Da amarga busca da Rainha de Longtrellis, a duas irmãs misteriosas que provocam a paixão de um rei, ao Rei de Highhills obcecado por uma pulga gigante, esses contos são inspirados nos contos... Ler tudoDa amarga busca da Rainha de Longtrellis, a duas irmãs misteriosas que provocam a paixão de um rei, ao Rei de Highhills obcecado por uma pulga gigante, esses contos são inspirados nos contos de fadas de Giambattista Basile.Da amarga busca da Rainha de Longtrellis, a duas irmãs misteriosas que provocam a paixão de um rei, ao Rei de Highhills obcecado por uma pulga gigante, esses contos são inspirados nos contos de fadas de Giambattista Basile.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 21 vitórias e 15 indicações no total
Avaliações em destaque
a film who has the rare gift to create a lot of adversaries. because it is...different. in good sense. and in bad sense. and this is normal. inspired by a classic Rennaisence book, it preserves the virtues of music, landscapes and costumes. and it propose an impressive cast. in same measure, it is not expected fairy tale. because the message is more direct than you expect it. and more...dark. and, maybe, the only significant sin is the absence of links between stories. the good point - its status of support for memories. because each of them seems be a parable about a fundamental error. and about its price. about punishment. and about the natural answer. in same measure, it is a film about a far perspective about small things defining each of us. and this detail does it a real good film.
This is not your average princess and prince tales, it is a series of the grim version of myths without warm Disney filter. The multiple stories are woven together in one underlying tragic theme, occasionally wicked Tale of Tales is definitely not for children. The most vexing thing about it is not the scandalous tale, but the slow pacing as it tries to deliver three nearly horror stories.
The focus continuously shifts between monarchs from three separate kingdoms. Each of them is affected by equally peculiar plaguing events. One queen's over protective nature rules over her senses, a king's lust leads to mishap in bed and a princess' wedding becomes malady as she faces an ogre as the groom.
Its screenplay is mixed feeling of innocence remnant and utter perversion. There's a good quality of cast to ensure overall bizarre atmosphere, and make no mistake, these stories can be downright disturbing for some. The director even adds a couple gore scenes or rather appalling instances which are shockingly unexpected, even more so considering the colorful setting.
Visual is very good, the medieval vibe simply oozes from the scenery. It resembles a lively stage for dramatic play yet feels convincingly dreadful enough. Production, from make-up and costume, looks captivating and sometimes intimidating. As many TV series or movies adapt modernization of fairy tales, this one is more memorable with the eccentric outlook and more modest on CGI usage.
However, it can be a bit slow. The three stories span across more than two hours, so it takes its time. Fortunately, it sets the characters really well, but on the flip side, some of scenes feel plodding. Tales of Tales might resemble the iconic Pan's Labyrinth at some turns, although it's still not on such legendary stature.
This movie is certainly not for everyone. The mixture of odd fables and near horror elements leave strange lasting trail, it might not be all merry party yet it's enigmatically and irresistibly bewitching.
The focus continuously shifts between monarchs from three separate kingdoms. Each of them is affected by equally peculiar plaguing events. One queen's over protective nature rules over her senses, a king's lust leads to mishap in bed and a princess' wedding becomes malady as she faces an ogre as the groom.
Its screenplay is mixed feeling of innocence remnant and utter perversion. There's a good quality of cast to ensure overall bizarre atmosphere, and make no mistake, these stories can be downright disturbing for some. The director even adds a couple gore scenes or rather appalling instances which are shockingly unexpected, even more so considering the colorful setting.
Visual is very good, the medieval vibe simply oozes from the scenery. It resembles a lively stage for dramatic play yet feels convincingly dreadful enough. Production, from make-up and costume, looks captivating and sometimes intimidating. As many TV series or movies adapt modernization of fairy tales, this one is more memorable with the eccentric outlook and more modest on CGI usage.
However, it can be a bit slow. The three stories span across more than two hours, so it takes its time. Fortunately, it sets the characters really well, but on the flip side, some of scenes feel plodding. Tales of Tales might resemble the iconic Pan's Labyrinth at some turns, although it's still not on such legendary stature.
This movie is certainly not for everyone. The mixture of odd fables and near horror elements leave strange lasting trail, it might not be all merry party yet it's enigmatically and irresistibly bewitching.
I had the chance to see this movie. As with most, I didn't have a chance to see any trailers so I had no idea what to expect.
In a word, I would call the movie unique and not just another fairy tale movie like all the others. These have a darker twist to them and a fate and/or consequences for those involved. The movie has definite pluses and minuses.
Definite pluses: the music, the costumes, the beautiful exotic settings, the special effects, and the acting and choice of cast. All were very good.
I'm neutral on the separate plots. Some people say the plots are related and some say they aren't. I guess that's up to the viewer and how he/she interprets them. I'm not a particular fan of the macabre.
Definite minus: the movie as a whole piece of work is kind of a mess. The three stories jump around and there is no smooth time line of events. They are all kind of just thrown together. A visual mess.
Another minus: the ending. It just ends leaving you hanging and wondering what happened to certain people.
This movie is so unique that is can have such exceptional cinematography but yet have such jumbled up plot lines.
I guess the only main theme across all the stories is about obsession and how it can affect you and those around you if it is not kept under control.
In a word, I would call the movie unique and not just another fairy tale movie like all the others. These have a darker twist to them and a fate and/or consequences for those involved. The movie has definite pluses and minuses.
Definite pluses: the music, the costumes, the beautiful exotic settings, the special effects, and the acting and choice of cast. All were very good.
I'm neutral on the separate plots. Some people say the plots are related and some say they aren't. I guess that's up to the viewer and how he/she interprets them. I'm not a particular fan of the macabre.
Definite minus: the movie as a whole piece of work is kind of a mess. The three stories jump around and there is no smooth time line of events. They are all kind of just thrown together. A visual mess.
Another minus: the ending. It just ends leaving you hanging and wondering what happened to certain people.
This movie is so unique that is can have such exceptional cinematography but yet have such jumbled up plot lines.
I guess the only main theme across all the stories is about obsession and how it can affect you and those around you if it is not kept under control.
Warning; I am going to gush heavily about this movie because, yes, it is one of the most impressive films I have seen in my entire life.
I saw this movie being advertised on a West Village theater marquee and I thought, why not, having no idea what the film was about. The poster was provocative, and piqued my interest as someone that enjoys horror, blood and gore. Yes, there are some horrific elements, some segments that might be considered "gory" (but even those that are sensitive shouldn't have much trouble getting through it), and it is certainly bloody in some spots. None of it is excessive, and all of it is integral to the story. Essentially, everything about it was so expertly crafted as to be a modern masterpiece.
The cinematography, the costuming, the acting, the writing, the music, the manner in which the tales interweave to create a wholly unique form of anthology film. I mean, not since The Fall (or more recently, Crimson Peak) have I fallen so head over heals in love with the way a film is presented. I marveled, literally mouth agape, at how utterly beautiful everything in this movie transpired. The costumes looked like they were borrowed from a museum, and the special effects blended seamlessly into the live action (to the point where you wonder if CG was even necessary if they were able to accomplish what they did using practical effects). There are animatronics, there are full-body old age make-up, there are full-blown set pieces created for this movie; I mean, it's a film buff's dream! You will be hard pressed to find a more visually stunning film made this decade. The budget for this movie could easily been in the millions, and it shows in every facet of its production.
Honestly, I could not recommend this movie more. It is quite literally the equivalent of the Sistine Chapel in film form. Don't read anything about it, don't see the trailer and just watch the film. Nothing will prepare you for the sheer spectacle that this 2 hour film will provide. It is, quite literally, a moving Renaissance painting crafted by the most talented of artists. It is nothing short of a work of the highest caliber and deserves as much exposure as it can possible obtain.
I saw this movie being advertised on a West Village theater marquee and I thought, why not, having no idea what the film was about. The poster was provocative, and piqued my interest as someone that enjoys horror, blood and gore. Yes, there are some horrific elements, some segments that might be considered "gory" (but even those that are sensitive shouldn't have much trouble getting through it), and it is certainly bloody in some spots. None of it is excessive, and all of it is integral to the story. Essentially, everything about it was so expertly crafted as to be a modern masterpiece.
The cinematography, the costuming, the acting, the writing, the music, the manner in which the tales interweave to create a wholly unique form of anthology film. I mean, not since The Fall (or more recently, Crimson Peak) have I fallen so head over heals in love with the way a film is presented. I marveled, literally mouth agape, at how utterly beautiful everything in this movie transpired. The costumes looked like they were borrowed from a museum, and the special effects blended seamlessly into the live action (to the point where you wonder if CG was even necessary if they were able to accomplish what they did using practical effects). There are animatronics, there are full-body old age make-up, there are full-blown set pieces created for this movie; I mean, it's a film buff's dream! You will be hard pressed to find a more visually stunning film made this decade. The budget for this movie could easily been in the millions, and it shows in every facet of its production.
Honestly, I could not recommend this movie more. It is quite literally the equivalent of the Sistine Chapel in film form. Don't read anything about it, don't see the trailer and just watch the film. Nothing will prepare you for the sheer spectacle that this 2 hour film will provide. It is, quite literally, a moving Renaissance painting crafted by the most talented of artists. It is nothing short of a work of the highest caliber and deserves as much exposure as it can possible obtain.
This movie is a pure piece of beauty. The direction is amazing, the photography is beyond perfection and the music is inspiring. The locations are unusual and yet are all in Italy. Of course, since the movie is an intersection three fairy tales (not for children, as they're pretty harsh), don't expect the most intriguing plot ever, but its execution has been magistral. I did not give 10 because of the screenplay, which is sometimes a little predictable, and because of the acting, which is extremely heterogeneous across actors: great Salma Hayek, Toby Jones, John Reilly and the Lees brothers, but the others a little less. All in all, I definitely recommend to see this movie.
Você sabia?
- CuriosidadesThe movie was based on the Pentamerone ("The Tale of Tales, or Entertainment for Little Ones"), a collection of fairy tales by 17th century Italian poet and courtier Giambattista Basile.
- Erros de gravaçãoIn the credits the name of the Italian composer Girolamo Frescobaldi (1584-1643) is misspelled 'Frescobladi'.
- Cenas durante ou pós-créditosDedication before end credits: "To Nico and Marco"
- ConexõesFeatured in Medieval Weapons Master Rates 11 Weapons and Armor n Movies and TV (2020)
- Trilhas sonorasSe l'aura spira tutta vezzosa, F 7.15
Composed by Girolamo Frescobaldi
Principais escolhas
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- How long is Tale of Tales?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Il racconto dei racconti - Tale of Tales
- Locações de filme
- Castel del Monte, Andria, Bari, Apulia, Itália(Highhills castle)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 118.925
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.871
- 24 de abr. de 2016
- Faturamento bruto mundial
- US$ 5.500.277
- Tempo de duração2 horas 14 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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