AVALIAÇÃO DA IMDb
6,3/10
32 mil
SUA AVALIAÇÃO
Em 33 d.C., uma tribuna romana na Judeia tem a tarefa de encontrar o corpo perdido de Jesus Cristo, que ressuscitou dos mortos.Em 33 d.C., uma tribuna romana na Judeia tem a tarefa de encontrar o corpo perdido de Jesus Cristo, que ressuscitou dos mortos.Em 33 d.C., uma tribuna romana na Judeia tem a tarefa de encontrar o corpo perdido de Jesus Cristo, que ressuscitou dos mortos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 indicações no total
María Botto
- Mary Magdalene
- (as Maria Botto)
Joe Manjón
- Simon the Canaanite
- (as Joe Manjon)
Avaliações em destaque
Risen is a Biblical Drama/Adventure film that follows Roman Tribune 'Clavius' (Joseph Fiennes) who is tasked with investigating the disappearance of the body of 'Jesus of Nazareth', who has been rumoured to have resurrected. This movie was a very pleasant surprise as i went into it expecting just an average film about a story that has been represented on the big screen many many times, but i got a very interesting, and dramatic film that had me hooked right to the very end. Many of these biblical films do touch on many of the same beats, but this film approached the story in some interesting ways and offered enough new to differentiate it from the others. The film featured some excellent/very good and convincing performances, but also had one or two miscasts. The story progressed at a steady pace for most of the film making it very easy to follow, and the film was also accompanied by a pretty good soundtrack that i did not expect at all.
One thing this film did with its story that really worked in its favour was tell the story through the eyes of a non-believer, and that added so much more to the story and more interest in the film. This added element let the story take turns that you wouldn't get from just an average biblical film and was great to see. The film also 'looked' very good in terms of the scenery and cinematography, it was very subdued and didn't really have grand set pieces and scenery that were obviously CGI. This really helped the film seem very grounded and i couldn't be distracted by any obvious CGI.
I have to say that i enjoyed the last 2/3 of the film much more than the first 1/3. I felt that there were some pretty big pacing issues in the beginning where it either felt like it was progressing too slow or it was moving too fast. There was a lot of jumping through time and skipping over quite a few scenes, and it was quite jarring at times. But as the story developed it quickly flowed at a very steady pace for the rest of the film and i quickly forgave it for its earlier blunders. In terms of performance, Joseph Fiennes was fantastic in the film as 'Clavius', he was the standout in the film and put in a very convincing and engaging performance that carried the film, especially early on. There were also good performances from other side-characters who elevated the film especially later on, but they weren't all good. Peter Firth who was cast as 'Pontius Pilate' was really not good at all, the way he delivered his lines felt very forced and not natural at all. Tom Felton was also a complete miscast, he just did not work at all as a Roman Soldier and his dialogue was very wooden and fake and just gave the impression that he was overacting and did take me out of it a little.
So in the end this was a surprisingly very good biblical film that offered enough new elements to this familiar story to differentiate it from the countless other similar films. This film would have been much better had they cast someone other than Tom Felton, as he was bringing down the film when Joseph Fiennes was putting in a fantastic performance. It's no 'Passion of the Christ' but it is better than a lot of other biblical films to come out in recent years.
7.3/10
One thing this film did with its story that really worked in its favour was tell the story through the eyes of a non-believer, and that added so much more to the story and more interest in the film. This added element let the story take turns that you wouldn't get from just an average biblical film and was great to see. The film also 'looked' very good in terms of the scenery and cinematography, it was very subdued and didn't really have grand set pieces and scenery that were obviously CGI. This really helped the film seem very grounded and i couldn't be distracted by any obvious CGI.
I have to say that i enjoyed the last 2/3 of the film much more than the first 1/3. I felt that there were some pretty big pacing issues in the beginning where it either felt like it was progressing too slow or it was moving too fast. There was a lot of jumping through time and skipping over quite a few scenes, and it was quite jarring at times. But as the story developed it quickly flowed at a very steady pace for the rest of the film and i quickly forgave it for its earlier blunders. In terms of performance, Joseph Fiennes was fantastic in the film as 'Clavius', he was the standout in the film and put in a very convincing and engaging performance that carried the film, especially early on. There were also good performances from other side-characters who elevated the film especially later on, but they weren't all good. Peter Firth who was cast as 'Pontius Pilate' was really not good at all, the way he delivered his lines felt very forced and not natural at all. Tom Felton was also a complete miscast, he just did not work at all as a Roman Soldier and his dialogue was very wooden and fake and just gave the impression that he was overacting and did take me out of it a little.
So in the end this was a surprisingly very good biblical film that offered enough new elements to this familiar story to differentiate it from the countless other similar films. This film would have been much better had they cast someone other than Tom Felton, as he was bringing down the film when Joseph Fiennes was putting in a fantastic performance. It's no 'Passion of the Christ' but it is better than a lot of other biblical films to come out in recent years.
7.3/10
With the most recent Biblical movies that Hollywood has come out with, Noah and Exodus, the main complaint, at least from the Christian viewer-base, was that they didn't stick to the accuracy of the Bible; in this film they do - so it has that going for it, if you're a Christian.
At the top of the IMDb page it lists this movie as Action, Adventure, and Drama; but in reality it's pretty much just drama. There is a 3 minute action sequence at the beginning and that is about it. It's not bad that it's Drama, but it is a slower paced movie - I only point this out because that is one of things I like to know when going into a movie.
The movie itself wasn't terribly exciting, but for the Christian audience, who like to see portions of the Bible "brought to life", I think it will find a decent viewer ship. That being said, if it's Friday night and you're looking for a fun movie, then this probably isn't it.
Thankfully, this isn't another "God's Not Dead" where they smack you in the face over and over again with how awesome Christians are and how terrible atheists are - it basically just sticks to a fictional storyline of what might have happened to a Roman centurion who is in charge of finding the missing body.
The bottom line is this movie is the very definition of "good" to me, not bad, but not great...just good.
At the top of the IMDb page it lists this movie as Action, Adventure, and Drama; but in reality it's pretty much just drama. There is a 3 minute action sequence at the beginning and that is about it. It's not bad that it's Drama, but it is a slower paced movie - I only point this out because that is one of things I like to know when going into a movie.
The movie itself wasn't terribly exciting, but for the Christian audience, who like to see portions of the Bible "brought to life", I think it will find a decent viewer ship. That being said, if it's Friday night and you're looking for a fun movie, then this probably isn't it.
Thankfully, this isn't another "God's Not Dead" where they smack you in the face over and over again with how awesome Christians are and how terrible atheists are - it basically just sticks to a fictional storyline of what might have happened to a Roman centurion who is in charge of finding the missing body.
The bottom line is this movie is the very definition of "good" to me, not bad, but not great...just good.
For a fallen-down Catholic boy like me, seeing Risen, a take on the weeks after Christ's Resurrection, should have offered me a year's supply of cynicism. As it turns out, the film was a pleasant trip back to the days when I did believe, when awe was a companion of my faith.
This uninspired Biblical thriller shows a powerful Roman tribune, Flavius (an underplaying to good effect Joseph Fiennes), ordered by Pilate (Peter Firth) to get rid of the Nazarene, and after His resurrection, find Him, and kill Him again. With restraint, director Kevin Reynolds makes even me a brief believer because the actors, from Cliff Curtis (Yeshua--Jesus) to Mary Magdalene (Maria Botto), play their roles with a natural affection that's supported by no swelling music or dazed looks.
But it's Fiennes who impressed me most: As he plays a character who is probably meant to be a surrogate for doubters like me in the audience, he actually makes us believers for the moment. So dedicated he is to proving this Messiah a hoax that his growing belief becomes a balm for our disbelief.
Beyond this nicely played worship is a set that looks like it came from a hundred other "B" movie sword and sandal epics. Yet, the underplayed plot, which pretty much follows the New Testament depiction of Christ's resurrection, has a quiet charm that reminds us of the Biblical text that needs no resurrection: It is with us forever.
This uninspired Biblical thriller shows a powerful Roman tribune, Flavius (an underplaying to good effect Joseph Fiennes), ordered by Pilate (Peter Firth) to get rid of the Nazarene, and after His resurrection, find Him, and kill Him again. With restraint, director Kevin Reynolds makes even me a brief believer because the actors, from Cliff Curtis (Yeshua--Jesus) to Mary Magdalene (Maria Botto), play their roles with a natural affection that's supported by no swelling music or dazed looks.
But it's Fiennes who impressed me most: As he plays a character who is probably meant to be a surrogate for doubters like me in the audience, he actually makes us believers for the moment. So dedicated he is to proving this Messiah a hoax that his growing belief becomes a balm for our disbelief.
Beyond this nicely played worship is a set that looks like it came from a hundred other "B" movie sword and sandal epics. Yet, the underplayed plot, which pretty much follows the New Testament depiction of Christ's resurrection, has a quiet charm that reminds us of the Biblical text that needs no resurrection: It is with us forever.
If you are believer than you have to envy Joseph Fiennes playing a Roman Tribune who was the first outsider to witness the seminal event of human history, the resurrection of Jesus and his ascension into heaven. In fact the story of Risen which is a film about something I always wanted to see made is done from the Roman point of view.
Although when Jesus was crucified the Emperor Tiberius had absolutely no intention to leave the Isle of Capri where he had given himself over into all manner of debauchery (see I Claudius) it's an impending visit that is the reason for Judean Governor Pontius Pilate's concern. It's why for instance he ordered the arrest and trial of a former carpenter turned itinerant preacher named Yeshua in Hebrew. As Pilate Peter Firth puts Fiennes and his new assistant Tom Felton in charge.
It is known that this Yeshua predicted in three days that he would arise from the dead, some precautions are taken and the tomb of Joseph of Arimathea is opened by some magic and there's no body there. That starts what in effect is a police investigation with the Romans reaching out to their usual group of stoolies like any police force does. For Fiennes eventually he finds some real proof positive.
The Gospels aren't very clear as to the events of the next few weeks. I recall that it is said that Jesus just hung out with his disciples, was seen by a few witnesses, what we would call unconfirmed sightings as per the authorities who were the Romans. In this film Cliff Curtis as Jesus even heals a leper on the shores of the sea of Gallilee before his ascension.
For any who are expecting grand pageantry like King Of Kings or The Greatest Story Ever Told this ain't the film to seek it. Curtis is quite the workingman, dressed like a carpenter or any other tradesman would be of the time. This is a man who hung out with fishermen and a lowly bureaucrat in Matthew. No white raiment for this interpretation of Jesus. It's only when he heals the leper and at the end makes the ascension to heaven that you know he's special. In fact compare this film's interpretation of that event with Max Von Sydow in The Greatest Story Ever Told.
Risen is a well crafted piece of cinema with Fiennes as our witness/protagonist giving a great performance. Risen will do well in more than the Christian film circuit.
Although when Jesus was crucified the Emperor Tiberius had absolutely no intention to leave the Isle of Capri where he had given himself over into all manner of debauchery (see I Claudius) it's an impending visit that is the reason for Judean Governor Pontius Pilate's concern. It's why for instance he ordered the arrest and trial of a former carpenter turned itinerant preacher named Yeshua in Hebrew. As Pilate Peter Firth puts Fiennes and his new assistant Tom Felton in charge.
It is known that this Yeshua predicted in three days that he would arise from the dead, some precautions are taken and the tomb of Joseph of Arimathea is opened by some magic and there's no body there. That starts what in effect is a police investigation with the Romans reaching out to their usual group of stoolies like any police force does. For Fiennes eventually he finds some real proof positive.
The Gospels aren't very clear as to the events of the next few weeks. I recall that it is said that Jesus just hung out with his disciples, was seen by a few witnesses, what we would call unconfirmed sightings as per the authorities who were the Romans. In this film Cliff Curtis as Jesus even heals a leper on the shores of the sea of Gallilee before his ascension.
For any who are expecting grand pageantry like King Of Kings or The Greatest Story Ever Told this ain't the film to seek it. Curtis is quite the workingman, dressed like a carpenter or any other tradesman would be of the time. This is a man who hung out with fishermen and a lowly bureaucrat in Matthew. No white raiment for this interpretation of Jesus. It's only when he heals the leper and at the end makes the ascension to heaven that you know he's special. In fact compare this film's interpretation of that event with Max Von Sydow in The Greatest Story Ever Told.
Risen is a well crafted piece of cinema with Fiennes as our witness/protagonist giving a great performance. Risen will do well in more than the Christian film circuit.
Risen gave a fresh but solemn view of the biblical story of the aftermath of Jesus's crucifixion as it tells the story through the eyes of a conflicted and emotionally drained Roman soldier named Clavius. Clavius seems more of a tired observer with his deep stare and mellow manner, and he seems appalled by the violence that the Roman soldiers perform, violence that he himself is called on to perform as well. He is tired of it all and wants to retire to a quiet life with a family, without witnessing any more deaths. None-the-less, duty demands that he kill from time to time, which he dutifully does, and he seems half mortified over this, and half compliant. During the battle in the beginning of the movie, Clavius apathetically kills a Jewish rebel, and later, during the tri-crucifixion scene, he orders a Roman soldier to break a prisoner's leg as he's dying on the cross, then runs his spear through Jesus's ribs, and he's no more bothered by this than if someone fender-bendered him at the supermarket.
The way Fiennes played his role as a troubled Roman official was intriguing, capturing civilians to question them about the whereabouts of Jesus's body, then dismissing them at will. The viewer expected Clavius to perhaps resort to violence or torture to get his captures to speak and reveal where Jesus's body is, knowledge that he desperately needed to satisfy his commander, Pontius Pilate. However, Clavius never quite went that far, either out of compassion or exhaustion. While Fiennes was cast well, Curtis, who plays Jesus, is a cross between a California hippie and a happy skateboard dude in a Coke commercial. In his final good-bye scene, Jesus glibly calls across the sand yelling his farewell as if mom was telling her kids to be good while dad's in charge.
Clavius's young side kick Lucius is played by Tom Felton, and unlike Draco, Lucius follows Clavius around looking confused. Bartholomew was my favorite character. Clavius demands that Bartholomew tell him where Jesus's body is, and Bartholomew grins flippantly and conveys that he ain't telling nothing'! Clavius interrogates him more harshly, kicks him to the ground, and Bartholomew gets up and slowly approaches Clavius, solemnly bends down to his ear, and says, "he's everywhere!" Then Bartholomew beams and prances away; the joke's on Clavius! The only more comical scene was when Clavius asked a group of men, "Does any of you know Mary Magdalene?" and all of them raised their hands. One more -- I was amused when Mary Magdalene looked like Miss Karate Woman beats Godzilla when she kicked an advancing soldier out of her way and escaped through a stone window. Mary is cast well, but her role is too brief, as is all the twelve disciples who are never given any individual definition (except for Simon, who sometimes pouts, and who sometimes is as happy as Santa Claus). Pontius Pilate is old and whiny and is fixated on not upsetting public opinion. Maybe he was really like that, but they don't show the inner turmoil he must have felt being forced to kill an innocent man to placate the masses.
We all know the ending, but Risen takes an unorthodox (if you will) direction. We see facial expressions of shock and realization that tell the story better than computer-generated special effects, and we are constantly grounded into this time period with the frequent buzzing of flies over rotting bodies, hair filled with dust and sand, broken statues of the gods, and earthquakes that crack massive stone gates. Thus, Risen shows instead of tells, and doesn't preach, thank God.
The way Fiennes played his role as a troubled Roman official was intriguing, capturing civilians to question them about the whereabouts of Jesus's body, then dismissing them at will. The viewer expected Clavius to perhaps resort to violence or torture to get his captures to speak and reveal where Jesus's body is, knowledge that he desperately needed to satisfy his commander, Pontius Pilate. However, Clavius never quite went that far, either out of compassion or exhaustion. While Fiennes was cast well, Curtis, who plays Jesus, is a cross between a California hippie and a happy skateboard dude in a Coke commercial. In his final good-bye scene, Jesus glibly calls across the sand yelling his farewell as if mom was telling her kids to be good while dad's in charge.
Clavius's young side kick Lucius is played by Tom Felton, and unlike Draco, Lucius follows Clavius around looking confused. Bartholomew was my favorite character. Clavius demands that Bartholomew tell him where Jesus's body is, and Bartholomew grins flippantly and conveys that he ain't telling nothing'! Clavius interrogates him more harshly, kicks him to the ground, and Bartholomew gets up and slowly approaches Clavius, solemnly bends down to his ear, and says, "he's everywhere!" Then Bartholomew beams and prances away; the joke's on Clavius! The only more comical scene was when Clavius asked a group of men, "Does any of you know Mary Magdalene?" and all of them raised their hands. One more -- I was amused when Mary Magdalene looked like Miss Karate Woman beats Godzilla when she kicked an advancing soldier out of her way and escaped through a stone window. Mary is cast well, but her role is too brief, as is all the twelve disciples who are never given any individual definition (except for Simon, who sometimes pouts, and who sometimes is as happy as Santa Claus). Pontius Pilate is old and whiny and is fixated on not upsetting public opinion. Maybe he was really like that, but they don't show the inner turmoil he must have felt being forced to kill an innocent man to placate the masses.
We all know the ending, but Risen takes an unorthodox (if you will) direction. We see facial expressions of shock and realization that tell the story better than computer-generated special effects, and we are constantly grounded into this time period with the frequent buzzing of flies over rotting bodies, hair filled with dust and sand, broken statues of the gods, and earthquakes that crack massive stone gates. Thus, Risen shows instead of tells, and doesn't preach, thank God.
Você sabia?
- CuriosidadesDuring Batholomew's interrogation, Clavius threatens to crucify him, to which Bartholomew replies that he'd happily submit, "Just strike." According to Christian tradition, Batholomew was eventually crucified for his faith.
- Erros de gravaçãoAfter the earthquake at the beginning, Lucius said that Poseidon was unhappy. Poseidon is a Greek god. Lucius should have mentioned Neptune, the Roman counterpart of Poseidon.
- ConexõesFeatured in The Saturday Show: Episode #1.21 (2016)
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- How long is Risen?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- La resurrección de Cristo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 36.880.033
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.801.271
- 21 de fev. de 2016
- Faturamento bruto mundial
- US$ 46.771.565
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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