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IMDbPro

Creative Control

  • 2015
  • R
  • 1 h 37 min
AVALIAÇÃO DA IMDb
5,4/10
2,3 mil
SUA AVALIAÇÃO
Benjamin Dickinson in Creative Control (2015)
Trailer for Creative Control
Reproduzir trailer2:32
5 vídeos
19 fotos
DramaFicção científica

Adicionar um enredo no seu idiomaIn near future Brooklyn, an ad executive uses a new Augmented Reality technology to conduct an affair with his best friend's girlfriend...sort of.In near future Brooklyn, an ad executive uses a new Augmented Reality technology to conduct an affair with his best friend's girlfriend...sort of.In near future Brooklyn, an ad executive uses a new Augmented Reality technology to conduct an affair with his best friend's girlfriend...sort of.

  • Direção
    • Benjamin Dickinson
  • Roteiristas
    • Benjamin Dickinson
    • Micah Bloomberg
  • Artistas
    • Benjamin Dickinson
    • Nora Zehetner
    • Dan Gill
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,4/10
    2,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Benjamin Dickinson
    • Roteiristas
      • Benjamin Dickinson
      • Micah Bloomberg
    • Artistas
      • Benjamin Dickinson
      • Nora Zehetner
      • Dan Gill
    • 16Avaliações de usuários
    • 55Avaliações da crítica
    • 58Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 6 indicações no total

    Vídeos5

    Creative Control
    Trailer 2:32
    Creative Control
    Official Trailer
    Trailer 2:30
    Official Trailer
    Official Trailer
    Trailer 2:30
    Official Trailer
    'Creative Control' Clip
    Clip 1:40
    'Creative Control' Clip
    Creative Control - Reggie Watts Music Video
    Featurette 2:45
    Creative Control - Reggie Watts Music Video
    Creative Control - Augmenta - Product Video
    Featurette 1:25
    Creative Control - Augmenta - Product Video

    Fotos19

    Ver pôster
    Ver pôster
    Ver pôster
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    + 15
    Ver pôster

    Elenco principal55

    Editar
    Benjamin Dickinson
    Benjamin Dickinson
    • David
    Nora Zehetner
    Nora Zehetner
    • Juliette
    Dan Gill
    Dan Gill
    • Wim
    Alexia Rasmussen
    Alexia Rasmussen
    • Sophie
    Reggie Watts
    Reggie Watts
    • Reggie Watts
    Gavin McInnes
    Gavin McInnes
    • Scott
    Paul Manza
    Paul Manza
    • Govindas…
    Jay Eisenberg
    • Hollis
    Himanshu Suri
    • Reny
    Meredith Hagner
    Meredith Hagner
    • Becky
    Jacob Lodwick
    • Gabe
    • (as Jake Lodwick)
    Geneva Carr
    Geneva Carr
    • Client
    Robert T. Bogue
    Robert T. Bogue
    • The Actor
    • (as Robert Bogue)
    Jessica Blank
    Jessica Blank
    • Lucy
    Austin Ku
    Austin Ku
    • Teddy
    H. Jon Benjamin
    H. Jon Benjamin
    • Gary Gass
    Sonja O'Hara
    Sonja O'Hara
    • Lauren
    Jamie Dolan
    Jamie Dolan
    • Homunculus Creative
    • Direção
      • Benjamin Dickinson
    • Roteiristas
      • Benjamin Dickinson
      • Micah Bloomberg
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários16

    5,42.3K
    1
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    10

    Avaliações em destaque

    5pepetiebosch

    Artsy?

    I'm guessing this is what one would call an artsy film, the whole movie is shot in black and white, which is actually quite well done, but the movie itself kind of goes overboard in the whole art project thing.

    The story is actually quite simple, and not as hard to understand as the few trippy drug scenes imply, but it also isn't anything special, and really wasn't worth the 1,5 hour movie, as it could've fit into a 30min short.

    A lot of scenes give the feeling someone went overboard with the filters, adding unnecessary sfx and 'noir' style effects to scenes that really didn't need them.

    There is also quite a bit of dialogue that goes a little bit too far in its 'high/trippy' mindset. An actual quote; "I was looking into his eyes, and that's when i saw you, i saw you, and i realized that loving him was loving you was loving me, because we're all one"

    This is where i stopped watching and started writing this review while leaving it on for the final 10 minutes. The end was actually quite good, but felt rushed, almost as if the budget ran out and they weren't able to film any substantial scenes for it. (probably because they used it all on unnecessary sfx earlier on.)

    In the end i was left feeling like this would have been great for an art exhibition, and with that in mind it was kind of impressive i almost made it to the end, the camera-work and music quite good also, which is why i give it a 5/10, instead of anything lower.
    8charles000

    The character studies are priceless . . . and remarkably on target

    The character studies are priceless . . . and remarkably on target

    How to actually describe this?

    A stylized rendition of uber fluff post millennial somethings immersed into the quasi emergent culture norm of this near future world, something like "Silicon Valley", extruded through a NY augmented reality enhanced art / ad agency scene mandrel.

    But, that only barely covers the real description of what this is.

    The character studies are priceless . . . and remarkably on target (at least in my perturbed opinion), maybe too close to home for some?

    Visually, this is an art piece to be appreciated, but perhaps that is too distracting for some of the previous reviewers.

    It's something of a twisted love story, but I had no difficulty at all following the various sub plot threads woven into this story.

    No, not quite a 10, but certainly a well deserved 8.

    Yes, this is a bit different, perhaps a bit of a risky tangent to have extrapolated upon, but for what it is, remarkably well done.

    I don't mind when a production takes a bit of a risk, strays just a bit outside the box to deliver a potential future experience.

    Some have suggested this will be soon forgotten as a trivial experiment in filmcraft.

    I'm leaning in the other direction, more toward this maybe becoming a sort of future cult classic in its own context.

    My humble suggestion . . . watch and absorb this, it will be worth the time spent.
    6LeonLouisRicci

    Hip Garb and Hairstyles Can't Mask Familiar Story

    Artsy Musings are what inhabits this "Selfie" Film, Filmed in Black and White (of course). Sterility is Everywhere as is that Oldie but Goodie, Sex. These "Techies" and Nerds, no matter how Outrageous Their Hairstyles or Wardrobe, are still just like Everyone Else.

    Multitasking can't Mask the Fact that Mostly on the Mind is a "Bit of the ole' in and out." It all comes down to that when all's Said and Done. The Movie is Obsessed with the Thing. Just like the Past Generations of Young People these People try so hard to Distance Themselves.

    It's all Slick Surface, Shiny and Reflective. Even the City Streets seem to have been Vacuumed of the Vile Stench and Debris. Everyone in the Picture is Perfectly Coiffed, Manicured, and ready for Their Inumerous Close-Ups.

    Even though the Story is about High-Tech and things that "Everyday People" find Frighteningly Frustrating, it somehow seems Mundane. The Commercial Shoot, the Yoga Classes, and Board Room Meetings contain Dialog that might well be in a Foreign Language, it's Numbed Down for the Masses.

    You might Try Hard, in vain, to Understand anything Reggie Watts or the Yoga Instructor is saying in Their Extended Dialog Scenes. It all makes about as much Sense as an Acid Trip.

    Speaking of Drugs, there are Plenty Consumed. In almost Every Scene something is being Smoked, Snorted, Popped, and Drank. Party On.

    The Virtual Reality of the "Augmenta" Glasses is, of course, just like a Drug as Our Protagonist (Writer-Director-Actor, Multitasker, Benjamin Dickinson) gets so "Turned On" by wearing the "X-Ray Specs" that at times He can't separate the Experience from Reality (big surprise).

    Overall, this Indie is Worth a Watch for the Artsy Way it Displays its rather Pedestrian Postmodern Philosophy, but in the End, there really isn't Anything Post-Modern about it. It just Appears so, Dressed-Up in Hip Garb and Hairstyles.
    TxMike

    Augmented reality confuses several man-woman couples. Amazon Original.

    I was pretty much bored so I went onto our Amazon Prime account to see what was available. This movie attracted my attention for its plot, set in the near future, a group in New York are working on a novel augmented reality project.

    I must admit the first half of it pretty well captured my attention but as the story developed it turns into familiar plot lines, a man in a relationship is half satisfied, and half satisfied with work, so he drinks too much and experiments with drugs too much. So we have to put up with several relationships in disarray.

    Somewhat entertaining but I could not recommend it.
    3larrys3

    Couldn't Care About the Characters Here

    There's plenty of sex, drugs, nudity, explicit language, and Augmented Reality fantasies here, but if you're looking for any characters you can care about you may very well come up empty handed. Shot in black-and- white, to be fair there is some humor and satire that emerges every so often, but it never stays on a steady enough path to sustain itself.

    Benjamin Dickinson stars here as David, as he also directed the movie and co-wrote the screenplay with Micah Bloomberg, an advertising exec who wins the Augmenta account for his agency. They specialize in Augmented Reality glasses and David volunteers to try out the product so he can prepare his marketing campaign. However, he begins to find the trips into Augmented Reality much preferable to his fast crumbling personal life.

    All in all, there's a few things to like here but they're outweighed by pretentious and unlikable characters, so that by the end of the movie I really didn't care what happened to any of them.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      There's a Phalinex-truck driving in the background of the scene where David meets Sophie outside of his work.
    • Citações

      Juliette: ls that what you want me to do? Do you want me to fuck my students in the sauna?

      Gary Gass: If it would help you get here on time, I would say, yes.

    • Conexões
      References O Iluminado (1980)
    • Trilhas sonoras
      Bassoon, Concerto in D Minor, RV481
      Written by Antonio Vivaldi (as Antonio Lucio Vivaldi)

      Performed By Nicolaus Esterházy Sinfonia and Tamas Benkocs

      Courtesy of Naxos of America, Inc.

    Principais escolhas

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    Perguntas frequentes20

    • How long is Creative Control?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 11 de março de 2016 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official Twitter
    • Idioma
      • Inglês
    • Também conhecido como
      • Возможности управления
    • Locações de filme
      • Brooklyn, Nova Iorque, Nova Iorque, EUA
    • Empresas de produção
      • Ghost Robot
      • Greencard Pictures
      • Mathematic
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 63.014
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 6.964
      • 13 de mar. de 2016
    • Faturamento bruto mundial
      • US$ 63.014
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 37 min(97 min)
    • Cor
      • Color
      • Black and White
    • Proporção
      • 2.39 : 1

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