O Menino da Internet: A História de Aaron Swartz

The story of Aaron Swartz, who killed himself at the age of 26, is sad but inevitable consequence of the world we inhabit.

From his earliest days, he was a prodigy, not only developing the skills of reading and processing information at an early age, but acquiring a unique ability to write programs and offer innovative solutions to many problems presented in the early years of the Internet. With the help of testimonies from Swartz's family, plus colleagues and friends including the inventor of the web, Tim Berners-Lee, Brian Knappenberger's film traces the meteoric career of a genius who appeared to be able to offer solutions that no one else could. More significantly, Swartz had the ability to communicate with his interlocutors, not just in small-group situations but in public arenas as well. This is what rendered him such a powerful figure; although physically diminutive, he had a gift for speech-making that proved hypnotic in its effect.

Matters came to a head, however, when Swartz hacked the JSTOR sits, an address used mostly for publishing scholarly journals across all disciplines, downloaded the information and made it available to all web users. This completely contravened JSTOR's principle, which was to make that information only available to subscribers, mostly in academic institutions. The principle might have been a noble one (why shouldn't all users have equal access to information, especially if it aids their research?), but the American government's response was predictably harsh, as they charged Swartz with a variety of crimes under an Act issued as long ago as the mid- Eighties.

Knappenberger's film suggests with some justification that this reaction was ludicrously out of proportion to the nature of Swartz's so-called 'crimes.' He had neither challenged the Constitution nor caused harm to others; on the contrary he had simply worked in the interests of democratization. He was the victim of the same kind of paranoia that underpinned the anti-communist campaigns six decades ago, when legions of innocent people were rounded up and made to 'confess' their alleged involvement with a plot to subvert the American way of life, even if they had not done anything. The same applied to Swartz, who was offered the promise of lenient legal treatment in exchange for a 'confession.'

The familiarity of Swartz's plight suggests that a climate of intolerance still exists in a country that consistently advertises its democratic credentials, especially when compared with other territories in the world. THE INTERNET'S OWN BOY suggests otherwise; if the government was truly democratic, it would either have understood Swartz's motives, or meted out the same harsh treatment to other criminals - such as those who precipitated the Wall Street crisis of 2008. But who said anything was truly equal in American society?

THE INTERNET'S OWN BOT is a polemical piece that leaves viewers feeling both angry and frustrated - angry that a talented soul like Swartz should have had his life cut brutally short, and frustrated that the government should have pursued such heavy-handed treatment. If the film can inspire more activism to try and change official policies, it will have achieved much.

In a world where idealism is a scarce commodity, Aaron Swartz stood out. A computer programmer and political and social activist, Aaron had a quaint goal — to make the world a better place, to help us live our lives so that they make a difference. Ultimately, however, though he tried to save the world, he could not save himself. On January 11, 2013, Swartz, age 26, hanged himself in his New York apartment, after having been vigorously pursued by the U.S. Department of Justice for two years for hacking MIT's computer network and downloading 4.8 million documents from the JSTOR database, a private corporation that charged exorbitant fees for non-subscribers to view online research.

Swartz's story is told in a deeply moving and very disturbing documentary The Internet's Own Boy: The Story of Aaron Swartz, directed by Brian Knappenberger. The film traces Swartz' life from the time he was a three-year-old prodigy able to read a meeting notice posted on the refrigerator to his later years when he created the prototype for Wikipedia, helped start up RSS and Reddit and wrote specifications for Creative Commons, an organization devoted to enabling the free distribution of an otherwise copyrighted work. Wherever he was, however, he challenged the system and the corporate organizational structure whether it was in high school, Stanford University, or Silicon Valley.

Though the film does not break new ground stylistically, the interviews with Aaron's family, girlfriends, and friends such as Net activists Tim Berners-Lee who created the World Wide Web and author Cory Doctorow are illuminating and often inspiring. Some of the best scenes are Swartz's political campaign to defeat SOPA, the Stop Online Piracy Act introduced in Congress and expected to pass. He galvanized the opposition with creative use of the Internet to ultimately defeat a bill he thought would restrict Internet freedom. He also worked for now Senator Elizabeth Warren, one of the few progressive voices in our politics.

Swartz defended his action in hacking MIT's computers in a manifesto that read in part, "Information is power. But like all power, there are those who want to keep it for themselves. The world's entire scientific and cultural heritage, published over centuries in books and journals, is increasingly being digitized and locked up by a handful of private corporations. Want to read the papers featuring the most famous results of the sciences? You'll need to send enormous amounts to publishers like Reed Elsevier." In the tradition of Thoreau, he said, "There is no justice in following unjust laws. It's time to come into the light and, in the grand tradition of civil disobedience, declare our opposition to this private theft of public culture." While Aaron's decision to free scholarly works from MIT from private corporate control may have been ill-advised, the government's treatment of him as a dangerous criminal was unwarranted and out of proportion to the crime. Originally indicted on four counts, after his SOPA campaign was successful, Carmen Ortiz, U.S. Attorney for the district of Massachusetts, upped the number of counts to thirteen to "send a message." She accused Swartz of violating Title 18 of the U.S. Code, which carries a maximum penalty of 50 years in jail and one million dollars in fines.

Ortiz who pursued the case even after JSTOR agreed to drop the charges, justified the indictment by saying, "stealing is stealing whether you use a computer command or a crowbar, and whether you take documents, data, or dollars." Attorney General Eric Holder defended Ortiz's prosecution before the Senate Judiciary Committee, terming it, "a good use of prosecutorial discretion." After Swartz' death, Ortiz issued a statement saying that her office had never intended to seek maximum penalties against him, a small consolation to Swartz' family.

In contrast, the U.S. Department of Justice never intended to seek ANY penalties against those responsible for the financial manipulations and fraud that wiped out the jobs and living standards of millions of people. The Internet's Own Boy: The Story of Aaron Swartz is not just an advocacy film, but a character study of a young man who was not afraid to challenge what he thought was an unjust system. A clip is shown of Swartz saying, "I think you should always be questioning, I take this very scientific attitude in which everything you've learned is just provisional, that it's always open to recantation, refutation… I think the same thing applies to society." As a fitting epitaph to Aaron's life, author Justin Peters, recalled an event held one week after his death. A large banner was spread out on a table where people recorded memories of Aaron and messages of condolence. According to Peters, "near the end of the night, a slender boy in a plain sweatshirt who looked too young to be there came over to the table. He uncapped a marker. He wrote simply, 'We will continue.'"

I don't know why the Aaron Swartz story was never on my radar, which is one of the reasons why The Internet's Own Boy was an eye-opener. His is a tragic story, and although the filmmakers secured screen time with (almost) all involved, it's sad that all we have from Swartz is archival webcam interview footage. The movie makes a persuasive case for his being made a high-profile example by the justice system, and there's enough here to leave you either irate or fearful (or both).

Whether or not you agree with the man's politics, he made a difference - hell, he was instrumental in getting SOPA struck down, so he deserves our respect for that - and his story brings to light the need for fine-tuning the ancient copyright laws. Either way, this documentary delivers.

7/10

This is a very good documentary of a subject that EVERYONE should be interested in. If you're interested in the Internet, technology, open publishing (science or law), or freedom, you MUST watch this documentary. It's a moving and disturbing story of a very important young man, and how the government tried to make an example out of him.

Where it fails, is dealing with Aaron's mental health issues. His struggles with depression (which he documented in his blog) were glossed over, and even dismissed (such as when he brother said he didn't remember any mood swings as a child). I think this was purposefully done to fit the thesis of the documentary (that the prosecution backed him into a corner), and ignores a major part of Aaron's life. Just because he was "at-risk" due to mental illness, doesn't mean he wasn't targeted and persecuted. Instead, his depression was swept under the rug by the filmmaker, as it so often is in our society.

Overall, this is a very important film and I would highly recommend it. However, read Aaron's blogs and writings for supplemental info!

When a documentary can illicit tears of both anger and sadness, you know it must be doing something right. Such is the case with The Internet's Own Boy: The Story of Aaron Swartz. Aaron Swartz was one of the co-founders of the internet's so called front page; Reddit. He was also one of the most outspoken and inspired activists fighting to keep the internet free, protecting the rights and privileges of the American people whose government was trying tirelessly to censor the free speech granted by the web. Tragically, he took his own life at the age of 26 due to the constant pressures and endless scrutiny and indictment placed onto him by the American government. This film chronicles his tragically short life and attempts to put Aaron's name out there for the sake of carrying on his legacy. There aren't a whole lot of documentaries or films in general out there that I would say it is crucial that you watch. However, The Internet's Own Boy is one of these films. It pulls back the curtain on one of the most significant and relevant issues of our modern era, which is fighting censorship and maintaining the ability to access and attain the necessities the internet grants us. For instance the film starts out by showing us Swartz's many hacking campaigns where he would obtain legal and court documents from the American courts that one would otherwise have to unfairly pay for, and making it free to the public. It shows Aaron's fight for people's right to information, something the government seems to be stopping at nothing to revoke. It's truly sickening to see the things that Aaron, his friends, and his colleagues are put through in their fight for such a just cause. There are parts of this film that are absolutely infuriating, and there are parts that inspire as much as the other moments enrage. The victorious battle against the SOPA bill, for instance, highlights one great victory that shows off the American people's ability to make change happen, and fight back against what they know is wrong. This film shows what civil disobedience, protest, and the aptly coined term "hacktivism" are capable of, but it also shows the ignorant unfairness of what the government is capable of as well. Hence the frustration. It highlights the absurd idiocracy of a system stuck in the past, one that literally bases its bylaws off of The Computer Fraud and Abuse Act written in the 1980's when computers were a brand new idea and the endless scope of the internet wasn't even a conceived notion yet. The Internet's Own Boy strikes at a lot of issues that so easily get swept under the rug, and urges all of its viewers to be conscious of our rights and whether or not they are being stripped from us, because it can happen right under our noses. It concedes to us that we can't settle for unfair censorship and we must continue to fight back against a system that wants to tie our hands behind our backs and put duct tape over our mouths. Yes, the story of Aaron Swartz is a very sad one, and the film strikes emotional chords that give a beautiful amount of weight to the story being told. But the goal of The Internet's Own Boy is not to sour our moods with the tragic story of one of the 21st century's greatest minds. It is to raise awareness of this war against censorship; a war that can and must be won. The relevance of the issue is too immediate and too vital to our free speech system to be ignored. If you use the internet, you must see The Internet's Own Boy, and you must help carry on Aaron Swartz's noble legacy.