Suburban Gothic

In 2012, I came across the hidden gem Excision. Directed by Richard Bates Jr., Excision was the type of film that horror fans love to find – a title that they knew nothing about starring a bunch of people that we never heard of that, upon screening, was much much better than the throwaway DVD we expected.

Excision didn't have us pacing the halls awaiting the next Richard Bates Jr. effort, but it did have us stand notice when his new project, Suburban Gothic was announced as part of the Toronto After Dark Film Festival schedule.

With a successful and fairly well received film in his rearview mirror, Bates Jr. was able to gather together a cast of more familiar faces for his sophomore effort. Enter Matthew Gray Gubler (Criminal Minds), Kate Dennings (Thor), Ray Wise, John Waters and Jeffrey Combs – the later three very entrenched in horror history.

Suburban Gothic follows the life of Raymond (Gubler). A bit of a loser and an awkward one at that – a "freak" as his counsellor calls him - Raymond lives at home with his parents (Barbara Niven and Ray Wise) as his college degree does little to assist in securing employment.

One thing that Raymond is good at is summoning spirits and interacting with the paranormal. This talent catches the eye of paranormal obsessed goth Becca (Kat Dennings), a bartender that believes Raymond's sightings are a gift and the two will team up to fight an evil that has encroached the town.

Suburban Gothic is a whole bunch of things. It's a comedy, a horror, a supernatural thriller and a wannabe cult classic. The cast is well suited with no actor going outside a true comfort zone. Gubler has played the geek many times before as has Dennings playing the sarcastic muse as has Ray Wise playing an overbearing father with great lines and John Waters playing a gay freak. Been there, done that.

Suburban Gothic wants to be a The Frighteners, a Ghostbusters, an Odd Thomas and a Supernatural all rolled into one. But the effort doesn't reach the potential. It's like a car that runs but doesn't click into the right gear when accelerating. Everyone tries their best and there are some great lines in the film (John Waters' scene with Dennings and Gubler is absolutely fabulous) but everything doesn't click together like Lego blocks and instead of a David Lynchian Gothic Mullholland Drive the result is more of a Brundlefly.

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I went to see Excision, Richard Bates Jr.'s debut, knowing almost nothing about it. All I had read was a 5-star Empire review. I'm so glad I trusted said review: Excision is a funny, original, sometimes horrifying, and also disturbing film. I'll never forget its ending (a true rarity: a profoundly sad ending in a horror movie). And it made me very excited about future films from writer and director Bates.

Well, to put it mildly, Suburban Gothic is a disappointment. The goal here is obviously to pay homage to John Waters' trash/filthy/defying humor (no wonder Waters himself shows up in one of the best scenes of the film), but the result seems more like not-really-inspired Waters (Cry-Baby, Pecker) than excellent Waters (Polyester, Pink Flamingos). Close-up shots of feces, vomit, and sperm add nothing to the story - and unfortunately most of the humor of the film doesn't go much higher than this.

But it'd be unfair to classify Suburban Gothic as just scatological humor. There are some truly funny scenes, Matthew Gray Gubler is charming as the protagonist, and he makes a good team with Kat Dennings. (The cast is the best thing about the film, including Leland Palmer himself, Ray Wise, and Barbara Niven as the parents) But the story is so generic I couldn't believe it came from the same man who wrote Excision. There's not a single scary moment - which wouldn't be a problem if the film was a riot, like Shaun of the Dead. Unfortunately (for me), I wasn't laughing nearly as much as the girl behind me, who was almost dying of laughter every time Gubler gave a high-pitched scream - and he does it a lot.

I guess I'll have to wait for the next film from Bates. Or watch Excision again.

I adjusted my rating multiple times. I might change it again before I finish typing this.

Ranking aside, I really enjoyed this movie, and will happily watch it again.

Every character in this movie is an absolute tool. I loved these tools. I tend to be tool-phobic, but I'll meet up with these tools again, and I'll enjoy it.

The best way I can find to describe this movie is: Millennial screws up his life with the aid of his horrible excuse-for-a-human father, and his Permanent Denial, Where's Mommy's Little Helper mother, and has to move back in with said parental units. Then it turns into Daria: Millennial Version, who happens to be haunted by some Other-Side Creeps.

It was more like watching a hilarious Snapchat or Vines compilation from internet friends than a produced, scripted, and rehearsed movie. Part of that was the actors really filling out their roles, and part of it was the hilarious realness of the dialogue and reactions (adjusting for the oomph of polished comedy and drama).

While I can't shout from the rooftops for all comedy horror fans to watch this, I -can- add it to my Official Halloween Month Movies List, and will likely coerce my bestie to watch it with me during one of our movie nights.

Matthew Gray Gubler from the television crime series Criminal Minds gets to let loose in this comedy-horror movie. At the same time, Ray Wise from the classic Twin Peaks television series (1990) also gets to expand on his former character again as the father figure, this time as Gubler's character's dad. What sets this rather conventional movie apart from other comedy-horrors is the script which delightfully expands and enhances those stylistic characters of Gubler and Wise and transforms them into a comedic parody upon which both actors take to their roles with a feverish outpouring of electric sophisticated humor. At the same time, the script at a few points seems to cross the line of parody and seemingly endless excessive mimicry making the movie almost overly burdened with pretentious acting (possibly the fault of the movie's director). The movie also sharply turns pretty dark later in the movie straining the carefully crafted balance of the tone of the movie. Nevertheless, Suburban Gothic offers an entertaining spark to the comedy-horror genre, making it rise above the many mass of ordinary movie titles.

I first saw Excision, and was kind of intrigued by it, so I checked out Bates Jr newest movie, which is this one, Suburban Gothic.

Now, this is a pretty strange movie. It seems like it can't quite decide what it is. It has quite a lot of weird comedy, or at least I think it is supposed to be funny, it didn't really hit home for me. The comedic timing seems way off a lot of the time, with a lot of wasted potential. Maybe I just didn't get it.

But this is not just a comedy, it is a horror comedy. Horror comedies are my favorite genre, nothing beats horror comedy if done right. Anyway, some of the scary scenes in this movie are actually quite creepy. But I think they drown in the weirdness of the rest of the movie.

We get a tiny bit of Jeffrey Combs, that's always nice, also a small cameo from John Waters. The father is kind of cool, and the main guy is weird, but OK.

To sum up: kooky movie, weird humor which I didn't really find very funny (let it be said: I'm a tough crowd, laughter wise), some creepy scenes, very simple story. OK.