Ressurreição

Risen gave a fresh but solemn view of the biblical story of the aftermath of Jesus's crucifixion as it tells the story through the eyes of a conflicted and emotionally drained Roman soldier named Clavius. Clavius seems more of a tired observer with his deep stare and mellow manner, and he seems appalled by the violence that the Roman soldiers perform, violence that he himself is called on to perform as well. He is tired of it all and wants to retire to a quiet life with a family, without witnessing any more deaths. None-the-less, duty demands that he kill from time to time, which he dutifully does, and he seems half mortified over this, and half compliant. During the battle in the beginning of the movie, Clavius apathetically kills a Jewish rebel, and later, during the tri-crucifixion scene, he orders a Roman soldier to break a prisoner's leg as he's dying on the cross, then runs his spear through Jesus's ribs, and he's no more bothered by this than if someone fender-bendered him at the supermarket.

The way Fiennes played his role as a troubled Roman official was intriguing, capturing civilians to question them about the whereabouts of Jesus's body, then dismissing them at will. The viewer expected Clavius to perhaps resort to violence or torture to get his captures to speak and reveal where Jesus's body is, knowledge that he desperately needed to satisfy his commander, Pontius Pilate. However, Clavius never quite went that far, either out of compassion or exhaustion. While Fiennes was cast well, Curtis, who plays Jesus, is a cross between a California hippie and a happy skateboard dude in a Coke commercial. In his final good-bye scene, Jesus glibly calls across the sand yelling his farewell as if mom was telling her kids to be good while dad's in charge.

Clavius's young side kick Lucius is played by Tom Felton, and unlike Draco, Lucius follows Clavius around looking confused. Bartholomew was my favorite character. Clavius demands that Bartholomew tell him where Jesus's body is, and Bartholomew grins flippantly and conveys that he ain't telling nothing'! Clavius interrogates him more harshly, kicks him to the ground, and Bartholomew gets up and slowly approaches Clavius, solemnly bends down to his ear, and says, "he's everywhere!" Then Bartholomew beams and prances away; the joke's on Clavius! The only more comical scene was when Clavius asked a group of men, "Does any of you know Mary Magdalene?" and all of them raised their hands. One more -- I was amused when Mary Magdalene looked like Miss Karate Woman beats Godzilla when she kicked an advancing soldier out of her way and escaped through a stone window. Mary is cast well, but her role is too brief, as is all the twelve disciples who are never given any individual definition (except for Simon, who sometimes pouts, and who sometimes is as happy as Santa Claus). Pontius Pilate is old and whiny and is fixated on not upsetting public opinion. Maybe he was really like that, but they don't show the inner turmoil he must have felt being forced to kill an innocent man to placate the masses.

We all know the ending, but Risen takes an unorthodox (if you will) direction. We see facial expressions of shock and realization that tell the story better than computer-generated special effects, and we are constantly grounded into this time period with the frequent buzzing of flies over rotting bodies, hair filled with dust and sand, broken statues of the gods, and earthquakes that crack massive stone gates. Thus, Risen shows instead of tells, and doesn't preach, thank God.

With the most recent Biblical movies that Hollywood has come out with, Noah and Exodus, the main complaint, at least from the Christian viewer-base, was that they didn't stick to the accuracy of the Bible; in this film they do - so it has that going for it, if you're a Christian.

At the top of the IMDb page it lists this movie as Action, Adventure, and Drama; but in reality it's pretty much just drama. There is a 3 minute action sequence at the beginning and that is about it. It's not bad that it's Drama, but it is a slower paced movie - I only point this out because that is one of things I like to know when going into a movie.

The movie itself wasn't terribly exciting, but for the Christian audience, who like to see portions of the Bible "brought to life", I think it will find a decent viewer ship. That being said, if it's Friday night and you're looking for a fun movie, then this probably isn't it.

Thankfully, this isn't another "God's Not Dead" where they smack you in the face over and over again with how awesome Christians are and how terrible atheists are - it basically just sticks to a fictional storyline of what might have happened to a Roman centurion who is in charge of finding the missing body.

The bottom line is this movie is the very definition of "good" to me, not bad, but not great...just good.

With nothing else to see, I went, somewhat reluctantly, to see the new Biblically inspired, movie, 'Risen' (which, as you can see, got good reviews on IMDb). Ostensibly about the crucifixion and resurrection of Christ, it's more a logical investigation imaginatively laid atop a history lesson, a key miracle of the New Testament, and a logical examination of rational thought challenged by inexplicable events. Told from the perspective of a Roman Tribune sent to investigate how Jesus' physical body disappeared from it's tomb, it's a story well told, seems historically authentic, and I (a lapsed Catholic/agnostic/skeptic) recommend it highly. It was also an interesting exercise in memory, as I strained to remember what I remember from hours of Catechism, and yearly celebrations of Good Friday, Easter, and the Feast of the Assumption...which turned out to be...not much.

There are parts which recall 'Life of Brian', it's a little bit long, the disciples resemble the inhabitants of the hippie commune in 'Easy Rider', Bartholomew is completely over the top, and the actor who plays Christ is iffy. But, then again, he is tasked with the impossible role of being man and God (just what expression would you choose if you played Christ?) without descending into camp farce. All in all, he does OK.

Joseph Fiennes plays the Tribune with authenticity, honesty, and an openness which allowed me to put myself in his place...how does a rational man deal with fundamental challenges to his heretofore solid as a rock, world? When do you surrender to faith when all the 'reason' in the world suggests that reason has little to do with it all?

It's a good movie, well worth seeing.

For a fallen-down Catholic boy like me, seeing Risen, a take on the weeks after Christ's Resurrection, should have offered me a year's supply of cynicism. As it turns out, the film was a pleasant trip back to the days when I did believe, when awe was a companion of my faith.

This uninspired Biblical thriller shows a powerful Roman tribune, Flavius (an underplaying to good effect Joseph Fiennes), ordered by Pilate (Peter Firth) to get rid of the Nazarene, and after His resurrection, find Him, and kill Him again. With restraint, director Kevin Reynolds makes even me a brief believer because the actors, from Cliff Curtis (Yeshua--Jesus) to Mary Magdalene (Maria Botto), play their roles with a natural affection that's supported by no swelling music or dazed looks.

But it's Fiennes who impressed me most: As he plays a character who is probably meant to be a surrogate for doubters like me in the audience, he actually makes us believers for the moment. So dedicated he is to proving this Messiah a hoax that his growing belief becomes a balm for our disbelief.

Beyond this nicely played worship is a set that looks like it came from a hundred other "B" movie sword and sandal epics. Yet, the underplayed plot, which pretty much follows the New Testament depiction of Christ's resurrection, has a quiet charm that reminds us of the Biblical text that needs no resurrection: It is with us forever.

I am a show biz professional and tony voter and this is a lovely movie with a breathtaking performance by Joseph Fiennes. He is absolutely wonderful with an authentic disciplined and beautiful arc to his work.