Um pai não pode pagar pelo tratamento médico de sua filha. Como último recurso, ele faz parceria com um colega de trabalho para roubar um cassino. Quando as coisas dão errado, eles são força... Ler tudoUm pai não pode pagar pelo tratamento médico de sua filha. Como último recurso, ele faz parceria com um colega de trabalho para roubar um cassino. Quando as coisas dão errado, eles são forçados a sequestrar um ônibus urbano.Um pai não pode pagar pelo tratamento médico de sua filha. Como último recurso, ele faz parceria com um colega de trabalho para roubar um cassino. Quando as coisas dão errado, eles são forçados a sequestrar um ônibus urbano.
- Direção
- Roteiristas
- Artistas
Tyler Jon Olson
- Steve
- (as Tyler J. Olson)
Avaliações em destaque
This is a rather typical action thriller starring a skinny Jeffrey Dean Morgan and Robert De Niro. Kate Bosworth is the 3rd pre-title name but she has a really small part in this.
Mixed martial artist Gina Carano is also present but underused here having only a few seconds of martial art. TV's Mark-Paul Gosselaar has also a surprise role and he is giving s good performance. That can't be said about De Niro who - despite the fact that his character has many layers - gives a sub-par and boring performance.
Anyway, as I said the plot is rather typical about a ...Heist, (obviously). There are some shooting and car chases and roadblocks, a couple of twists, a little bit of melodrama...
It's not bad. It gets better as it progresses and with a Hollywood type conclusion that most people will find satisfying, although somehow unbelievable.
Mixed martial artist Gina Carano is also present but underused here having only a few seconds of martial art. TV's Mark-Paul Gosselaar has also a surprise role and he is giving s good performance. That can't be said about De Niro who - despite the fact that his character has many layers - gives a sub-par and boring performance.
Anyway, as I said the plot is rather typical about a ...Heist, (obviously). There are some shooting and car chases and roadblocks, a couple of twists, a little bit of melodrama...
It's not bad. It gets better as it progresses and with a Hollywood type conclusion that most people will find satisfying, although somehow unbelievable.
Great performances performances by DeNiro, Morgan and Bautista.
I feel some parts needed a little more 'oomph' as it felt dragged out a bit - a directing issue perhaps, by novice director Scott Mann, but forgivable seeing this was his 2nd full length feature film.
The screenplay could've used some tweaking, but the story itself was great - both by novice writer Stephen C. Sepher.
I just wish I heard less of the overbearing constant score that needed to be toned down, but otherwise, an enjoyable crime drama - a gangster film with heart, and a well deserved 8/10 from me
I feel some parts needed a little more 'oomph' as it felt dragged out a bit - a directing issue perhaps, by novice director Scott Mann, but forgivable seeing this was his 2nd full length feature film.
The screenplay could've used some tweaking, but the story itself was great - both by novice writer Stephen C. Sepher.
I just wish I heard less of the overbearing constant score that needed to be toned down, but otherwise, an enjoyable crime drama - a gangster film with heart, and a well deserved 8/10 from me
Just terrible. Avoid. Was a disgrace to previously well done thrillers that involved buses.
"It's not like someone's gonna go crying to the police about someone stealing their dirty cash." Vaughn (Morgan) is struggling financially and things get worse when his sick daughter is endanger of being taken off the transplant list if he doesn't have the money soon. He asks his former boss, a man known as The Pope (De Niro) for a loan and is denied. Left with no options he decides to take the money forcefully, but he didn't expect the getaway to get this out of hand. I had pretty low expectations for this movie, not for any reason but usually these B movies with famous actors tend to only have the big name in it for 5 minutes and the rest is boring and unexciting. This is a rare exception. De Niro has a fair amount of screen time and Morgan is in almost ever scene. The movie is both action packed and emotional. The best way to describe this is as a more intense John Q. A movie where you can't help but root for the father even though what he is doing is illegal. This is a very exciting movie to watch and I was surprised at the quality of it. It's easy to see why this wasn't a big release but as far as a straight to video movie this is one of the best ones I have seen. I recommend this. I give it a B+.
"Heist" a/k/a "Bus 657" offers strong performances and decent production values. The script has several strengths. The characters are interesting and multifaceted and the dialogue is good. The characters are given backstories and complex histories with one another, but those histories aren't developed sufficiently for the audience to understand some of the choices the characters make.
Some aspects seem contrived, such as the girl's critical illness and urgent need for surgery that somehow leaves her appearing healthy and rosy-cheeked, the hospital's ultimatum or the lack of other options like crowd-sourcing fundraisers. One plot device seemed much more appropriate in a 1990 Bill Murray comedy than a gritty action film. A feared gangster takes extraordinary steps to prevent anybody from ever imagine they can steal from him, but is robbed twice in a week. The casino seems to have less security for its cash than most casinos have on their alcohol.
One wishes filmmakers would take the time to do some rudimentary research. There are numerous images on Google of one million dollars in hundred-dollar bills. If half the money were in twenties, it would take up three times as much space. Used bills occupy possibly twenty percent more space than new bills. If a character runs around with a bag that's too small to hold the amount of money it's supposed to hold, people are likely to wonder where the rest of the money is.
The script has more holes than Emmentaler. At times the characters seem to act without any comprehensible motive. At other times, they have very real and believable motives. The script has a couple of nice twists, although they really need a better foundation than a brief allusion or quick background shot to make them seem believable. It would have been nice to get to know some of the passengers, particularly as they make choices that impact the outcome.
With a little more effort and development, it could have been a really good script. Strong performances by Morgan and De Niro and interesting turns by Bautista and Chestnut make the film a worthwhile viewing experience.
Some aspects seem contrived, such as the girl's critical illness and urgent need for surgery that somehow leaves her appearing healthy and rosy-cheeked, the hospital's ultimatum or the lack of other options like crowd-sourcing fundraisers. One plot device seemed much more appropriate in a 1990 Bill Murray comedy than a gritty action film. A feared gangster takes extraordinary steps to prevent anybody from ever imagine they can steal from him, but is robbed twice in a week. The casino seems to have less security for its cash than most casinos have on their alcohol.
One wishes filmmakers would take the time to do some rudimentary research. There are numerous images on Google of one million dollars in hundred-dollar bills. If half the money were in twenties, it would take up three times as much space. Used bills occupy possibly twenty percent more space than new bills. If a character runs around with a bag that's too small to hold the amount of money it's supposed to hold, people are likely to wonder where the rest of the money is.
The script has more holes than Emmentaler. At times the characters seem to act without any comprehensible motive. At other times, they have very real and believable motives. The script has a couple of nice twists, although they really need a better foundation than a brief allusion or quick background shot to make them seem believable. It would have been nice to get to know some of the passengers, particularly as they make choices that impact the outcome.
With a little more effort and development, it could have been a really good script. Strong performances by Morgan and De Niro and interesting turns by Bautista and Chestnut make the film a worthwhile viewing experience.
Você sabia?
- CuriosidadesFilmed in and around Mobile, Alabama.
- Erros de gravaçãoToward the end of the movie, "Dog" calls the cell phone carrier to find out if there had been any calls made to Texas. The person on the other end of the line says yes and proceeds to give him the number which has the area code 405. 405 is an Oklahoma City/central Oklahoma area code. Since the line he calls is a land line, whose area code should be 409 for Galveston, and is not a cell phone, this is not possible.
- ConexõesFeatured in Celebrated: Robert De Niro (2015)
- Trilhas sonorasIT'S WITH ME
Performed Bob Hoose
Written by Bob Hoose
Courtesy of CAPP Records Inc. / NOMA Music
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Heist?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Bus 657: el escape del siglo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 8.900.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 50.136
- Fim de semana de estreia nos EUA e Canadá
- US$ 28.688
- 15 de nov. de 2015
- Faturamento bruto mundial
- US$ 3.777.046
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente