A Viúva Clicquot

Relatively dry period drama "Widow Clicquot" is the true story of how in the late 16th century the titular Barbe Nicole Clicquot (rising star Haley Bennett - excellent) inherited the Clicquot vineyards of Champagne from crazy genius husband Tom Sturridge, and with steely determination (and the support of Sam Riley) fought off largely chauvinistic pressure from those around her (including Ben Miles & Paul Rhys) AND oppressive Napoleonic laws, to forge a legacy living on today through Veuve Clicquot. Thomas Napper directs solidly, and Erin Dignam's screenplay (cut with flashbacks) is interesting, tho perhaps only REALLY interesting to wine enthusiasts.

Working in the industry, I am aware of the place that Madame Clicquot holds in the champagne world to this day. I had read this book and learned some very interesting things about what she did and how she did it. More so, some of her 19th century innovations that are still today's standards. Maybe her most important innovation, the riddling of the bottles during the bottle fermentation, is bearly noted and definitely not named.

What came across in the movie was almost none of that. This ended up somewhat of a confusing love story set against the vineyards of the Champagne region of France. Even her love story with M. Clicquot is ignored, even to the fact and reasons for their marriage taking place in the wine caves under Reims.

This could have been a great story highlighting a woman who really beat the odds when everything was working against her. I had hoped that this might be a good movie for my co-workers to view to learn more about a product we sell quite often. Having watched it, I cannot do that in good conscience, however!

Combining all of the elements that go into making a fine film and blending the various ingredients in just the right proportions is akin to the practice of crafting a fine wine - and quite an irony here given the subject matter of this engaging cinematic biography of Barbe Nicole Ponsardin Clicquot (1777-1866) (Haley Bennett), the French winemaker who became better known as "the Grand Dame of Champagne." Having inherited the business of her husband, François (Tom Sturridge), after this death, she vowed to continue operating the winery, carrying on his vision for innovation in the face of stiff competition from the rival Moet organization. But doing so was quite the challenge in light of financial difficulties, vintage failures, the questionable business practices of competitors, the responsibility of raising a young daughter (Cecily Cleeve) as a single mother, onerous operating conditions during the Napoleonic Era and the profound doubts of others (most notably her skeptical sexist father-in-law, Philippe (Ben Miles)) about whether a woman could successfully run an organization like this. Director Thomas Napper's latest chronicles the Widow Clicquot's inventive efforts to address these issues, as well as her ambitious initiatives to live up to the dreams of her late husband, in large part with the assistance of her loyal distributor, Louis (Sam Riley). In telling this story, the filmmaker seamlessly blends challenging events of everyday operations with flashbacks of a more personal nature, exploring the heartfelt feelings that provided the basis for the Clicquot philosophy of winemaking. The picture's superbly crafted narrative and screenplay, combined with exquisite period piece production values and excellent performances (particularly Bennett in one of her best on-screen portrayals), make for an involving, multifaceted watch. Admittedly, there are times in the second half where the story meanders somewhat, and some may find that this release gets a little too detailed when discussing the technical particulars of vinification. However, much of this offering is evenly balanced, effectively holding viewer interest about a subject that's not especially common in the annals of filmmaking. What's more, though, on a more philosophical level, this release celebrates the inherent joy and passion involved in the act of creating, ideas applicable to the manifestation of any artform, be it wine or painting or whatever else we're capable of envisioning and bringing into being. And, if that's not worth drinking a toast to, I don't know what is.

"Widow Clicquot" is an art film with historical chops helping those of us who love champagne and those who study Napolean. "Widow" is important in that title because in the early 19th century Barbe-Nicole Ponsardin Clicquot (Haley Bennett) challenged the 1804 Napoleonic code that didn't allow women to be business owners unless she was a widow.

Throughout the story, flashbacks allow us to see how she became widowed and how she grew into a winemaker helping to establish forever the méthode champenoise. The contemporary scenes allow reflections on the past and, most importantly, the role of women in the early 19th century. Although the early parts where she is struggling and learning the business of producing champagne is visually dark, Bennett infuses Barbe with enough potential energy to light up the screen.

More exciting than seeing her romances with men and wine is the process of refining her test samples into what has been known as "Comet Champagne" after the inspiration of a comet in her sky at that time. Her formula now is identified as Clicquot, a gold standard for fine champagne.

It's possible some would like to discount the feminist angle of this rich biography, but at their peril. The seeds of reasonable progress are sown here because of her excellence in developing the winery and thereby one of the world's greatest wines.

The dramatic tale, from reality, is as powerful as any romantic drama today. Too bad some will miss it out of a fear of being preached to about women's place. It is all about human ingenuity and ambition, male or female.

Widow Clicquot is an adaption of a true story about Madame Barbe-Nicole Ponsardin Clicquot, who was to become known as the "Grande Dame of Champagne". Widowed after her mentally ill husband commits suicide, Barbe-Nicole must take on the male hierarchy to have control over her deceased husband's vineyard and in doing so continue with their quest to create something great, during a time when Napoleon had blocked trade routes. Haley Bennet was superb as Barbe-Nicole, you felt her power and her grief. I have to say she reminds me of Jennifer Lawrence in looks. The whole cast was fantastic, if you love historical dramas about strong women, I highly recommend it.