sunset Blvd West Hollywood, Califórnia, EUA(Tower Records Sunset Blvd. location)
    • Empresas de produção
      • Company Name
      • Michaelgion
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 172.394
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 19.001
      • 18 de out. de 2015
    • Faturamento bruto mundial
      • US$ 172.394
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 34 min(94 min)
    • Cor
      • Color
    • Proporção
      • 1.78 : 1

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